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Tag Archives: literary adaptation
Review: Eileen (2023)
I loved Eileen (based on Otessa Moshfegh’s debut novel of the same name), and its grubby slightly disreputable ANTI-charm. Still thinking about it. I reviewed for Ebert.
Review: Cat Person (2023)
This is a weird one. I don’t want to assume everyone on the planet has read the short story on which this film is based but … let’s just say the short story was a PHENOMENON. In December 2017, you … Continue reading
Posted in Movies
Tagged literary adaptation, reviews, romantic drama, thrillers, women directors
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Review: The Night of the 12th (2023)
I reviewed this extremely effective multiple-Cesar-winning crime/procedural film for Ebert.
Review: The Eight Mountains (2023)
I loved this movie. It makes me want to read the book. I reviewed for Ebert. I know I use that Yeats quote a lot but #sorrynotsorry no one said it better. Thank you so much for stopping by. If … Continue reading
Review: Everything Went Fine (2023)
I reviewed the latest by François Ozon.
Posted in Movies
Tagged Charlotte Rampling, drama, France, literary adaptation, reviews
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Review: Women Talking (2022)
Sarah Polley’s film adaptation of Miriam Towes’ novel Women Talking is now out. Not as bowled over by this as many others seem to be. Not saying everyone else is wrong, of course, just that I’ve seen this twice now … Continue reading
Posted in Movies
Tagged Canada, drama, literary adaptation, reviews, women directors
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Review: Lady Chatterley’s Lover (2022)
I’m always assigned the sexy movies. What does it mean? I do like to write about sex, so …. what better way to put my interests to use than reviewing an adaptation one of the most scandalous books of the … Continue reading
June 2022 Viewing Diary
Watcher (2022; d. Chloe Okuno) I was super impressed – and totally freaked out – by this thriller, psychological and otherwise. The mood is HEAVY with omnipresent DREAD. I reviewed for Ebert. Russian Doll (Season 1 and 2, 2019-2022) I’m … Continue reading
Posted in Monthly Viewing Diary, Movies, Television
Tagged animation, Australia, Baz Luhrmann, comedy, David Mamet, drama, Dustin Hoffman, Elvis Presley, Emma Thompson, England, France, George Cukor, Judy Garland, literary adaptation, Meryl Streep, musicals, Paul Schrader, Quentin Tarantino, Robert De Niro, Robert Walker, short films, Supernatural, Susan Sarandon, thrillers, true crime, Vincente Minnelli, women directors
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Review: Lost Illusions (2022)
For Ebert, I reviewed the new adaptation of Honore de Balzac’s sweeping epic novel about the rise and fall of a young ambitious man trying to “make it” in corrupt voracious 1820s Paris. It’s quite a production. Hundreds of extras, … Continue reading
Review: All My Puny Sorrows (2022)
I reviewed for Ebert.