From the archives (September 12, 2006): Under the Ghostbuster Sky

Michael and I sat up on my roof for a couple of hours on the late afternoon-early evening of Sept. 10. The sky was what I call a “Ghostbusters sky”: smudgy, charcoal grey, heavy and low, dramatic. Smudgy almost-black clouds overlapping each other, pressing up against each other. The buildings of our fragile beautiful skyline came out in stark relief against that black sky. Occasionally, a stray red gleam of sunset would break out from behind the clouds to the west (behind us), and then, suddenly, the buildings of Manhattan would GLOW. But only for a moment. The spire of the Empire State Building would blaze into a golden-white paper cut-out, the Chrysler Building beaming, and then, as the clouds closed up again, the gleam would subside, back to the shadowy building shapes of late afternoon.

We were surrounded by butterflies. Big orange butterflies, soaring in the wind, not even having to flap their wings, just taking off, hang-gliding, but then flap flap flap flap pumping it up a notch, chasing each other. At one point Michael and I literally had two orange butterflies hovering over our heads. Were they like the little angel and devil who sit on your shoulder at the same time, whispering contradictory demands? At first we thought there was only ONE butterfly, we kept seeing him, and he certainly seemed to get around: first he was here, now there. Then we realized there was a whole PHALANX of them. Not really watching over us, no, they were too self-absorbed for that (and who can blame them? Have you ever heard of an altruistic butterfly?) … but it did seem like they hovered around our heads protectively. Taking shifts. “Okay … you go off and hang-glide for a while … I got these two … no, no, you go … have fun! I got this.”

We had been walking around all day. Breakfast at a diner in Hoboken (we HAD to go to a diner, for old times’ sake). We talked our heads off (jazzed on caffeine), then we walked around Hoboken for a couple hours. We went into the second-hand bookstore. We talked. Michael so enjoyed the overcast sky and the cool wind, coming, as he does, from living in LA. He had been so excited that the forecast was “overcast”. We went to Barnes and Noble. There were a couple of hysterical moments involving a certain Pulitzer Prize winning author with whom I have a checkered past, which Michael knows about. Michael, looking at the book, said, bluntly, “I will NEVER buy this book.” So protective.

After that we walked to Frank Sinatra Park, near the spot where I watched the buildings fall and the air filled with screams, and sat on the low wall for an hour or so, the Hudson slate-grey and choppy, the buildings of Manhattan in shadow, the clouds marching down from the north, heavy and low and portentous. The skyline doesn’t look right. It never will. There is a hole in the ground but more haunting is the hole in the sky.

We talked about cults. They came up a couple times. Michael finally asked, “So why are you fascinated by Scientologyy?” I said, “Oh God. How much time do you have?” Turns out, he had a LOT of time, as a matter of fact, and he egged me on. “So tell me more. What else do you know?” This was like blood to a vampire.

He talked about how he had been trapped next to Scientology member on the plane, and how the dude had a stack of Hubman books in his lap AND Hubman’s lecture tapes playing on his iPod. Seriously. The guy started up talking to Michael, and he had seemed so nice, and so interested in Michael, and then, of course, came the recruitment moment and Michael was like: Fuck YOU. The emotional blackmail – the “bait and switch” – is so offensive. We talked and talked about brainwashing and cult recruitment and Patty Hearst and the strain of power-worship going through all cults.

Meanwhile, there’s a cool breeze, sailboats careen by, teeny little whitecaps slapping up against the dock, the sky is low and black, but still: no rain. I had forgotten (sort of) how easy it is to talk with and be with Michael.

We walked the length of Hoboken again, talking about libertarians (“I have noticed that the magic community has a lot of libertarians, for some reason,” said Michael), Christopher Hitchens, and the 9/11 myth dummy-dumbs, we talked about Katrina and politics and elections. I don’t think we ever talked about politics when we were dating. It was all books and movies and actors and our emotions.

I couldn’t face walking back up the cliff to where I lived – the steep incline, and we had been walking for hours already – so I called a cab. Somehow, as we were waiting for the cab, we started talking about our relationship, that took place 5 billion years ago. I brought up our whole crossing the street arguments. We always used to have these mini-showdowns when we would cross the street, because Michael would always charge across the street just as the light turned yellow, regardless of whether or not cars were coming. I would always just wait for the light to turn red. This drove him batshit.

Hilariously: as we walked around in Hoboken, I silently noticed that this dynamic was still going on. Yellow light. Michael would start across. I would hesitate, looking down the street, and then follow. I had to smile to myself. I love continuity of any kind. We were young when we dated, or much younger than we are now, but there is something eternal in both of us. I do not know why I doubt that. Perhaps because I am alone and with my thoughts too much. People who live with the same person, day in, day out, probably have a much better grasp on how some people never change, how the same things keep coming up.

I don’t mean “better grasp” at all. I need to re-think how I’m wording this because I actually think MY way is better. Maybe people who deal with someone else’s same-ness on an everyday basis get frustrated by it, or annoyed, because they’re over it, they’re used to it, same-ness is not evidence of something eternal and beautifully unchanging, it’s ANNOYING. But to me? The fact that this whole silent “how to cross the street” battle is STILL going on, even with the intervening years, even with not seeing each other in so long made me smile, made me feel like there was a silver thread of connection between us now and us then. There’s a sense of being confronted with something eternal, and this is a huge comfort to me. Things change, people grow, move on, move apart. Every day is a little loss, things must be grieved, small and large, you must always be letting go, every day a process of letting go.

Naturally I have a terrible time with this. I have lost a lot. It’s hard for me to let go. But our silent traffic-light moments, our silent different ways of handling crossing the street, is forever. If we see each other when we’re in our 70s, it would be the same damn thing, except maybe we both would be walking with canes. I think my consciousness comes from the fact that I do not have continuity in my life on an everyday basis. I relish those moments and they are intense. I am intense. Michael was never put off by my intensity, and he still isn’t. He goes right into it. He asks about it. He asks for more information. Maybe because he’s the same way.

I said, “Remember the whole crossing the street thing we used to have?” He thought a second and then just BURST into laughter.

What used to happen when we were dating was that Michael would call me on it. He was a hot-blooded young rebellious guy and he hated that I would hesitate. So he would yell at me. Literally: YELL. And I would yell back to him across the street, pointing at the approaching car that was 1.2 miles away, as evidence of why I wasn’t crossing. We were both howling at the memory of the two of us, young and fiery, standing on random empty corners in Ithaca New York, yelling at each other. To him at the time it was a symbol: it said a LOT about me (according to him): If I crossed the street the way HE did then I would have a breakthrough as an actress, a writer, a woman. Michael was just guffawing as I reminded him of this. “So I was basically bullying you to be a better person?” “Yes.” “Jesus.” We were laughing, I said, “Yeah but have you noticed how that shit is still going on? I mean, you’re not YELLING AT ME anymore but it’s still the same thing when we cross the street.”

We eventually got home. The light was low and heavy and my apartment cozy and late-afternoon-ish. He hadn’t been up to the roof yet, and I wanted him to see the view. He took his New York Times and I took my Cymbeline script and we went up to hang out on the roof. Of course we didn’t end up reading, just talking, and laughing, and sometimes just silently staring across at the glowing/shadowing skyline. The slow march of clouds. The hole in the sky. The butterfly army watching over us.

He said, “So what else. Besides crossing the street. What else do you remember?”

So we talked about what we remembered.

Later:

I lay in bed memorizing my lines. He sat in the chair reading The New York Times “cover to cover”.

Sometimes we talked. Mostly we didn’t. We were wrapped up in our own private activities. But we shared space. I don’t share space. I am always alone. It was so nice to have him there.

Night fell outside. We ordered dinner. We ate at my kitchen table.

Then we talked for hours and hours, late late into the night.

The black Ghostbuster sky was still there, I imagine. The black clouds continued marching by overhead, in their smudgy procession, but they blended into the general blackness of night now, imperceptible. My lamps glowed, soft, golden and homey.

Talking. Late into the night.

2026 thoughts:
I am a little bit amazed at how I used to write on here. This is wild to me. Of course I remember the day and Michael’s visit. A couple days after I wrote a bunch of quotes from our five-day long conversation: Snippets. No Context.

I lived in a one-room apartment, with a kitchen that was basically a narrow corridor in which I squeezed a table. The main room was big enough for my bed, a small bookcase, this low squishy chair that was kinda just a big pillow, and a desk. Michael came to visit and stayed with me. In the one room. Michael and I dated years before. The relationship was brief but strangely important to both of us and we are friends to this day. I thanked him in the acknowledgements section of my Guillermo del Toro Frankenstein book. We remain, to this day, “fans” of one another and we keep an eye on each other. I mean, you aren’t interviewed together on a cable access show in Ithaca, New York, and then just never speak to each other again.

Back then, he lived in Los Angeles, I lived in a building perched on top of a cliff in Weehawken (you can see the end of my street in the opening credits sequence of The Sopranos, right when he comes out of the tunnel).

My apartment was incredibly cheap but the views were spectacular. I would sit on the roof and watch the colors change. I lived in that one tiny room from 2003 to 2009, some of the most awful years of my life. I don’t remember much of it. And 2009 to 2012 was even worse, but at least my apartment was bigger. I started this blog in 2002, and it gave me an outlet. Michael came to New York for a week and stayed with me in my one tiny room. I remember the visit as being very soft and tender, familiarity and sparks, the intellectual stimulation we found with each other. We talked for five days straight.

