Liberties Journal
Marion Keisker Loved Elvis First
John Cassavetes, Tennessee Williams, and Intelligent Insanity
Interview with Sean Abley, co-editor of Queer Horror: A Film Guide
Lombard: Queen of Screwball
The Question
Film Comment
Seeing Double: Shane & Everybody Wants Some!!
Monte Hellman
May/June 2020: The Ecstatic Art
Present Tense: Citizens Band
Present Tense: Arizona Dream
Present Tense: Jean Arthur
Present Tense: Martha Coolidge
March/April 2020: Never Rarely Sometimes Always and Prince of Tides
Present Tense: Miracle on Ice
Present Tense: Nick Nolte
Present Tense: Daughters of the Sun
January/February 2020: Bombshell
Present Tense: Used Cars
Present Tense: Sophia Takal
November/December 2019 issue: Terrence Malick’s A Hidden Life
Present Tense: Kristen Stewart
Present Tense: Tomboys
Present Tense: Angel Baby
Present Tense: Audience vs. Alone
Present Tense: Brett Hanover’s Rukus
Present Tense: The Death Scene
Present Tense: Matthias Schoenaerts
September/October 2019 issue: Noah Baumbach’s career
Present Tense: Female Comedians
Present Tense: Out of the Blue
Present Tense: Back-ting
Present Tense: What Happened Was…
TCM Diary: The Chemistry Set
Present Tense: Sylvia Plath Goes to the Movies
Present Tense: Rolling Thunder Revue
TCM Diary: They Were Expendable
Present Tense: Infinite Brando
Present Tense: Almost Like Falling in Love
Present Tense: Frank O’Hara at the Movies
May-June 2019: Review of The Souvenir
March/April 2019: Review of A Face in the Crowd
March/April 2019: Review of Hollywood Jim Crow
TCM Diary: Man of Aran
TCM Diary: Sounder
In Memoriam: Nicolas Roeg
TCM Diary: The Canterville Ghost
September/October 2018 issue: Tamara Jenkins’ Private Life
TCM Diary: Dorothy Malone Knows
TCM Diary: High Society
The River’s Roar: Mary Ellen Bute’s Passages from James Joyce’s Finnegans Wake
March/April 2018 issue: “Wicked Torment”: Thomas Mitchell in Moontide
TCM Diary: Love Me or Leave Me (1955)
Jan/Feb 2018 issue: Review of Phantom Thread
Best Films of 2017
Nov/Dec 2017 issue: Review of Lady Bird
TCM Diary: Elvis, Actor
May/June 2017 issue: Review of The Wedding Plan
TCM Diary: Kim Stanley
TCM Diary: Faulkner’s Tomorrow
September/October 2016 issue: “Sweet Agony:” Dean Stockwell in Compulsion
Best Films of 2016
TCM Diary: Miriam Hopkins!
TCM Diary: The Night Digger and Alice, Sweet Alice.
The Criterion Collection
Elvis’s Adventures in Hollywood
After Hours: No Exit
Raging Bull: Video essay on De Niro, Pesci, and Moriarty
The Worst Person in the World: Lost and Found
Bringing Up Baby: Bones, Balls and Butterflies
Dance, Girl, Dance: Gotta Dance
The Great Escape: Not Caught
The Hot-Blooded Love Cry at the Cold Heart of Badlands
What They Found: Our Contributors Share Their 2018 Discoveries
Bergman’s Actors: The Eerie Intensity of Ingrid Thulin
Bergman’s Actors: Liv Ullmann and Bibi Andersson, Sisters in the Art
Something Wild: Last Chances
The Long Shadow of Gilda (1946)
Video-essay on Gena Rowlands for Love Streams (1984)
The Moviegoer: Library of America
Unforgettable lonely boy James Dean carries East of Eden on his narrow shoulders
Journal of the Plague Year
We Will Not Take Away Elvis
Academy Awards: Governors Awards Tribute Reel Narration
Editor Anne V. Coates, 2016, narration read by Diane Lane
Actress Gena Rowlands, 2015, narration read by Angelina Jolie
Sight & Sound magazine
Summer 2021 issue: Hidden Heroes feature, on Anne V. Coates
December 2019 issue: On Netflix’s Unbelievable
October 2018 issue: The final shot in Shampoo
August 2018 issue: FlickLit special, on Joan Didion’s Play It As It Lays
Los Angeles Times
Classic Hollywood’s glory and sins, distilled through the women around Howard Hughes
The New York Times
‘Feud: Bette and Joan’ Episode 1: Sui Generis, if Not So Generous
‘Feud: Bette and Joan’ Episode 2: Give the People What They Want
‘Feud: Bette and Joan’ Episode 3: Mommy Knows Best. Or Maybe Not.
