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- “I never told a joke in my life.” — Andy Kaufman
- “In France, I’m an auteur; in Germany, a filmmaker; in Britain; a genre film director; and, in the USA, a bum.” — John Carpenter
- Shadow and pools of light
- “Precision and accuracy are necessary for both white and black writers. ‘A black aesthetic’ should not be an excuse for sloppy writing.” — poet and publisher Dudley Randall
- “When I was discovered, everything happened like dominos. I don’t know how to talk about it now because it’s too mindblowing. It’s so unreal, and yet it’s real.” — Faye Dunaway
- Mirrors #24
- Turn on the goose
- “As long as they pay me my salary, they can give me a broom and I’ll sweep the stage. I don’t give a damn. I want the money.” – Kay Francis
- “Fear urged him to go back, but growth drove him on.” — White Fang, by Jack London
- “I can pick a good song, but I sure couldn’t pick a good man.” — Ruth Brown
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- Melissa Sutherland on “I never told a joke in my life.” — Andy Kaufman
- Leena Myller on “It wasn’t there, and then it was there.” David Lynch on Elvis
- Leena Myller on “It wasn’t there, and then it was there.” David Lynch on Elvis
- sheila on “When I was discovered, everything happened like dominos. I don’t know how to talk about it now because it’s too mindblowing. It’s so unreal, and yet it’s real.” — Faye Dunaway
- Maddy on “When I was discovered, everything happened like dominos. I don’t know how to talk about it now because it’s too mindblowing. It’s so unreal, and yet it’s real.” — Faye Dunaway
- sheila on “When I was discovered, everything happened like dominos. I don’t know how to talk about it now because it’s too mindblowing. It’s so unreal, and yet it’s real.” — Faye Dunaway
- Maddy on “When I was discovered, everything happened like dominos. I don’t know how to talk about it now because it’s too mindblowing. It’s so unreal, and yet it’s real.” — Faye Dunaway
- sheila on “I can pick a good song, but I sure couldn’t pick a good man.” — Ruth Brown
- Clary on “I can pick a good song, but I sure couldn’t pick a good man.” — Ruth Brown
- sheila on Colm Tóibín, Gary Indiana, and Los Angeles
- Maddy on Colm Tóibín, Gary Indiana, and Los Angeles
- sheila on Colm Tóibín, Gary Indiana, and Los Angeles
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- Scott Abraham on Colm Tóibín, Gary Indiana, and Los Angeles
- sheila on Colm Tóibín, Gary Indiana, and Los Angeles
- Scott Abraham on Colm Tóibín, Gary Indiana, and Los Angeles
- sheila on “Boredom is very important in life. It helps you feel when something is wrong.” — John Strasberg
- Marta on “Boredom is very important in life. It helps you feel when something is wrong.” — John Strasberg
- sheila on “We’re not breaking new ground. We’re trying to be entertaining within a format that’s familiar.” — Walter Hill
- Dan on “We’re not breaking new ground. We’re trying to be entertaining within a format that’s familiar.” — Walter Hill
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Tag Archives: Dorothy Arzner
“I had not directed anything before. In fact I hadn’t told anyone to do anything before.” — Dorothy Arzner
“I’d rather do a picture for a small company and have my own way than a B picture for Paramount.” — Dorothy Arzner It’s her birthday today. Here’s an excellent interview with her from 1974. I have written quite a … Continue reading
Posted in Directors, Movies, On This Day
Tagged Clara Bow, Dorothy Arzner, Joan Crawford, Katharine Hepburn, Lucille Ball, Maureen O'Hara, Rosalind Russell, women directors
4 Comments
September 2024 Viewing Diary
My First Film (2024; d. Zia Anger) In my Top 10 of the year (so far). I reviewed for Ebert. Sweetheart Deal (2024; d. Elisa Levine and Gabriel Miller) A very upsetting and beautifully made documentary, representing a decade of … Continue reading
Mirrors #22
Working Girls (1931) Directed by Dorothy Arzner! I did a deep dive into this pioneering director’s work when I was working on the Dance Girl Dance essay for Criterion. I really like her films. I hadn’t seen this one! Two … Continue reading
March 2023 Viewing Diary
March was a bitch. Working on a big single project which sucked up all of my attention. Marathon not a sprint. I can’t do things half-way. This project was never ever out of my mind. I’m close to the finish … Continue reading
Posted in Monthly Viewing Diary, Movies, Television
Tagged biopic, Claudette Colbert, documentary, Dorothy Arzner, drama, England, Fredric March, horror, Ireland, Pre-Code, reviews, Shakespeare, short films, Supernatural, women directors
3 Comments
Year in Review: Running my mouth in 2020, Part 1
What a year. Hard to say “the worst” because I was at least somewhat mentally stable during 2020, but this year was an assault. An assault after a couple of years of exhausting assault. It was an assault on us … Continue reading
Posted in Actors, Directors, Movies, RIP
Tagged Arizona Dream, Aubrey Plaza, Australia, Derek Mahon, Dorothy Arzner, Eavan Boland, England, Faye Dunaway, Germany, H.D., hockey, Iranian film, Jane Austen, Jean Arthur, Jerry Lewis, John Sturges, Johnny Depp, Jonathan Demme, Josephine Decker, Kurt Russell, Lili Taylor, Linda Manz, Little Richard, Lucille Ball, Martha Coolidge, Maureen O'Hara, miracle on ice, Nick Nolte, Patricia Bosworth, Shirley Jackson, Steve McQueen, Supernatural, women directors, year in writing
2 Comments
Dance, Girl, Dance (1940): Criterion release today 5/19
My second Criterion booklet essay to come out in one month. Taking a moment to be proud of this. First came The Great Escape (my essay here), and now my essay for the long-awaited release of Dorothy Arzner’s Dance, Girl, … Continue reading
Posted in Movies
Tagged dance, dance movies, Dorothy Arzner, Lucille Ball, Maureen O'Hara, Ralph Bellamy, women directors
3 Comments
Criterion May releases announced
I wrote booklet essays for two of Criterion’s May 2020 releases – Dorothy Arzner’s 1940 film Dance, Girl, Dance, and the 1963 beloved classic The Great Escape. There are multiple reasons these were very exciting assignments. Dance, Girl, Dance is … Continue reading
Posted in Movies
Tagged action movies, dance movies, Dorothy Arzner, John Sturges, Lucille Ball, Maureen O'Hara, Steve McQueen, war movies, women directors
1 Comment
January 2020 Viewing Diary
Hell Is for Heroes (1962; d. Don Siegel) A spare lean and mean war movie – pretty standard, actually – except Steve McQueen is actually presenting a character study here, a character he probably knows something about. He is eerie … Continue reading
Posted in Monthly Viewing Diary, Movies, Television
Tagged Al Pacino, Brad Pitt, children's movies, Colin Farrell, comedy, coming of age, crime movies, Dean Stockwell, documentary, Dorothy Arzner, drama, Dustin Hoffman, England, France, Ginger Rogers, heist movies, Iran, Iranian film, Jean Arthur, Joaquin Phoenix, Joel McCrea, John Sturges, Judy Garland, Katharine Hepburn, Leonardo DiCaprio, Lucille Ball, Martin Scorsese, Maureen O'Hara, musicals, Nick Nolte, Quentin Tarantino, Robert De Niro, romantic comedy, screwball comedy, Steve McQueen, Supernatural, true crime, war movies, women directors
3 Comments