He’s one of my forever people. He asked me to marry him, maybe six years before this original post in 2006. I think I was a year out of grad school when he proposed. We hadn’t been in contact at all – three years maybe?, and suddenly, there he was proposing on my answering machine. He talked about John Cassavetes movies (one of our bonds), and how he was at a John Cassavetes retrospective by himself and he kept thinking I should be there, and why wasn’t I there with him. (Because you live in Los Angeles and I live in New York? Basically he was missing me terribly. But remember, we hadn’t spoken in three years. There was no social media.) Then he popped the question. “Call me back with your answer.” Click. The funniest thing – but it makes sense to me – is I said yes. I called him back and left a message on his answering machine: “Hey, I got your message. Here’s my answer: Yes. Call me back.”

Why is my life like this.

Why would I say yes when I hadn’t seen him in three years? It seemed like a no-brainer to me. If he was going to a John Cassavetes movie, and missing me the whole time … I mean, what else do I need to know. He hasn’t changed. I hadn’t had any luck in the whole traditional “we dated, fell in love, moved in together” scenario, so I totally understood why he would do what he did. We were good friends. When we were dating: It wasn’t some sweeping love affair, but we got along great, we fought a lot but we fought well and made up, we had the same interests, we valued the same things, we had similar senses of humor, we loved going dancing (he was a great dancer), we had physical chemistry, we also liked just sitting around reading quietly. We liked each other. We cared about each other. We also believed in each others’ dreams! I mean, come on, what more do you need? People fall wildly in love, get married, and a couple years later the honeymoon phase wears off and they realize they don’t even LIKE each other. We have at least that part down pat!

We got together in Chicago to discuss marriage. We sat in a diner. It was freezing rain outside, and we talked pros and cons. We talked about going to Vegas or City Hall. Then he took back his proposal. Reluctantly. The conversation was very chaotic. Not rancorous, just … “wtf” all around. He said, “I didn’t think you’d say yes!” “Oh for God’s sake, what are you even DOING!!” “I DO want to though! I was missing you SO BAD. Maybe we can come back to it later?” “Michael, are you kidding me with this bullshit.” “You really like me that much to say Yes?” “Well, not anymore.” “No, seriously, you do?” “We get along great. I don’t know, seems like there are worse reasons to marry.” So romantic. Snapping back and forth across the table at the diner.

This was my SECOND marriage proposal by the way. There would be one more. Michael’s is the only one I said “yes” to. After talking about all of the problems with us getting married, when we hadn’t seen each other in 3 years and weren’t even dating (I reiterate: why is my life like this), we walked back to Mitchell’s apartment through the freezing cold, and lay on the couch together, fully clothed, all tangled up, watching television, not speaking. Mitchell, who knew the whole story, and loved Michael, came in from the cold, looked at us on the couch and said, “You two are ridiculous.” Michael called out, “Mitchell, tell us what to do!” Mitchell said, unwrapping his winter scarf, taking off his coat, totally over it, “You two need to spend the rest of your lives together, I mean what more do you want me to say?”

Well, we didn’t. I wasn’t heartbroken or anything when he took back his proposal. The whole thing was so random. It’s definitely a road not taken though. I wonder how it would have worked out. (Or not.) I still think the two of us had as good a chance as any. But we’re there for each other to this day. We keep track of each other. We cheer each other on from afar. I didn’t have much space in the acknowledgements section of my Frankenstein book. But I knew from the jump, even before I wrote the thing, that Michael had to be in there.

From the archives archive
The first post on my blog (2002)
Wisconsin Idyll in Funny Hats with Rocket Launchers (2011)
I Was Told I Would Get Wings (2004)
My Situational Crush (2006)
Chicago: The Cold Extreme (2004)
A Sea-Level Kind of Girl (2006)
There Was Already Something a Little Off… (2003)
“Go Ask Sheila.” (2010)
How We Talked (2011)

Posted in Personal | Tagged | 10 Comments

From the archives (October 18, 2002): the first post on my blog

A Saturday in NYC with Allison and the Manson Family

Saturday was a cold day, wind biting up and down the canyons. Sheila kind of weather. My friend Kate and I have discussed at length our preference for autumn as opposed to summer. While everybody else blisses out with the onset of warm sunny weather, she and I bliss out when the we bust out the sweaters.

Kate puts it this way, “There’s no irony in the summer.”

I arrived Saturday morning at my friend Allison’s apartment in the West Village, to find her deeply engrossed in Helter Skelter, a book I have read multiple times, and with which I have a strange and sick fascination.

Allison and I were trying to pinpoint why exactly it is that we are so engrossed by such a grisly terrible story. We discussed it at length, lolling about in her cozy pillow-y bed, flipping through the book for reference.

I am fascinated by the Manson Family for the same reasons that I am fascinated by totalitarian, autocratic, fascist, communist regimes. What is it in human beings, some human beings, that makes them susceptible to such madmen? What is it like to be in someone’s thrall like that? What is it in human psychology that can crack under such magnetic pressure?

I found Allison in a state of recent and fevered conversion to the Helter Skelter madness.

We signed on, and began to search the Internet for more information.

For example: where is Clem right now? Has Clem been paroled? (Yup. He’s out.)

And Bobby Beausoleil…what has he been up to? His face always terrified me. There was something so obviously missing there.

We learned that Patricia Krenwinkle has recently received a puppy, through a special prison program which allows inmates to adopt animals. How sweet…a ferocious murderess cuddling a little puppy.

Squeaky Fromme still corresponds with Charlie. FREAKS.

Allison and I got sucked into the strange world of Manson Web sites…going deeper and deeper and deeper. We veered a couple of times into the world of the Zodiac Killer and Jonestown.

Allison said, “If my job ever saw the search terms on my computer, they would think I had gone crazy. ‘Dead bodies’…’Sharon Tate’ … ‘serial killers’…”

The last time Allison and I hung out together in her apartment, we started looking things up in the dictionary. It began simply, but the game evolved. Eventually, it became a relatively complex guessing game: one of us would call out a name from history, say…Madame Curie, or Theodore Roosevelt … and we would guess whether or not said person had a PICTURE beside their definition in the dictionary. This may sound like a dry and academic pursuit, but we ended up in complete hysterics and it occupied our time for 2 hours.

It’s actually a fun game. Try it yourself on a rainy day.

Finally, we had to shake off the pall of the Mansons and Spahn Ranch and Shorty Shea’s decapitation and Susan Atkins’ crazy loony smile…and how haunted we are by the children fathered by Manson….WHERE ARE THEY??

We signed off reluctantly, and rejoined the life of the West Village. We went to Chumley’s and had delicious Bloody Marys, and some lunch.

Then, we accidentally set a newspaper on fire. This is in a bar run by firemen; the bartenders are firemen, the clientele are firemen. Firemen were everywhere in sight. Meanwhile, Allison and I were battling to put out the flaming New York Post in front of us, and none of the firemen around us even looked up, or glanced over, or even batted an eye. I don’t think they even noticed the inferno. We were on our own. And we did okay. We dumped a glass of water on the blaze, and then ordered 2 more Bloody Marys.

We returned home and watched Moulin Rouge. Actually, I should say we LIVED it. During the “Spectacular Spectacular” extravaganza at the end of the film, when everything gets very tense, Allison screamed at the top of her lungs, “THE GUN!! THE GUN!!”

After the film, still in a Moulin Rouge kind of mood, we looked through her book of Toulouse Lautrec prints. Marvelling at them. Beautiful. We talked about what it must it have been like…

And after that? We basically killed time until “Trading Spaces” came on at 8 p.m. We are jointly addicted to that show. Especially when the participants hate the newly designed rooms.

We crawled out onto Allison’s fire escape, trying to keep our candles lit through the wind. The sugary air from the bakery floated up to us.

2026 thoughts

Today is the 24th anniversary of me starting this blog. This was the first post.

Every year I put a post summing-up the formation of the blog and its history. For years, I thought this first post was lost – a lot was lost when I transferred to WordPress. But maybe 10 years ago, Allison found a Word doc on a hard drive, one dated October 18, 2002 – with this post typed out. I set up the blog in her apartment. Maybe I didn’t have my laptop with me and so I used hers. Amazing to re-claim the first post.

What I find so striking about this first post is … you can tell I’m starting the blog on a whim. I do not introduce myself. I do not say “hello world here is my blog and here is what I will discuss”. I just jump in. 2002 was a different time, a more wild-west-y time, especially for blogs, and things weren’t as curated or collated or stage-managed and categorized then. Lots of eccentric people started up blogs, people who had never heard of the word “monetize”.

I love this first post so much. Allison is one of my best friends in the whole world – and in 2002, we were still (relatively) new-ish friends. But this post captures who we are together, who we still are together. A month ago we holed up in a beautiful house in Woodstock NY, and did some exploring, had margaritas looking over a river, but also sat in the house talking, I made her watch Off Campus, she made me watch Furious, we talked and talked and talked late into the night.

I love Allison and I love so much that I crouched over my laptop, 24 years ago, in her apartment, went through the 3-step process of creating a blog on Blogspot – wrote up what she and I did that day – and pressed POST.

From the archives archive
Wisconsin Idyll in Funny Hats with Rocket Launchers (2011)
I Was Told I Would Get Wings (2004)
My Situational Crush (2006)
Chicago: The Cold Extreme (2004)
A Sea-Level Kind of Girl (2006)
There Was Already Something a Little Off… (2003)
“Go Ask Sheila.” (2010)
How We Talked (2011)

Posted in On This Day, Personal | Tagged | 7 Comments

Today, the Sheila Variations turns 24

The above pic of me – taken by Michael in a field somewhere in Ithaca – graced the top of my original blog, when I set it up 24 years ago today. I never should have put my picture up – it led to a lot of creeps! – but the picture was taken on a perfect day, by the boyfriend – and looking at it makes me remember things I want to still feel and experience. I look at the picture and think: “…. that wasn’t a pose. That was real. That was how I actually felt.” It kind of amazes me. I don’t know if I could ever cavort across a field and blow kisses at a camera now but it’s good to know I DID do that once. This must have been on my mind when I stuck her up there in the original banner. I could have no way of knowing I’d still be here literally over two decades later. She was replaced by ELVIS, which is only good and right.

