The Sheila Variations

Daily Dean Stockwell fix

Here he is in Song of the Thin Man - another movie where his main job is to be adorable and sweet. That was his "thing" as a child actor. He was photogenic, his face expressive, and your heart just goes out to him, because he's a little kid, and when little kids are upset or happy or scared - your heart naturally goes out to them. (Not all child actors have this, obviously. Many of them seem like precocious little show-biz brats who have spent their Saturdays in acting classes since they were in diapers. Stockwell never seems like one of THOSE kids. It's part of his major appeal.) His job also is to be a weak spot in Nick and Nora Charles, he can be used against them by their enemies.

One of the things that is amazing to watch, in these childhood performances of his, is that he is always thinking between the lines - now this is very rare, even in adult actors, and nobody could tell him to do that. It's one of those things that CAN'T be taught. And it has to do with knowing how to listen (which was what started my Dean Stockwell obsession in the first place.) Knowing how to listen is even more important than knowing how to talk and memorize lines and say them correctly. Anyone can do that. But to seem like youre really listening? When you already know what the other person is going to say to you because it's in the script? That's acting. The little kids who can do that have a gift. It's just a gift, it's not a "craft". By thinking between the lines, I mean: he's in a scene, Myrna Loy is telling him that he can't go play baseball because he has to practice the piano. He has one line in the exchange: "But Mom, I'm supposed to pitch today!" She cuts him off and says something about how there will be no baseball today, he must practice the piano because he has a recital coming up. As she speaks, Stockwell starts to say something - you can see the shift in his face - at first he has been dismayed, but then he thinks perhaps he knows a way out of his predicament, so a new hope and a new idea dawns on his face - and he opens his mouth but then realizes: Nope. She's not gonna give on this one. And so he deflates a bit. He has NO lines to support this ... it's just a logical commonsense choice. Instead of behaving like an actor ... he behaves like a real person. He flat out never seems like he's acting.

Stockwell has been quite open about how unhappy he was as a child. He had no childhood. He was a working man by the age of 8, and he supported the family with his movies. He felt the pressure, he didn't enjoy acting - it just happened to be something he was very good at. His education was very spotty - he has said he had to go back, as an adult, and teach himself how to read. He didn't go to a normal school until he was 15, 16 ... He dropped out for a while, changed his name, moved around the country, had girlfriends who didn't know who he was (remember, he had been a major star as a kid, no experience of anonymity) - and finally came back in his 20s, because he realized - I have no skills to do anything else, I'm an actor, I can do this and do it well - it's a SKILL. He has said he didn't really enjoy acting until he was in his 40s. Kind of amazing. He was GOOD at something, very early on, and he was amply rewarded for it. But the rewards meant nothing. He wanted to be a normal kid and play football and not have to do those stupid crying scenes in movies. He was a worried person, very early on.

I guess one of the things I admire so much about this whole trajectory is his knowledge, self-knowledge, that he had a gift. And it was up to HIM what to do with it. He could totally have done other things. He was not ambitious like other actors. He did some key roles in his 20s - Compulsion, Long Day's Journey ... he got married ... divorced ... and then dropped out altogether to be a hippie biker dude in San Francisco, living with 5 women at the same time. Go, Dean. He has said that that was his childhood. He hadn't had any fun as a kid, so he made up for lost time in his 30s. A decade passed. And when he decided to go back to acting - when he was ready to re-enter - it wasn't that easy. The doors were now closed. 15 years of struggle commenced. He did dinner theatre. He did monster movies. He did television. He has said that most of those years he didn't make more than $10,000. "It was a long, lean time." Amazing. Again. I just admire him. (Obviously).

He was in his 40s, doing some B-movie in Mexico - and David Lynch was filming nearby and Stockwell heard that he was doing Dune. Stockwell was a huge fan of the book, and he basically approached Lynch one day to introduce himself. They both tell the story of that meeting - Lynch saw Stockwell walking towards him, and got this blanched look on his face, almost panicked. Stockwell held out his hand, introduced himself, and Lynch said, "I thought Dean Stockwell was dead." So THAT'S how far out of the consciousness of Hollywood Stockwell, once a huge star, had become. Stockwell said he'd love to be in the movie, he didn't even care which part. Lynch said it was already cast, and Stockwell went back to his Mexican B-movie set. Months later, Lynch called - saying that somebody had backed out of the project and would Stockwell like the part?

This was the beginning of the big comeback.

Dean Stockwell is an actor whose real pay-offs did not start until he was in his 50s.

He has said he has no craft beyond intuition and instinct. This is apparent in everything he does. Even as a kid. His intuition led him to know (just KNOW) that while Myrna Loy was telling him to go play the piano - he should START to protest ... but then stop, and be defeated - all without a word. He KNEW this because he never thinks like an actor, he always thinks like a person. And that is what you would do in that situation.

His acting still has that breath of originality and reality to it - even in some of the cheesy horror movies he made during the 'long lean time'. He didn't sell himself out. Ever. And so now - as a man in his 70s - the rewards are even sweeter, more potent.

He's always been on my radar. I've always been happy when he would "show up" on a Law & Order, or JAG, or in movies like Air Force One.

But I feel lucky to have re-encountered his work in this new and intense way.

Some moments from Song of the Thin Man below, including the "in between the lines" moment with Myrna Loy where he goes to say something, then stops himself.

All Stockwell stuff here

Posted by sheila | TrackBack