‘Feud: Bette and Joan’ Episode 4: Aftermath
‘Feud: Bette and Joan’ Episode 5: Taking the Stage
‘Feud: Bette and Joan’ Episode 6: Midnight Descending
‘Feud: Bette and Joan’ Episode 7 Recap: Feminism 101
‘Feud: Bette and Joan’ Season Finale: Two Seconds
Oscilloscope Laboratories
Booklet essay for What Happened Was… (1994)
Mirror, Mirror: When Movie Characters Look Back at Themselves
Remember My Forgotten Women: The Dire Worlds of “Sucker Punch” and “Gold Diggers of 1933″
Arrow Video
On Woody Allen’s Another Woman (1988)
On Robert Altman’s Gosford Park (2002)
The Dissolve
Tap World (2015)
Bravetown (2015)
The Girl Is In Trouble (2015)
Farewell to Hollywood (2015)
The 50 Best Films of the Decade So Far, Part 1
Cake (2015)
Beside Still Waters (2014)
The Heart Machine (2014)
The Canal (2014)
Last Hijack (2014)
Swim Little Fish Swim (2014)
Last Weekend (2014)
Bright Wall/Dark Room
Riotous Excursions: Baz Luhrmann’s The Great Gatsby
“Why Do You Have to Carry the Burden of Someone Else’s Life?” A Conversation about Running on Empty
Love Me Tender (1956)
Venetian Blinds and Gleaming Silver Pistols: Sudden Fear (1952)
You Are What You Do: His Girl Friday (1940)
Movie Mezzanine
Time After Time: Looking Back on Before Sunrise
To Be Okay: An Interview with Shawn Christensen
Podcasts
A Very Good Year: 1953 with Sheila O’Malley
The Last Thing I Saw: Billy Wilder
Watch with Jen: Pre-Code Films
The Last Thing I Saw: Hamilton, 8 Mile, Jackass and more!
Ticklish Business: Viva Las Vegas
Speeding Bullitt: on The Great Escape and Steve McQueen
The Film Comment Podcast: Jean Arthur and Dead Ringers
The Film Comment Podcast: Joanna Hogg’s The Souvenir
The Film Comment Podcast: Amazing Grace and the Concert Film
The Film Comment Podcast: Ida Lupino
The Film Comment Podcast: Rep Report #1
The Film Comment Podcast: Phantom Thread
Oscar Smackdown: Nathaniel Rogers and I discuss the 1984 Best Supporting Actress noms
Cinephiliacs: Peter Labuza and I discuss Opening Night and other topics
Flavorwire
The 50 Greatest Movie Characters of All Time
Capital New York 2010-2013
James Gandolfini, on the New York stage
‘Polisse’: What could a child-protection officer possibly do for fun?
‘Rubberneck’: Alex Karpovsky on the dark side of nice
Shawn Christensen on the inspiration and luck that led him to Fatima Ptacek, and ‘Curfew’
How an actor from New York and a cinematographer from Texas made a movie about small-town Mass.
‘The Russian Winter’: John Forté and the common languages of music and hardship
‘Booker’s Place’: A documentary about the purpose, and the incredible cost, of speaking out
‘Curfew’: Life and near-death in New York, in 19 incredible minutes
‘Downeast’: Rescuing the American worker takes more than heroism, sadly
‘Fairhaven’: The real world, where a random quote from Tom Brady can crush a guy
Jennifer Lawrence
Mushroom-foraging and Manhattan restaurants, with a side of social commentary
‘Las Acacias’: A road trip and a little bit of a love story, without cliché
You worry about ‘The Kid With a Bike,’ without knowing who the kid is, because that’s what people do
2011 Best Picture Nominees
2011 Best Actor Nominees
2011 Best Actress Nominees
2011 Best Supporting Actor Nominees
2011 Best Supporting Actress Nominees
‘Cold Weather’: A deep indie that is not plot-resistant; a ‘love letter’ to Portland that is actually awesome
Why Hollywood makes Creepy Kid movies, and why America can’t look away
Ron Eldard on ‘Roadie,’ a movie about Queens
Meryl Streep’s performance as Margaret Thatcher is a historic event, just like her acting career
Iron ladies: When powerful actresses play powerful female leaders
‘War Horse’: It’s hard to care about animals while you’re waiting for the sound of church bells
Top 10 Films of 2011
Rose Byrne is having a serious moment
Why actors still talk about Charlie Chaplin, and what he teaches them about not acting funny
‘The Girl With the Dragon Tattoo’: Rooney Mara takes ownership of Lisbeth Salander, darkly
At the Tribeca Film Festival: ‘The King of Comedy’
From Taiwan, a very serious comedy about love’s hopes and sadnesses
‘Shame’: Being a sex-addicted bachelor in New York gets old