The very first post I wrote is hilariously un-ceremonious (I’ll post it in full today). I don’t even introduce myself! I just launch into a story about a day spent with one of my best friends, Allison. On October 18, 2002, Allison and I went to Chumley’s, a bar that had been a speakeasy back in the day. Chumley’s had a secret entrance, and there was no sign.) We sat there, had some Bloody Marys, and accidentally set our newspaper on fire, while surrounded by the mostly firemen clientele, who saw the fire, and basically were like, “Meh.” I wrote that piece huddled over my laptop in Allison’s apartment, the apartment I helped her move into, the apartment that is my home away from home to this day, and … sitting there on October 18, 2002, I decided to finally do what I had been wanting to do for about 6 months: set up a blog.

More after the jump!

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Off Campus, episode 4: Moonlight in a chamber

If random people find these recaps they might get frustrated with how I do things. They clearly missed the 10,000-word Supernatural re-caps. I like to write about things that inspire OTHER things, like aesthetics, film acting, dramaturgy. I was inspired to write about Off Campus mainly because of the dramaturgy of it all, but I was also inspired by this mostly unknown cast, and how fun it was to see them work with no preconceived notions. This is rare for me as a writer!

Louisa Levy said she wanted the series to be victim-focused. Hannah’s point of view is prioritized in the “disclosure” scene opening episode 4, reflected in the choices made with edits and shots. Hannah tells Garrett her story and the camera mostly stays on her, not “checking in” with Garrett to see his response. You don’t realize the cliche until they take it away. Keeping the camera on Hannah is just a technical thing, but you can FEEL the difference.

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From the archives (2011): Wisconsin Idyll in Funny Hats with Rocket Launchers

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Me, Kenny, Phil, and Ann Marie, in the photo booth at Lounge Ax in Chicago. On a “Pat night”.

One of the most specific times in my life, so much so that it is practically an anomaly, was living in Chicago and participating in the ritual of going to the regular Monday night Pat McCurdy shows at Lounge Ax and also singing with Pat McCurdy and becoming a tiny bit famous, at least in that small world. It’s like something drowned and captured in amber, an Atlantis, but … it did actually happen. I have the photographs to prove it.

The “Pat McCurdy crowd” have all moved on from those wild sleepless nights in Chicago so long ago, when Monday night at Lounge Ax was THE place to be, and we were all there, come hell or highwater, year after year after year.

Once I stopped going to Pat shows, I lost contact with a lot of people. This was before the days of Facebook, or even cell phones. I moved to New York. Once social media became a “thing”, some of us found one another again. In fact, in 2017, Pat and I got on the phone so I could interview him about Elvis. Those old ties will never die.

The “Pat McCurdy crowd” was a gaggle of people who convened at Lounge Ax every Monday. Lounge Ax was right across from the Biograph Theatre – and a great music club (immortalized in High Fidelity). Sometimes, after emerging from a Pat show, we would go into the alley next to the Biograph, at 1 o’clock in the morning, and re-enact John Dillinger’s death. We took turns being Dillinger or the Lady in Red. “We” means: me, Ann Marie, Phil, Kenny, Pepper, sometimes my M. I still remember M. as Dillinger, staggering through the darkness. There were more people who would join. There we would be, swooning to the ground in the alley, pretending to be John Dillinger. We would whoop it up “at Pat” and then go out to a bar afterwards, play the jukebox, play some pinball, yell and scream and laugh, and then stumble home at 3 a.m. with our respective significant others. Only to do it all again the following Monday. We had no Internet. No cell phones. We just knew where to find each other. We always knew where we would be on any given Monday.

One summer, Pat McCurdy hired four of us – me, Phil, Kenny, and Ann Marie, see above photos – to perform with him at the Milwaukee Summer Fest. It was an enormous undertaking, hilarious in the extreme, it involved a very complicated process of getting us hotels, organizing our time, taking time off work, putting together the show itself. Everything changed for me that weekend, lots of fallout I couldn’t foresee at the time.


Ann Marie and I in the hotel room in Milwaukee, having the most hilarious time.

On the flipside, it was, hands down, the most fun I have ever had in my life. Pat and I holed ourselves up in a little Milwaukee recording studio one sunny afternoon and recorded our duet (which appears on his CD Showtunes). He wrote it for us! And at night we performed for 3,000 drunken people at Summer Fest. I had a solo, the song I always sang with Pat, called “We Made Love” – and I wore a black bustier, biker shorts, combat boots, and a black derby. Where I got the balls, you’ll have to ask the entertainment gods. At one point during one of the shows, I finished the song and then had the unreal experience of hearing 3,000 drunk Wisconsin residents chant my name over and over, like I was a Pharaoh. That’s as famous as I have ever been.

Imitating Madonna in Truth or Dare, Pat gathered us all for a prayer circle before each show. The experience was EPIC for the four of us, but somewhat rote for Pat. He was quietly amused about it all. He had played such crowds many times before. Our prayers were a mixture of manic joking and intense sincerity. I was holding hands with Pat and he was looking at me. Well, not at my face. I started my prayer, in my bustier and derby hat, and I had an earnest moment of thankfulness. Here is what happened.

Me: “Dear God, thank you so much for this great experience, with these great friends. We are so happy to all be here–”
Pat: “Sheila, you are stacked.”

So much for my prayer.

There is a photograph of me backstage after one of the performances that captures, in all its blurry chaos, the high of those nights. (It is a strange photo I cannot sufficiently explain, and I am sort of in my underwear. Actually, I am totally in my underwear.) The “PAT” spelled out behind me speaks volumes. It was too perfect.

Before the weekend in Milwaukee, Phil and I traveled with a big group of people to spend a couple of days at Kenny’s family farm out in the wilds of Wisconsin. We chilled out, doing nothing, before trekking into Milwaukee to join up with Pat at Summer Fest.

About 15 of us convened at the farm. Tents were erected in the yard, we crashed all over the house. It was an unforgettable weekend. I only knew three of the guys there – everyone else was new to me, but the 15 of us clicked as a group. Many of us were actors, of course, but there were plenty who were not, and everyone shared a sense of whimsy and fun that made the entire weekend a nonstop laugh-riot. We were gay and straight, men and women, and we somehow mind-melded into one organism. You know how it happens that way sometimes? We cooked mounds of food. There was enough pasta salad to feed an entire army, let alone 15 people, and so periodically one of us would get on the microphone and blast our voice out over the fields saying, “There is a Pasta Salad Blue Plate Special going on right now … Please … I beg you … come eat more of this shit … we need to finish it …”

You didn’t have to participate in group events. You could sit on the porch and read for eight hours if you wanted. I took long runs through the countryside, returning to the house drenched in sweat. We played volleyball. We did nothing. We took naps. We were kids, really. Chosen family, really.

I had a mild crush on one of the girls. She was an actress, had just played Imogen in Cymbeline at Chicago Shakespeare, and she dated our friend Jeff. She was blonde and pale, wore a jumper-type sundress, and had this Zen quality, undercut by her deadpan voice. She seemed cool, not cool like ‘over it’, but cool like “has her shit together”. I have no idea what happened to her, but I remember her fondly, swinging on the swing, standing at the end of a dirt road, staring across the fields. Friendly. She never seemed to be just one thing. I found her captivating, which I think is evident in the photos I took.

In the photos, if you see anyone wearing a white T-shirt with a cartoony face on it (and there are many), that is a Pat McCurdy T-shirt, with cartoons by Pat McCurdy. Everyone at the house was a serious Pat-head. To this day, I have a number of “Pat T-shirts” in my drawer.

There was a notorious incident when the house ran out of food (including pasta salad) and so we all decided to travel, via caravan of cars, into the town about 10 minutes away. Many people had been drinking all day, so there was much drunkenness exacerbated by hunger. A couple of us were designated drivers. I wasn’t drinking at all then since it would interfere with my fitness regimen which I was devoted to with the heat of 1000 suns. I got behind the wheel with a bunch of drunk guys in the back seat and headed into town.

I was pulled over by a cop for going 55 in a 25 mile-an-hour zone, which wouldn’t have been that big a deal except for the fact that I had five wasted men, all of whom had cups of beer in their hands, crowded in the car with me. One of them was taking a huge swig of beer just as I careened by the cop car. The cop gave us a hard time (of course), but the mood all softened because Kenny grew up in the town, knew the cop, and the cop knew his Aunt Sally, or whatever. They made me drive all of us to the station where I had to take a breathalyzer test. We were DESPERATE for food, having eaten all the food in the house, and the cops in the station treated our predicament with some amusement, giving us suggestions on good places to eat (as I blew into the breathalyzer). “Have you tried the bowling alley? They have great burgers.” (I kept blowing into the machine.) “There’s a fireman’s picnic down the road aways … might find some food there.” My friends Phil and Kenny stood on either side of me, rubbing my back soothingly as I nervously blew into the breathalyzer. I hadn’t had alcohol in weeks, but I do have a guilty conscience so I was sure SOME of that would show up in the results.

There Phil and Kenny were, actually wasted, rubbing my back, saying, “You’re doing so good, Sheila …”

I got a speeding ticket, that’s all, and then we went to meet up with the rest of our friends, who were at the bowling alley, eating, and also freaking out because they had seen us on the side of the road with the cop car. They drove by, staring out at us, horrified. Much hilarity.

