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Tag Archives: Harrison Ford
Ebertfest Day 1: The Fugitive, with director Andrew Davis
My hotel room has a view of the gorgeous Virginia Theatre, where the festival is held. I could see the line stretching down the block for the opening night movie, which was The Fugitive. I’ve seen the movie so many … Continue reading
Working Girl turns 30: Christy, Susan and I discuss
This was really fun: Rogerebert.com critics Christy Lemire, Susan Wloszczyna and I chat about Mike Nichols’ Working Girl: Let the River Run: On the 30th Anniversary of “Working Girl” As I was re-watching in preparation, one moment stopped me dead … Continue reading
Seen Recently: 42 (2013), Renegade Girl (1946), All of Me (1984)
42 directed by Brian Helgeland First, go read this conversation by my two pals, Odie Henderson and Steven Boone. They discuss 42. I had already been excited to see it, because I love baseball movies, and I love Harrison Ford, … Continue reading
Posted in Movies
Tagged Ann Savage, baseball, comedy, Harrison Ford, Lily Tomlin, reviews, sports movies, Steve Martin, westerns
6 Comments
Movie Poster: Raiders of the Lost Ark
You know, I like all the posters for this particular series, but there’s just something about the first one. It’s CHEESY, first of all (something more serious fanboys would do well to remember when they criticize the latest film for … Continue reading
Posted in Movies
Tagged George Lucas, Harrison Ford, posters, Raiders of the Lost Ark, Steven Spielberg
4 Comments
Where I Come From: Music, TV, Movies
A collage of childhood. And then came …. … and everything changed. In my memory it changed overnight. No longer was I interested in bowl-cut Lance Kerwin, struggling against the school bully. No longer was I interested in the problems … Continue reading
Posted in Personal
Tagged Clancy Brothers, Harrison Ford, Lance Kerwin, Little House on the Prairie, Oliver, Orphan Train
42 Comments
Witness (1985): A Masterpiece of a Scene
A masterpiece is rare. Witness is a masterpiece. It’s a fractal: every part of it replicating the whole, endless repetition – microscopic, telescopic – no matter how close or how far you get – you are still confronted with the … Continue reading
Last night, Canal Street
I glimpsed something extraordinarily exciting.
“Memories. You’re Talkin’ About Memories.”
Stunned, yet again, by its noir power and darkness. With all its technology and futuristic alienation, it is actually an art film.