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Tag Archives: Gena Rowlands
Jacob Elordi and Gena Rowlands for the win
So I dislike sharing pictures of myself but I shared this on Instagram and figured, oh well, what the hell. These have been dark days and I am doing what I can to not just keep my spirits up but … Continue reading
Mirrors #23
Gena Rowlands, Opening Night (1977) Pamela Anderson, The Last Showgirl (2024. My review.) Thank you so much for stopping by. If you like what I do, and if you feel inclined to support my work, here’s a link … Continue reading
Posted in Movies
Tagged Gena Rowlands, John Cassavetes, mirrors, Opening Night, women directors
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“Film is, to me, just unimportant. But people are very important.” — John Cassavetes
When I think of Cassavetes, anything that comes up is inextricable from my own life journey. He’s just so IN there with me, the choices I made, the goals I had, my values. He’s also behind my favorite marriage proposal, … Continue reading
Posted in Directors, Movies
Tagged Gena Rowlands, John Cassavetes, Love Streams, Opening Night
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Accepting the reality of Gena Rowlands
I shared this story from my grad school time on Instagram and thought it was too good to be lost in the algorithm over there where “stories” disappear. I’ve always loved this anecdote, and it was a great lesson to … Continue reading
“I like to be wrung out.” — Gena Rowlands
A little bit more on Gena on my Substack.
Goodbye, Gena Rowlands
Gathered myself together, and wrote a tribute – yet another one, really – to Gena Rowlands for Ebert. I did my best. It won’t be the last time I write about her. We’ll be dealing with this career, trying to … Continue reading
July 2024 Viewing Diary
Anyone But You (2023; d. Will Gluck) The fascination with Glen Powell continues. I’ve seen this maybe four times now? The NY Times did a whole ROUNDTABLE about Glen Powell, like: what is going on with this guy? It’s like … Continue reading
Posted in Monthly Viewing Diary, Movies, Television
Tagged action movies, Ben Gazzara, coming of age, documentary, drama, England, France, Gena Rowlands, Glen Powell, historical drama, horror, Ireland, Italy, Joan Blondell, John Cassavetes, Mary Shelley, Opening Night, romantic comedy, sci-fi
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For Liberties: John Cassavetes, Tennessee Williams, and Beautiful Insanity
My next article for my Movies Before Breakfast column at Liberties Journal is one I’ve wanted to write for years: how John Cassavetes’ Opening Night and Tennessee Williams’ The Two-Character Play are the same work of art to me – … Continue reading
Posted in Movies, Theatre
Tagged Gena Rowlands, John Cassavetes, Liberties, Opening Night, Tennessee Williams, Two-Character Play
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