Kenny’s family had a yearly ritual, which he introduced to us as a group activity. Here is how it worked:

–Buy a rocket and launcher.
–Go to the dollar store and buy paints and brushes.
–Spend a leisurely day painting the rocket. Make it flashy, make it fabulous.
–At sunset, put on funny hats (there was a box of funny hats in the closet) and walk down the dirt road to the nearest field to launch the rocket.
–Wander through the field looking for the pieces.

There we were, strangers to one another, strangers to Kenny’s family, but we fully embraced the ritual. We were kids in our mid-20s, but we spent hours huddled over our rocket, detailing it, painting slogans on it, taking turns, making suggestions. You can see us painting the rocket in some of the photos.

At happy hour time, someone made a vat of cocktails, we all got drinks (mine was virgin!), put on funny hats and trooped down the road to launch off our the rocket.

I don’t know why the night stays so vivid in my memory.

I wonder if it is because I took so many pictures. Memory is a funny thing that way. But the night was beautiful, a real country night, with crickets chirping, the air filled with the scent of hay and cut grass. The company was good, the hats were funny, the mood hilarious and ribald.

Maybe I also remember that weekend so vividly because everything was about to fall apart. I should say “change” but “fall apart” is more accurate. I would stop going to Pat shows. I would lose track of that crowd. I would throw myself into a relationship with Michael in 2 month’s time (I didn’t even know Michael existed during the Milwaukee Summer Fest weekend, which seems incredible to me now: there was a time when Michael didn’t exist for me?). I would move to New York in less than a year’s time, much of my decision to move having to do with what went down during this particular summer, and this particular weekend. It was a time full of import, warnings and signals, much of which I interpreted incorrectly. I was about to make some major choices I regret to this day.

Ultimately, what remains, though, is the memory of that group of people at that particular time, kids, really, out at the farm, having a respite, an idyll, the warm sun on our backs, the leisurely energy on the porch, the comforting knowledge that we had nowhere else on earth to be, our obligations were minimal, we were free. What remains is the cool twilight air, the shadows lengthening as we wandered through the fields, looking for the pieces of our rocket which had launched up into the empty air, blazing with color.

2026 thoughts
Nothing really new to report, the piece captures what I wanted to say. I still love the memory of the time at Kenny’s farm and our time in Milwaukee right after. Time marches on, but if I could stop time and stay in one spot forever – that whole week would be a top contender. I knew what was going on was an anomaly – never to be repeated – I mean, I knew I wasn’t going to be performing at Milwaukee Summer Fest again, or be right there at that time always … I did appreciate it as it was happening. The moment before life got real serious and things happened you couldn’t take back.

From the archives archive
I Was Told I Would Get Wings (2004)
My Situational Crush (2006)
Chicago: The Cold Extreme (2004)
A Sea-Level Kind of Girl (2006)
There Was Already Something a Little Off… (2003)
“Go Ask Sheila.” (2010)
How We Talked (2011)

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From the archives (2004): I Was Told I Would Get Wings

As a child, I was a Brownie. All of my friends were Brownies. It was part of being a kid. My memories of Brownie meetings and Brownie activities are rather dim. I have other memories from those long-ago days, very vivid ones, stuff that has to do with sitting on the hot bulkhead eating a popsicle, and running through the sprinkler in the backyard – wearing a swimming cap – why? – and the smell of the mud in the woods where Jen and Katy and I would make up games, and the sound of the screen door slamming on summer nights, and the time I crashed my bike into a mailbox and got a huge cut, and skating with Andrew in the pond in the woods and how he would steal my hat and I would chase him.

I have a lot of vivid memories from childhood, but very little remains about “being a Brownie”.

What does remain is how it ended.

At the end of my sojourn as a Brownie there came a moment which I think of now as my loss of innocence. I can laugh at it now, I can turn it into a cute story, but it crushed me when I was 8 years old. “The first cut is the deepest.”

So here, briefly, are my memories of being a Brownie before “the Fall”:

— I remember having Brownie meetings in the big cafeteria (“caf”)/gymnasium at South Road School which was called “the Multi-Purpose Room”. I love that name. It really tells it like it is. “Okay, so we’re all going to go watch a play now in the Multi-Purpose Room!” “Let’s go eat in the Multi-Purpose Room.” “It’s rainy today – so we have gym in the Multi-Purpose Room!” And of course: “After school Brownie meeting in the Multi-Purpose room.” All of us little Brownies sat in a circle as the troupe leaders (who were mothers of my friends) led the meeting. I have friends now who have kids of their own, and are now Brownie troupe leaders. Those women who were my troupe leaders seemed so OLD to me and they were younger than I am now. I remember too that the mothers who led Brownies (and this is neither here nor there, I’m not making a judgment, it just happened to be that way in my little troupe) were the kinds of women who had bleached hair or frosted tips, Lee Press-on nails, and were tanned, year-round. They were also the kinds of women who didn’t go to the big public beach like my family did, but were members of private “beach clubs”, where they rented “cabanas”. It was a foreign world, I tell ya. They smoked long thin cigarettes and when I played with their daughters at their houses, sometimes they would put out bowls of candy for us. CANDY. A far cry from the Saltines and popsicles available at my house. To use my mother’s terminology, these women were “jazzy”.

— I remember marching in the Parade with the troupe, and feeling so proud of my little brown uniform, my little beanie hat. I particularly loved holding the flag as we marched. Oh, my heart swelled with my own importance. I tripped on my shoelaces, however, and fell while holding the flag as we reached the rotary in Peace Dale. I loved telling that story when I met up with my parents at the end of the parade route. I turned it into a rollicking good tale. I was good at that: turning moments of adversity into jokes where the joke was on me. I loved (and still love) jokes where the joke is on me.

— I remember being entranced with the “Brownie book”, which I don’t think they use anymore. Probably because it had too much of a pagan slant and religious parents would object. The book tells the story of the Brownies, with illustrations. I can still see those illustrations in my mind. They were so evocative. The Brownies were small fairies who would creep out into the moonlight around a magical pool in the middle of the woods and dance and sing their Brownie songs. Well, that for me was the ENTIRE appeal of being a Brownie. I wanted to be part of that pixie fellowship. I could see the silver moonlight, I could hear the rustling of the leaves, I loved the darkness, the cool dew, the feeling of a secret special ritual … I was totally in the Brownies for THAT.

Little did I know that, in actuality, being a Brownie had nothing to do with shimmering moonlit nights and pagan rituals around a mirrored pool. It was more about gluing interminable amounts of spray-painted macaroni onto random pieces of cardboard in the Multi-Purpose Room.

I was never into prose, especially in terms of life-style, even back then. I always preferred poetry. The romance of the moonlit woods. I wanted life itself to be poetic. I suppose I still do. There’s a beautiful moment in Postcards from the Edge when Meryl Streep says, in a moment of revelation, “I want life to be art.” I wanted the poetry, the possibility of something magical happening.

I accepted the “prose” nature of being a Brownie, mainly because that was what you did. I didn’t really question it. I didn’t really enjoy Brownies, truth be told, but everyone was in Brownies. So I had to be there. But our meetings in the Multi-Purpose Room were a pale ghost of the extravaganzas that went on in my imagination, secret meetings in the middle of the night, out in the woods.

But all lukewarm things must end, and it was time to move on and become a Girl Scout.

The moment when we would become Girl Scouts was referred to as “Flying Up”. The troupe leaders also talked about how we would “Get Wings”. There would be a “Flying Up Ceremony”.

None of this was explained to us in literal terms. Or if there ever was a literal explanation of what “Flying Up” actually meant, I was out that day. I took it all completely literally since no one explained to me that the whole thing was basically just an elaborate metaphor for a “graduation” ceremony. This “Flying Up” thing, to me, resonated and shimmered with magic. “The Flying Up Ceremony”. It sounded so … fantastical. So exciting! What did it mean? What would happen at the ceremony? What were the “wings” we were going to get? It all was so mysterious.

I truly believed that somehow, during the ceremony, I would “Fly Up”. To where was still unknown, but I would “Fly Up”. There were “Wings” that I would get that would help me to do this.

Some sort of transformation was going to take place.

I pictured the wings in my mind and I imagined that they would be elaborate huge constructions, wings that would make Icarus envious. They would HAVE to be big if they were going to carry us up off the ground, right? I imagined them. I worked it all out. What I imagined was real to me, not something I HOPED would happen, but something that WOULD happen.

Some of the wings (we each would get two, one to fit over each arm) were made of actual feathers, soft as down. But there were other wings made of sparkles, and glitter, like one of Elvis’ capes. It would only be revealed on the day of the “Flying Up Ceremony” what kind of wings each of us would get. I wondered if mine would be the feathered kind. I thought that I would prefer feathery wings to the glittery ones, but I told myself sternly that I wouldn’t mind either way. I made a promise to myself that I would be happy with whatever pair of wings I got, even though I preferred feathers. I talked myself down from that hypothetical disappointment beforehand: “It’ll be okay if the wings I get are glittery. It won’t matter.” It is amazing to me, in looking back, how realistic I was with myself, in the days leading up to the “Flying Up Ceremony”, preparing myself for the disappointment of getting glittery wings.

It’s like somewhere I knew. I knew that disappointment was going to be inevitable. No way could the “substance of things hoped for” ever live up to what was in my mind.