‘The Ides of March’: Unintended ode to an innocent era before wide stances, Craigslist-trolls and wayward tweets
‘A Dangerous Method’: A talking cure, conducted by Viggo Mortensen and Michael Fassbender
‘This Is Not a Film’: The extinguishing of Jafar Panahi’s career, for real, and right before your eyes
‘Living in the Material World’: An ‘honest’ Scorsese documentary about a curious Beatle
‘A Separation’: An Iranian culture clash disguised as a tragic, epic domestic drama
‘Carnage’: A triumph for Polanski, and the funniest movie about hopelessness you’ll ever see
‘The Turin Horse’: A tale of animal and human deprivation, and an invitation to feel Nietzsche’s pain
‘Melancholia’: Lars von Trier makes a despairing gesture, and this time he has a point
‘Moneyball,’ Brad Pitt, and the romantic side of baseball nerddom
‘Contagion’: A gruesomely timed portrait of airborne infection and urban panic
Woody’s second act: ‘Midnight in Paris’ may not be ‘Annie Hall,’ but people keep paying good money to see it
‘The Help’: A movie about a white woman who told the story of the suffering of black women
‘Tree of Life’: Terrence Malick tells the story of everything, in tiny little pieces
In ‘House of Blue Leaves,’ that terror and pity, missing in Stiller’s performance, balance out in Edie Falco
‘Stuck Between Stations’: Sam Rosen, Zoe Lister-Jones and the makings of a magical night, squandered
‘Roadie’ rules: An everyday story about Long Island and Blue Oyster Cult, told extraordinarily
Anthems for dead nations: ‘Cinema Komunisto’ and ‘The Miners’ Hymns’
‘Cairo Exit’: The movie that outlasted Hosni Mubarak
‘Flowers of Evil’: A movie about Twitter cross-talk that deserves our undivided attention
On taking too many liberties with ‘Jane Eyre’ (and too few with Michael Fassbender)
‘Certified Copy’ may look like something you’ve seen before, but it isn’t
‘The Company Men’: A sensitive portrait of an Affleck-looking jerk with a Porsche
‘The Housemaid’: Another act of Korean film-making bravery, for better and worse
‘Blue Valentine’: Stunning, and about as sexy as a dead romance
‘True Grit’: What the Coen Brothers look like when they’re not winking
Epicurious
Every Recipe in The Godfather
Every Recipe in When Harry Met Sally
Every Recipe in Pulp Fiction
Press Play
God is the Bigger Elvis
Salon.com
The House Next Door
The Mystery of Screen Acting: An Interview with Author Dan Callahan
“Talk About the Movie”: A Bug’s Life and Up
Fully Realized: On Natasha Richardson in Cabaret
Gone Away, Come Back: Mickey Rourke
Indelible Ink: Paul Newman
William Holden: To Live Like a Human Being
5 for the Day: Jeff Bridges
5 for the Day: Cary Grant
You, the Jury: Joan Crawford, Otto Preminger, and Daisy Kenyon
5 for the Day: Dean Stockwell
5 for the Day: Kate Hepburn
Between Heaven and Earth
Where God Left His Shoes
Fireworks Wednesday
Autumn Adagio
La Vie au Ranch
R
Mama
Sun Spots
The Temptation of St. Tony
Cold Water of the Sea
C’est Déjà L’ete
Street Days
The Sewanee Review
“Two Birds,” a personal essay about my father and Irish literature. The 2006 Irish Letters edition.
Hi Sheila
I read about your work in the booklet accompanying the ‘Masters of Cinema’ version of The Quiet Man, one of my favorite films. I am President of the Elvis Presley Film Society which has been in existence since 1995 here in Glasgow, Scotland. I read some of your writings on Elvis’s screen work and can wholeheartedly agree that he was something of an underrated actor. His best performances, in my opinion, came in King Creole and Flaming Star, where it was clear that he was not relying on some formulaic structure, but delivered a compelling performance as troubled characters in each case.
I have had two books published on Elvis – Elvis Presley in Hollywood: Celluloid Sell-Out in 1989, and in 2000 the title Elvis Presley: The Power and the Persecution. I still contribute the occasional feature to some of the better Elvis magazines, generally at their invitation.
Anyway, I thought I would contact you and wish you well in your future work, and to tell you that it is refreshing to read something positive on Elvis’s much-maligned screen work.
Best regards
Gerry McLafferty
President, Elvis Presley Film Society