The fantasies about the wings went even further. (And this element, to me, is the most interesting thing about the entire memory). Not only did I imagine what the wings would look like, the wings which would help us “Fly Up” to be Girl Scouts during the “Flying Up Ceremony”, but I also imagined what the wings would be like a couple months after the ceremony, crushed in the bottom of my closet, once the novelty wore off. That, to me, was THE most pleasing fantasy of all: to be “over” the wings, to be lackadaisacal about what was going to prove to be a transcendent experience. “What are those feathery things in my closet? Ah, those are nothing … no big deal … just my wings from my Flying Up Ceremony … No big deal …” I LOVED that fantasy. I turned it over in my mind again and again. Even more than dreaming about the upcoming “Flying Up Ceremony”, I LOVED fantasizing about being “over” the magical wings, and seeing them crushed in a heap in the bottom of my closet.

So the big day came. The day when all the Brownies would “Fly Up”.

The ceremony was held in the Multi-Purpose Room, of course. I had wondered to myself: How will we get up high enough, so we will actually be able to fly? I had thought, Well, maybe they will stack some of the lunch tables on top of each other, and then put them on the stage … Maybe that will be high up enough for when we put on our wings …

This all may sound incredibly silly. But nobody had ever actually told me what the ceremony was going to be, none of those jazzy tanned mothers had ever explained to me that “Flying Up” was a metaphor. I was in the world of poetry, you understand. Nobody told me the whole thing would be prose.

I suppose I was eager, even then, even as a little girl, for transformation. For transcendence. I look back on that little girl … and see myself now. No change. No difference at all.

I wasn’t sure how the Powers-that-Be were going to handle the challenge of getting all us Brownies up to a good enough height so that we wouldn’t fall like stones when we leapt (I intuitively understood aerodynamics, I remember worrying about all of this obsessively) but I was sure that SOMEONE would have figured it out.

When I walked into the Multi-Purpose Room, I was stunned to see how few people were in attendance. My mother was there and a couple of other mothers but it seemed to be a VERY thin crowd for such an extraordinary ceremony of transformation.

I’ll just say this, for those of you who were never Brownies, I’ll tell you what the real thing is: The “Flying Up Ceremony” is when each Brownie gets a small badge, a badge of two outstretched wings, pinned onto their sash. This wing-badge means: You are now a Girl Scout.

That’s all it was.

It had never been said to me, point-blank: “You will get a wing-badge, and then you will make the Girl Scout vow, and then you will be a Girl Scout, and that is what the Flying Up Ceremony is all about.”

The jazzy frosted-tip ladies spoke in shorthand. “So, girls, when you Fly Up …” “During the Flying Up Ceremony …” “After you get your Wings…” They assumed we knew the terms. I didn’t have an older sister who would have clued me in a bit earlier and crushed my dreams in a gentler more realistic way by saying, “Here is what is going to happen…”

So there I was, making up elaborate fantasies of Icarus wings, tables stacked on top of each other, little girls flying through the air of the Multi-Purpose Room, convincing myself that it would be okay if my wings were glittery and not feathery, and then looking forward to the day when said wings were crushed in a heap in my closet.

The ceremony began.

In a flash, when the first girl “Flew Up” and became a Girl Scout, the veil was yanked from my eyes in a painful swoosh. I saw the teeny wing-badge, I heard her say the Girl Scout vow, and then I saw her step aside to let the next person go, and I realized that that was it. That was it. That was all the “Flying Up Ceremony” was going to be.

Furtively, I glanced around the Multi-Purpose Room, hoping to see a big cardboard box (for the wings, you understand). I remember so specifically looking for that box … the box that contained the REAL wings … that they had ordered from some magical Brownie warehouse from deep in the forest by that silvery pool…

but already I knew it wasn’t there.

I went through my “Flying Up Ceremony” with a huge smile on my face, plastered across my freckles. I acted like I was really happy about my little wing-badge. I didn’t want to show how much my heart had just cracked, how grey the entire world suddenly became.

It’s unusual to have a photo of yourself at the moment a dream dies.

I hid my heart from everyone. Why did I do that? Why did I pretend things were okay? I had loving understanding parents. But maybe I sensed something. I sensed my own “too much”-ness. I wish I had felt free enough to cry on the way home in the car, and let my parents take care of me. Nobody shamed me, everything that happened was all in my mind and no one ever knew, but I was very ashamed of my fantasies. I was ashamed of my fantasies AS I said the Girl Scout vow. I felt stupid. Of course, everybody else knew what the “Flying Up Ceremony” was going to be. I was the only one who didn’t know. I was the only one who was devastated. Everybody else was giggling, and excited to be a Girl Scout. Inside – inside – I was crying with disappointment. I thought about the crushed wings in my closet, and felt a piercing mixture of longing, despair, and shame.

Where are my wings? Where are my REAL wings?

There weren’t going to be any wings, feathery or glittery. There would never be wings crumpled up in my closet.

There would be no transformation.

And somewhere I knew, in my 8-year-old soul, that this was no metaphor.
 
Here is a Coda:
I only made it as a Girl Scout for a couple of months. There is actually a picture of me wearing the uniform doing some stupid craft, hating my life.

One afternoon, we spent the entire meeting making duffel bags. I walked out and never went back.

My parents didn’t give me a hard time.

I was better off, I suppose, in the make-believe world of acting and drama club and community theatre. There, at least, you knew the wings were pretend, but your belief in them remained intact.

Nobody was trying to pull the wool over your eyes.
 

2026 thoughts
I remember telling this story (in person) to my friend Maria. I framed it as “I wish someone had clued me in to what flying up was all about, Jeez Louise”” and she burst out with, “I love little Sheila being willing to believe. I don’t wish someone told you beforehand. I know it hurt but it’s so beautiful how much you believed and believed in the magic.” I never looked at this story the same way again. I am lucky I have such friends.

I didn’t even realize I had the photo of me “flying up”, my heart broken inside, my dreams shattered. I found the photo in a shoebox one day and just had to sit down, staring at my face. Wanting to give myself a hug. The thing I am struck by here in re-reading this piece is how I kept this a secret. I am not sure why. I do think I was embarrassed at being SO wrong, but being 8 years old … I remember thinking, “Nobody can know how much I wanted real wings.” I remember this clearly. I know all 8-year-olds are different but I wonder what it would have been like to be a kid who burst into tears at the event, letting my disappointment be seen – at least by my parents. Some of my nieces and nephews are like that. They just let it all hang out, and then their parents can help them and reassure them and say “It’s okay, I know you’re disappointed, it’s okay.” They allow themselves to be comforted. I didn’t. I’m still not sure why.

From the archives archive
My Situational Crush (2006)
Chicago: The Cold Extreme (2004)
A Sea-Level Kind of Girl (2006)
There Was Already Something a Little Off… (2003)
“Go Ask Sheila.” (2010)
How We Talked (2011)

Posted in Personal | Tagged | 42 Comments

Off Campus, episode 3: Two truths. Hence, ergo, therefore.

Episode 3’s title is attention-getting and I am here for it. Episode 4 could be called “The Orgasm, Part 2.” The two episodes are laid out like a thesis paper: episode 3 presents the thesis, episode 4 breaks it down and comes to conclusions. On my first watch, I obviously picked up on Hannah and Garrett’s respective traumas, even if I didn’t know precise details. The flashbacks are handled artfully and intelligently, and I never got the sense the show was using trauma to manipulate the audience or artificially raise the stakes. Even though I put the pieces together, I couldn’t have anticipated episodes 3 and 4 (or, episode 5, come to think of it).

I started this recap and kept talking about episode 4, a sign of how interconnected the episodes are, more so than the rest of the season.

I was unfamiliar with the work of director Samantha Bailey, even though she’s been nominated for an Emmy for Brown Girls. She’s been working semi-steadily since 2016. I say “semi” because she’s been a regular director on a couple of series, but hired for only a couple of episodes, and there are some years where she only has one or two credits. She’s only been in the business for 10 years. Based on her work in episodes 3 and 4, I would assume she was a veteran of many decades. Bailey is phenomenally talented and assured, and I am blown away. The most challenging episodes of the series, that require the most deft and delicate handling, are eps 3 and 4. She does not make one wrong move. These episodes address very heavy subjects, and episode 4 contains a 20-minute-long scene where Hannah, with Garrett, directly confronts her trauma from the rape. A 20-minute scene in one location between two people is so rare as to be almost unheard-of, particularly in television, particularly in our short-attention-span streaming universe.

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From the archives (2006): My Situational Crush

I had what I call a “situational crush” on Kyle. I do that sometimes, if I’m bored and need to liven up my daily routine a bit. I’ll create a random crush on, oh, the guy who gives me my coffee every morning. I look forward to seeing him, have some banter, go on with my day. I will also create a situational crush if I’m having a great time doing something out of the ordinary. Being out of town in a show, for example. Sometimes the situational crush will blossom into something significant – but more often than not, it’s something to pass the time in a more pleasant way. I bet a lot of actor marriage breakups begin as “situational crushes”. Okay, I am making a movie in Mozambique, I am out of my routine for 4 months, home is far away, I am SO busy, so I’ll have a situational crush on my co-star. If you’re famous and married, the situational crush can swerve into a tabloid debacle.

My friend David, when I tell him some weird thing happened to me, he often says, “Sheila, your life is a literary conceit.” This one second of time with Kyle is an example. You have a stupid crush and life is ordinary, and suddenly, out of nowhere, the two of you are, for just a second, the leads in a torrid pre-Code movie.

I don’t want to make this build-up too much. However:

The moment I am moving towards lasted about a second. But if you’re going to have a situational crush, if you’re going to decide to focus your ten minutes of free time a day on some random person, then it might as well culminate in a moment of total – and almost unbelievable – perfection. A moment of, dare I say it, art.

I have always made my love affairs into art. This is a bad habit. Like Meryl Streep says in Postcards from the Edge, “I want life to be art.” So do I. This has led me down some pretty gnarly treacherous paths, because some random guy becomes a piece of art, even if he’s trash. What was weird about Kyle is it wasn’t a love affair. It was a situational crush, activated for just ten minutes a day.

What Kyle did to me, in that one second of time, was art. “Art”, in its purest form, is perfect. You look at it and, even if it overwhelms you, you know nothing needs to be added.

This is what I’m leading up to. We didn’t share a passionate kiss or even a relationship: all of these things may be fun and exciting, but they usually contain flaws. What I am leading up to has no flaws.

I guess that’s why I remember Kyle. I’ve had a million situational crushes – I had a situational crush on my New York bus driver, whom I saw every day, more than I saw my own family, and I’d sit in the seat behind him, and we’d chat, and it gave a shimmer to my day, which was probably a boring day filled with obligations. 99% of my situational crushes I don’t remember, but I will ALWAYS remember Kyle because of the culminating moment. I couldn’t have planned it or, hell, even imagined it, not even in a fantasy. I thought afterwards, “…Did that really happen? Who else do such things happen to? It FEELS like it’s just me.” Maybe because I want life to BE art. Maybe it’s a mindset. I don’t know.

Aspects of the situational crush

Situational crushes don’t need to go anywhere. Situational crushes don’t need to be spoken about or even acknowledged. In fact, it’s better if they aren’t. Just enjoy the flirting as the friendly guy at the food truck hands you a taco. Situational crushes are helpful if you are bruised from heartache, and you don’t feel ready to risk a REAL crush again. There is very little risk in the situational crush, if you do it right. A situational crush can remind you, that you are capable of having those feelings again, but for now it’s without the risk. Without the risk is my favorite part.

Sometimes people THINK their crush is situational, they THINK it can be contained to five minutes a day, but then they ride a roller coaster of emotion, and end up sobbing drunkenly at a party because the situational crush is now making out with a Goth girl, and what do you do with your crushy feelings?? (Not that I’ve done that or anything.)

You can mistake a situational crush for the real thing, especially if you’re in a vulnerable spot. You can mistake the flirty-flirts for “soulmate material”. This is the danger with the situational crush. You can get CRUSHED by the situational crush, which, of course, defeats the purpose.

Situational crushes, in other words, are not for amateurs.

I have it down to a science. I don’t know how to do many things but I know how to do THIS. I have slipped up a couple of times, but I treated those failures as learning experiences. Like: Oh. Okay. I thought he was my soulmate, when really I’m just bored right now and I mistook the friendly Irish bartender for true love. (Not that I’ve done that or anything.)

Enter Kyle

By the time I met Kyle, I was an expert in this fine art. I knew what I was doing as I was doing it. The crush was deliberate: I decided to have it. I was working on my grad school thesis project, consumed by it, and I wasn’t in love with anyone or dating anyone. I felt the tell-tale yearning for a situational crush, just to provide a brief escape in my busy days.

And along came Kyle, the backstage stagehand. After our first conversation, I knew I had found my crush for the run of the show. I had been in the cloister of grad school for three years. I knew all the guys and they were either gay or I was not interested in them, or vaguely disgusted by them, or full of hatred for them, or they were involved with someone. I had my sometimes FWB, but I know how to do those too. I didn’t have a crush on HIM. He was one of my best friends in school, and school was stressful, so sometimes we would hook up, and honestly he saved my sanity in a lot of ways. We are still friends.

My interest in Kyle had no GOAL. It was the equivalent of seeing my high school crush in the hallways on my way to class, and having a brief amusing conversation, with no expectation that we would someday be Homecoming King and Queen. Or Jack and Diane. Or Brenda and Eddie. Seeing him in the hallways was something to look forward to, innocent, with nothing else put on it.

When we reach adulthood, we forget how to do this. We forget how to just accept whimsy for the transitory thing it usually is.

Kyle wore baggy battered jeans, Buddy Holly glasses, and Doc Martens. He wore a beat-up leather tool belt, and he jingled and clanked when he walked. He looked a little bit like my idol, Harriet the Spy.

Kyle was the go-to man for any problems backstage.

“Kyle, I need to cross by back here in the dark. Can I get some glow tape?” Kyle whips the glowtape off his belt, bites off a strip, and sticks it along the floor in the darkness.

“Kyle, I need to throw open this door when I enter but I always have to jerk at it!” Kyle whips out a small oil can.

“Kyle, I need brain surgery.” Kyle whips out a scalpel and cuts open the actress’ head.

He could do ANYthing. Every tool he needed was on that belt.

Put a pin in this because it will be important later.

Kyle was blurpy, the epitome of “my type”. I do not believe he ever darkened the doors of a gym. He was sturdy and strong as hell. He could lift entire flats by himself, he could carry an entire bed on his back (I saw him do it), but he would never be seen pumping iron somewhere. He was pale and pasty, and he had a shock of messy curly blonde hair. He looked like a cross between Harriet the Spy and …

In other words, my ideal type.

Kyle was from Alabama and had a beautiful drawling accent. He was WILD after-hours. He would show up at cast parties, having exchanged his battered jeans for tight black leather pants. He would dance so hard the sweat would literally fly off his golden locks. He would do shots of tequila in the kitchen with the Russian actress who weighed 100 pounds and had a Brazilian wax (we shared a dressing room, that’s how I knew). I was fine with all this because my situational crush only existed for ten minutes a day, backstage at the theater.

Let it just be said here, so we’re clear: I was so all-consumed with my project that I didn’t want to get all involved in a love affair, and he might not have wanted to anyway. I wasn’t trying to make anything happen. I didn’t give him a second thought outside of our interactions. I knew I was going through a once-in-a-lifetime thing: my thesis project!! And it was, to put it mildly, a struggle to make it all happen. But I threw myself into fully enjoying Kyle’s flirting as he staggered by underneath an armoire.

Backstage ritual with Kyle, my situational crush

I arrived at the theatre early. I set my hair in a leisurely manner. I put on my makeup, eyelashes, dress, alone in the dressing room, before actors’ call time. I would then go into the shadowy blue-lit backstage area, to avoid the rest of the actors who were by now arriving. This was my quiet meditative time.

This was Kyle’s quiet time as well. He had nothing to do until the show started. All glow tape was in place. All door hinges oiled. All beds carried to their proper spot. All brain surgery performed. He was a dark hovering presence backstage. I liked having him there. Once the curtain went up, this man would be busier than ANY of the actors, moving furniture into place, striking props, sliding flats from here to there, trouble-shooting anything that came up.

This will be important later.

He was used to theatre people. On the first night, he whispered to me through the blue light, “Break a leg. Is it okay if I talk to you?”

Stomach fluttery crushy-crush. “Sure. It’s okay. We’ll have to stop talking in ten minutes though.”

He nodded. He understood.

It became our “thing”: I would come backstage before anybody else. I sat in the blue light, wearing my costume, and he would stand in front of me, fidgety in his blurpy body, cracking jokes to make me laugh. He flirted with me, too. He would silently show me his new “dance moves” and I would whisper at him, “Please stop …” because I was afraid I would laugh-cry my fake eyelashes off. He was so unselfconscious. I loved that about him.

Then, I needed to just do my actress thing so I would whisper, “We have to stop talking.” And just like that, he would disappear, an experienced stagehand. Actors have their process and he has his. It takes both sides to make the show happen. Stagehands double-check props, murmuring to the stage manager on the headset, stepping around the actors doing their silent thing.

This was our ritual: A whispered ridiculous conversation, bathed in the dark-blue and midnight-black of backstage. Our skin glowed blue, the lenses of his glasses reflected bluely at me, his pale glowworm skin taking on a bluish tone, the rest of his body swathed in blackness. He would make me laugh. This kept me loose. I enjoyed the ten minutes of innocent banter.

It’s funny the things you remember.

Two Costumes

I was playing Maggie in Arthur Miller’s After the Fall, based on his marriage with Marilyn Monroe. I did a shit-ton of work on it. By the time we opened, all I needed to do was be present in the moment. There was a headspace I needed to be in. I couldn’t just roll into the theatre half an hour before curtain. Or maybe I could have. It would have been interesting to try it, but where I was at at that stage in my development, I needed prep time and quiet time.

I had two costumes for the role.

This will be important later.

My first costume was a skintight champagne-colored dress, made of a thick almost upholster-y fabric, and zippered up the back. I wore white kid gloves and a head scarf. Jewelry was involved. I wore cat-eyed sunglasses. The costume was perfect, and based on a couple of Sam Shaw’s beautiful photos of Marilyn Monroe. I showed those photos to the costume designer, and they executed my version of it brilliantly. The dress did most of the work. I put it on and I felt like Maggie.

My second costume was simpler: big striped men’s pajamas. This scene was Maggie unglued at 3 a.m., wearing her sugar daddy’s pajamas. Drunk in a hotel room. She has no one to call. She doesn’t even have her own pajamas. The original costume sketches by the costume designer showed a revealing negligee, but I thought: No. She is a lonely little girl, swimming in pajamas that are too big for her. Men’s pajamas, which give her a kind of pathetic air, suggesting that she may be famous but the casting couch is still nearby. I thought men’s pajamas would point to that subtext.

I had a 12-second costume change between these two scenes. The change happened in the front lobby of Circle in the Square Downtown and I was assisted by two members of the costume crew. We did a couple of costume-change rehearsals, using a stop-watch. We had it down to a science. I would exit from my first scene and then stand totally still as they took the dress off and put the pajamas on. Everyone had a job. Eileen would unzip my dress, and she would pull it down, whipping it off me in one movement. Meanwhile, Anne would squat beside me, holding open the pajama legs, scrunched up, so I could just step my foot into the hole and she would pull them up. At the same time, Eileen tossed the dress aside and held open the pajama top. My arms were already up and out, so she could put my arms through the sleeves. I buttoned it myself, and while I did this, Anne took off my earrings. Then I would hurry onstage for the next scene. 12 seconds!

I needed to provide this set-up, because Kyle is about to make his entrance, transformed from Clark Kent into Superman, looming in a literary conceit above Bleecker Street.

A split-second of pure perfection

Since it was a situational crush and I recognized it as such, I didn’t behave like a lovesick girl around him. I didn’t hover near him at a party, hoping to talk to him. I didn’t angst about the Russian girl. I didn’t think: “Maybe this can go somewhere!” (Good thing I didn’t, because it turns out the entire time we had our blue-lit flirty-flirt, the entire run of the show, he was having a hot sweaty love affair with someone which actually turned into a long-lasting relationship.) I just enjoyed the distraction.

However: the whole thing culminated in a moment of almost cinematic perfection that I still think about it sometimes. Because … does this sort of thing happen to other people? How many people EVER get to experience such a moment with a crush? Or, hell, with anyone? This could ONLY happen in the theatre, where fantasy and reality don’t just blend, they are the same.

The show was up and running.

And one night, after the first scene, I came rushing off into the empty lobby, where Eileen and Anne stood, as always, frozen like statues with my next costume in hand. I stood in position. Eileen went to unzip my dress, and immediately: The zipper stuck. Instant terror. We only had 12 seconds. I felt the zipper stuck, we all felt it. I heard Eileen murmur, “Shit” and this was enough to send flood-waves of panic reverberating through the lobby. The dress was so tight I could not pull it up over my head. I was trapped in my champagne-colored dress.

What follows feels like it took 15 or 20 seconds, but it was probably just 2 or 3. So much happened and I remember it all. When Eileen murmured “Shit” everything escalated. We were in big trouble. The next scene started with me, alone onstage in the pajamas. I couldn’t be late. How could I get out of this dress? Eileen kept yanking at the zipper. I am ashamed to admit it but I was whimpering: “ohmigod ohmigod … get it off me … ” I was wriggling around, the music out front was nearing my entrance cue. I was in panic mode: Someone save me!! I MUST GET ONSTAGE.

There were other actors in the lobby waiting to make their entrances and they sensed the intensity of the crisis, and they all moved back, watching nervously.

The zipper-struggle felt interminable. Anne gave up her squat-position and joined Eileen behind me, looking at the zipper, trying to yank it out of its stuck position. I have never felt so trapped.

At that moment, Kyle entered the lobby in the middle of his scene change. He was loaded down with furniture. Eileen hissed, “Kyle! Her dress …”

In a flash, Kyle put down all the objects, and was there behind me, inspecting the problem. Eileen whispered, “The zipper’s stuck.”

With no thought, no hesitation, Kyle held onto my arm and whispered, “Hold still, baby.” (Baby? What?) He whipped his retractable razor off his belt. I heard the click of the razor and Kyle whispered again, “Don’t move.” Jesus, suddenly the situational crush was the most erotic moment in the history of my life, and I am not even exaggerating. I stopped wriggling and held perfectly still. He held his hand on me, basically to anchor me in place, and with his other hand, in one quick movement of his wrist, he sliced the dress off of me.

Let me reiterate: Kyle, the guy I’d been crushing on, sliced my dress off with a razor blade. And didn’t cut me. There was risk involved. He could have nicked me with a razor-sharp … razor. Steady hand, a sure cut.

I think lots of people enjoy simple crushes, with a bartender they see once a week, or a co-worker who comes in from out of town once a month, the guy at the corner deli who sells the newspaper. How many people, though, have been cut out of their dress with a razor BY their crush? Freakin’ Rhett Butler didn’t cut Scarlett O’Hara out of her dress!

When he was done slicing off my clothes, he stepped back, giving space to the costume crew, my dress came off, I stood there – in front of my crush – in my bra and shapewear in the middle of the lobby – and on went the pajamas and I raced onstage, a second after my entrance cue. After the show, I went and found Eileen and Anne and we collapsed in each others’ arms, re-living the trauma, but congratulating ourselves for having made it through.

Kyle and I laughed about it at the cast party later, and we re-enacted it five times, regaling everyone with the story, telling it in tandem (“Okay – now you tell YOUR part!!”).

Let’s backtrack: Kyle cut along the seam of the dress. A perfectly straight-line. All the costume designer would have to do to fix it was put the dress under the needle and sew the seam back up. No messy tear. No ripped-apart zipper. He didn’t slice down the zipper line which would have also required a massive reconstruction. Kyle, in a fevered moment of urgency, with a wriggling actress under his hands, (“Hold still, baby” my God, yes SIR), had the presence of mind to not cut into the fabric. He had five million things going on in his head at one time. He was in the middle of a set change and he had three other things to do before his own job was complete. But he was born ready for any emergency. He understood the urgency but he also had in his head the costume designer’s priorities. In a moment of high stress, his brilliant brain considered everything.

Like I said in the beginning, this is not a story with a big finish. This is a story about a breathless moment of erotic perfection, and not meant to last … but the reverb remains.

I was not ever hurt by Kyle. My crush was contained, as it needed to be in order for me to enjoy it. No big deal. Run-of-the-mill.

But suddenly, in one shimmering alive moment – in the most matter-of-fact, gentle and yet FIRM way possible – he whispered in his soft commanding Alabama accent, “Hold still, baby”, and then sliced off my dress with a razor blade.

If you’re going to indulge in a situational crush, you might as well choose one who can do that!

I want life to be art. And in that moment it was.

 
 

2026 thoughts
Honestly, I had forgotten all about this. So it was so fun to re-claim this memory, of a random Alabaman holding me still and cutting my dress off. Now I get to be happy all over again that when I had a crush on someone, this is what ended up happening. A once-in-a-lifetime event.

From the archives archive
Chicago: The Cold Extreme (2004)
A Sea-Level Kind of Girl (2006)
There Was Already Something a Little Off… (2003)
“Go Ask Sheila.” (2010)
How We Talked (2011)

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Off Campus, episode 2: Commence the one-sided yearning

“You gotta admit. It’s kind of genius.” Garrett says this to Hannah at the end of the first scene in episode 2, after he lays out his ideas for the fake-dating plan.

The plan is not really genius, Garrett, but okay. Also, you set up this whole plan and then repeatedly undermine it by telling everyone you’re “not exclusive”. I don’t understand the strategy.

As I mentioned in the previous recap: things happen FAST in Off Campus. In more superficially told “fake dating” stories, the couple starts off business-like, maybe not liking each other that much, but they have to pretend to love each other, all while they bicker ferociously out of the side of their mouths. Almost against their will they get closer, they see each others’ vulnerability, or they get tipsy, and realize: “Uh-oh. I love this person.”

From here on out, there will be spoilers, not just for this episode but for the whole series.
Continue reading →

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From the archives (2004): Chicago: The Cold Extreme

The Cold Extreme
I lived at a drafty apartment on Ashland with my dear friend Mitchell. A 3rd floor walk up, with hard-wood floors, big old windows, on the corner of a big brick building. Our windows looked out on the endless expanse of Ashland, which appeared, during winter, to be a snowy wasteland with stoplights changing for no cars. It was from this apartment that we witnessed, as though it were a movie, the destruction following the Bulls’ “3-Peat”. Riots of joy broke out, idiots went around smashing windows and tipping over cars. Everyone was told by the Police Chief to stay home, and then Michael Jordan came onto the television and said, “We’re all really glad you’re happy we won, but please stop destroying the city.” Mitchell and I watched wild groups of boys prowling around on Ashland, restless with blood-lust, ignorant, tipping over Port-a-Potties and smashing windows.

The temperature began to drop in January. And drop and drop. Add to that the wind chill factor. I come from the Ocean State. I had never experienced such cold in my life. It was a whole other beast. First: you have your basic cold days. Everyone knows what those are like. Then you have days where it suddenly becomes clear, like an ice pick on your spine: “I am in danger. This cold will kill me.”

The cold of that Chicago winter was of the second variety.

Radio announcers filled the air with warnings: “Do not go outside unless you absolutely have to. If you have to go outside, make sure that no skin is exposed.”

People wrapped up like cocoons staggered against the wind up and down Ashland. Everyone was sexless and indistinct. The entire city was in crisis mode. Having never experienced the “I am in danger” kind of cold, I only half paid attention to the warnings.

I was working as a temp at a security agency down in the Loop. It was one of my favorite assignments ever, not because my job was great – I just answered phones. It was the vibe. The employees were a bunch of cops who worked as bodyguards and did security details. Donny Osmond was one of our clients: he was in town with Joseph and the Amazing Technicolor Dreamcoat. I talked to Donny Osmond on the phone every day. (He was very nice.) It was the best job ever because of those cops, all of whom I befriended. They got concerned about me because I would regale them with stories of what I did after hours, hanging out at pool halls and getting on the train at 11 at night to go to a party in some weird area of the city … They did not like any of this. They did not tell me to stay at home and be a good girl. They were not patriarchal bores. But they were concerned. So they decided as a group to teach me self-defense techniques on their lunch breaks. (I have used their tips from time to time. Their tips “stuck”.) There was one time when I was literally being pinned down on the office floor by a cop and I was trying to follow his instructions to get away. The other cops stood around us in a little semi-circle watching this battle royale, giving me tips. The boss came out of his office, took one look at what was going on, and said, in an over-it voice, “Robert, could you please get off the temp?”

The office was in a rickety shithole next to a garage. I was clearly a bright spot in the cops’ day, they’d come in in between assignments and loll around at my desk talking to me. They were all observant. They noticed everything. For example, there were times when I showed up wearing the same outfit I had on the day before. They always clocked it. One of them took one look at my outfit, raised his eyebrows and said, “…. Hm.” (subtext: “Your clothes look familiar and I know what that means.”) I’d be like, “Okay, okay, leave me alone.”

One cop in particular became a good friend. He was a small Irish leprechaun of a man, and tough as nails. He would talk to me over the receptionist’s desk. Once, we were in the middle of a conversation and he stopped suddenly, looking at me with wonder. “What?” I asked. He hesitated, and then said, “I’ve heard people talk about ‘pheromones’ before. But I didn’t believe they existed. Until now.” This became one of our jokes. I paged him once to let him know I spoke to “Mr. Osmond”, and had a message to pass on. Leprechaun-cop called me back, I gave him the message, and before we hung up he said joyfully, “I had no idea pheromones could come through a phone!” (I could have had him. Easily. But I liked the job too much to mess it up.)

On the coldest day, the wind-chill was something like 40 degrees below. The radio chanted dire warnings. I ignored them. I bundled myself up, as though it were a normal winter day, not an “I AM GONNA DIE” day, and trudged to the L station. Our apartment was in an awkward location and the walk to the train station was about 15 minutes.

I cannot describe the agony. The cold was so cold it burned. Only my eyeballs peeped out from the scarf wrapped around my head. The bottom of my right earlobe was exposed for fifteen minutes. My head scarf slipped, and my hat did not cover the lobe.

But everything was so freezing (there really should be another word for cold like that) that the agony of my exposed earlobe did not register. Or, it registered, but it was just another item on the list of agonies.

I was frightened by the weather. I was the only idiot outside. The streets were empty. I sat on the train. Feeling like I would never thaw. The cold was in my bones.

I did not unwrap myself. I sat there, a sexless layered blob.

Suddenly a woman across the aisle spoke to me very sternly: “The bottom of your ear is exposed. You have GOT to cover it up.”

“Oh … thanks.”

I covered up the lobe. I wasn’t really paying attention to the fact that my ear was now throbbing.

I sat at my desk at the security office. I felt as though the winter was pushing against the thin walls of the rickety building. The Loop was deserted, a maze of concrete canyons, with freezing wind that would rip your face off. Lake Michigan heaved with ice at the city’s edge.

I had no business going to work that day.

I answered phones. My earlobe felt very uncomfortable but I ignored it for a while. I put the phone to my left ear. The burning intensified. It ached and the ache started to spread into my head. My earring hurt. I took it out. I thought maybe my lobe was infected because of the earring. I just wasn’t putting it together. Finally, I was reduced to sitting at the desk in a mute state of pain, holding my palm firmly over the burning earlobe, trying to cool it down.

When I finally got my act together and decided to check it out, I went into the bathroom to see what was going on with my ear. I took one look in the mirror and burst into hysterical sobs.

My earlobe was swelled to the size of a big broccoli blossom, and was a violent burned red. The skin was puffed out painfully. The lobe was so enormous it looked ready to explode.

FINALLY, I felt fear.

Am I going to lose my ear?

I never had frostbite before. I only heard horror stories. My ear looked like a horror story.

I cried hysterically in the bathroom, in a total panic, pressing my hand onto my ear, trying to warm it up or push it down. I suddenly LOVED my ears with a passion beyond belief. I CHERISHED my ears. I was crying out loud, “Oh my God … please go down … please go down…”

I came back out into the bleak little security office, still sobbing.

The “pheromone” cop, bundled up so much he could barely move, came into the reception area. He took one look at me and rushed over. “What’s going on??” he cried. I turned my head to show him: “Oh my God – Look at my ear. Am I gonna lose my ear?? How bad is it?”

He took one look at my ear and said, “Call the health clinic right now.”

I obeyed. He waited as I called, staring at me with the dead-on eyes so many cops have. He was stalwart, calm, a rock.

The harassed nurse who answered the phone could not have cared less about what ended up being a mild case of frostbite during an enormous city-wide disaster.

She said to me, “People are dying.” Many people did, in fact, die in this storm. She briefly told me what to do for frostbite and hung up.

“My” cop made me go home. He gave me his fur hat with side-flaps to put over my other hat. He gave me another scarf and wrapped it around my head multiple times. He basically dressed me like I was a kid heading out to the school bus. I could barely walk. I set my teeth, marched to the L. The platform was crowded with faceless shivering gblobs.

I got off at Ashland, and endured – the only word for it – the walk back to my apartment. The wind hit my face. The cold hurt. I was almost walking horizontally. Sheer force of will got me there. I had to take my gloves off to get my keys out. The second the cold hit my exposed skin, the fear of God was in me. Instead of an earlobe I had a broccoli. I frantically grasped in my purse for my keys and in that brief moment my fingers froze. I could barely control them.

Interesting twist: the lock was frozen. The key did nothing. I had to jiggle the keys wildly to get the lock to move. I thought: Holy SHIT. I am going to die on my own doorstep. I am going to lose my ear and my fingers, because of ten minutes of exposure. Finally I got inside.

I then sat in my apartment for three days, ministering to my ear, following the harassed ER nurse’s instructions.

The swelling did go down, and the ear eventually looked normal, but the damage to my skin tissue was irrevocable. To this day, I have to be extra careful of that ear.

I still think fondly of my “pheromone cop” and how he took care of me on that cold cold day.

2026 thoughts:

That really was one of my favorite jobs, to this day. The office looked like it had been erected in 10 minutes, nothing on the walls, no real reception area, since nobody was going to come visit the office. The office was just a place where the cops (former, current, picking up extra cash) would come to get assignments, or check in, do paperwork, or whatever. I ran the phones and kept the schedules, paging them to let them know if plans had changed and they needed to go pick up so and so at such and such. I was in my glory because it was 10 guys and one me. They clearly were not living the life I was living then – wild and nocturnal – and so they loved living vicariously. “Soooo what’d you get up to last night?” I’d be up all night with M., and then we’d get in the car at 7:30 am and he’d drive me down to the Loop to drop me off at the shitty office. These were the mornings I wore the same clothes since I basically never went home.

I swear to God, I do not know what I would have done without temp agencies. I was lucky in that I knew how to type and I typed wicked fast. You had to take typing tests at these agencies. But it was so EASY to get assignments. I don’t know if temp agencies like this exist anymore. Everyone knows how to type now. A lot of mundane office work – filing, for example – just isn’t a “thing” anymore, since everything’s digital. But my God, these agencies were a lifesaver. I’d get a call on Monday to show up at some office in the Loop, they needed someone to answer phones, or I needed to fill in for an executive assistant, etc. And off I’d go. Temping could be nervewracking because you couldn’t really settle into a routine. Every other day it was a whole new office. But it was steady. And if you proved yourself by being reliable, these offices would ask for you back.

I was able to fully support myself by temping. I should do a post about all the different jobs I had, because there were some pretty funny ones. I hated getting assigned to advertising agencies, especially to answer phones, because the phones never stopped ringing and pretty much NO ONE was nice. Everyone was stressed and mean. Law offices were good gigs, but you had to be really careful to do everything right, especially if you were filing or typing something out. Business corporations were weird and stuffy but you could get long-term assignments since they always needed people. I got one long-term assignment in a real estate office where I became so embedded in the office culture I was invited to a co-workers’ wedding in southern Illinois, and we all went in a hilarious caravan, staying in one hotel room.

I look back so fondly on my time being Donny Osmond’s personal travel-planner, coordinating with the security guards on what Mr. Osmond needed, contacting Donny is anything changed … chatting on the phone with this famous guy I used to watch on television. It was wild. And those cops, who all had little crushes on me, really looked out for me. Their self-defense techniques were so good, albeit obvious, but I never forgot their main tips:

One cop said to me, “If some guy tries to move you to a different spot, fight like your life depends on it because it does. Girls don’t die at point A. They die at point B. Fight for your life at Point A.”

One said to me, “Girls always think they need to aim for the nuts. Don’t do it. You might miss or you might not hit them hard enough. What you need to do is try to poke them in the eye. A 110 pound girl like yourself could fell Mike Tyson if you poke him in the eye. Closing your eyes is involuntary. So promise me you won’t be dumb and try to kick him in the nuts?” “I promise. I’ll go for the eyes.” Decades later, I had an opportunity to fulfill that promise. I went for the eyes and dammit I missed but only because he was flailing me around. However, my fingers jabbed his Adams Apple and this worked. He winced and I heard a gurgle and it gave me a chance to get free.

The final tip I also used in that unfortunate event: One cop said to me, “Make a fucking scene. Do not go quietly. Scream bloody murder.” Even if no one is around, someone who fights that ferociously may not be worth the trouble and effort for a potential assaulter, who – obviously – would prefer someone more submissive. So I made a fucking scene – on 8th Avenue – people around – and nobody helped me! I had to poke the guy’s Adams’ Apple all on my own. It worked. So fuck you, bystanders. Thanks for nothing. I’ve got this on my own. I was prepared years ago by those lingering cops in that rickety Loop office!

I smile when I think of wrestling with one of them as the others stood around watching, and my boss – the guy who signed my time cards, the guy in charge, for God’s sake – coming out of his office, taking one look at me – wearing some mid-90s kinderwhore outfit (totally not appropriate for an office), red plastic barrettes, Doc Martens or Chuck Taylors – struggling to get out from under some huge guy pinning me down – and the boss saying, exhausted and fed up, “Jesus, get off of the temp, please, the phones are ringing.”

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