Categories
Archives
-
-
-
Recent Posts
- “There is only one difference between a madman and me. I am not mad.” — Charlotte Brontë
- “Good acting is thinking in front of the camera. I just do that and apply a sense of humor to it. You have to trust the audience to get it.” — Charles Grodin
- “The only cause I espouse is man’s right to find his own centre, stand firm, speak out, then be kind.” — Michael Davitt, “Dissenter”
- “I do love Alice in Wonderland though. That’s something I think I could do very well.” — Edie Sedgwick
- Review: The Ugly Stepsister (2025)
- “I don’t like being approached by people who look at me too intensely, who needed something from me that I didn’t have. I don’t represent anything.” — Liz Phair
- “I don’t really know why, but danger has always been an important thing in my life – to see how far I could lean without falling, how fast I could go without cracking up.” — William Holden
- “Some syllables are swords.” — Metaphysical poet Henry Vaughan
- “To me, music is no joke and it’s not for sale.” — Ian MacKaye
- “All I need to make a comedy is a park, a policeman and a pretty girl.” — Charlie Chaplin
Recent Comments
- Kelly C Sedinger on “Good acting is thinking in front of the camera. I just do that and apply a sense of humor to it. You have to trust the audience to get it.” — Charles Grodin
- Mona Sørum on “That cat was royalty, man.” — Mick Jagger on Eddie Cochran
- mutecypher on “I don’t like being approached by people who look at me too intensely, who needed something from me that I didn’t have. I don’t represent anything.” — Liz Phair
- sheila on “I don’t like being approached by people who look at me too intensely, who needed something from me that I didn’t have. I don’t represent anything.” — Liz Phair
- sheila on “Ballet taught me to stay close to style and tone. Literature taught me to be concerned about the moral life.” — Joan Acocella
- mutecypher on “I don’t like being approached by people who look at me too intensely, who needed something from me that I didn’t have. I don’t represent anything.” — Liz Phair
- Gina in alabama on “Ballet taught me to stay close to style and tone. Literature taught me to be concerned about the moral life.” — Joan Acocella
- sheila on March 2025 Viewing Diary, Supernatural Season 8
- sheila on 92nd Street Y: April 29th, Liberties panel
- mutecypher on 92nd Street Y: April 29th, Liberties panel
- Pat on March 2025 Viewing Diary, Supernatural Season 8
- sheila on March 2025 Supernatural Viewing Diary Season 10, working backwards
- sheila on March 2025 Supernatural Viewing Diary Season 10, working backwards
- Adèle on March 2025 Supernatural Viewing Diary Season 10, working backwards
- sheila on March 2025 Viewing Diary, Supernatural Season 8
- sheila on March 2025 Viewing Diary, Supernatural Season 8
- sheila on March 2025 Viewing Diary, Supernatural Season 8
- Katie on Close-up: Bud White in “LA Confidential”
- LYRIEISYELLING on February 2025 Viewing Diary
- Lyrie on March 2025 Viewing Diary, Supernatural Season 8
-
Tag Archives: Paul Thomas Anderson
“The films that I love are very straightforward stories, like really old-fashioned stuff.” — Paul Thomas Anderson
There are many good contemporary film-makers doing fascinating bold work but Paul Thomas Anderson is what you might call “touched”. What other filmmaker now would even dare to make something like Magnolia? Who could even think that up? How was … Continue reading
December 2022 Viewing Diary
The Whale (2022; d. Darren Aronofsky) I thought it was appalling, and not for the obvious reasons. His body is viewed as literally a movie monster, with all these horror-movie shots of his gigantic ankles, etc.) It felt tired and … Continue reading
Posted in Monthly Viewing Diary, Movies, Television
Tagged action movies, animation, Austria, Brad Pitt, Brian De Palma, Charles Dickens, Christopher Walken, Claude Chabrol, Claudette Colbert, comedy, coming of age, Czechoslovakia, Darren Aronofsky, David Bowie, documentary, drama, England, France, Germany, heist movies, historical drama, Hungary, India, Isabelle Huppert, Kentucker Audley, Natasha Richardson, Paul Schrader, Paul Thomas Anderson, Preston Sturges, Punch-Drunk Love, Russia, Sandrine Bonnaire, screwball comedy, thrillers, Ukraine, war, women directors
3 Comments
Falling in love in itty-bitty cars
Claudette Colbert and Don Ameche, Midnight (1939; d. Mitchell Leisen) Daniel Day-Lewis and Vicki Krieps, Phantom Thread (2017; d. Paul Thomas Anderson)
Posted in Movies
Tagged Claudette Colbert, Paul Thomas Anderson, romantic drama, screwball comedy
Leave a comment
What’s back there? It’s nothing good.
1. Inherent Vice (2014) 2. Ciao! Manhattan (1972)
NYFCC 2021 Awards
Early this month, the New York Film Critics Circle met up at Lincoln Center – in person – for the first time in over a year – to vote on our 2021 awards. The awards show is being held in … Continue reading
Posted in Movies
Tagged Afghanistan, animation, comedy, Denmark, documentary, drama, Japan, Lady Gaga, musicals, Norway, Paul Thomas Anderson, Steven Spielberg, women directors
Leave a comment
Rogerebert.com: The Ten Best Films of 2021
The annual Rogerebert.com contributors’ collective Top 10. We each submit an individual list, and then we’re given assignments based on the tally. I wrote on Paul Thomas Anderson’s Licorice Pizza. You can read the full list here. I’ll be putting … Continue reading
November 2021 Viewing Diary
The Wire, half of Season 3 This is the busiest time of year in re: film-critic-land, so had to stop my re-watch of The Wire to make room for new releases. I’ll get back to it! All Is Forgiven (2007; … Continue reading
Posted in Monthly Viewing Diary, Movies, Television
Tagged Amy Heckerling, Balkans, Dean Stockwell, documentary, drama, Ethan Hawke, Eugene O'Neill, France, Ingmar Bergman, Jake Gyllenhaal, Japan, Katharine Hepburn, literary adaptation, Long Day's Journey Into Night, Mexico, Mia Hansen-Løve, Mia Wasikowska, New Zealand, Paul Thomas Anderson, Quantum Leap, Rebecca Hall, Sidney Lumet, Spain, Sweden, The Beatles, Will Ferrell, women directors
22 Comments
July/August 2020 Viewing Diary
Let’s get to it. July and August have been very … extra. Movies are fine, but I am gravitating towards series, anything I can binge-watch. I get clicked into something that interests me, and then feel so relieved that I … Continue reading
Posted in Monthly Viewing Diary, Movies, Television
Tagged biopic, Brad Pitt, comedy, coming of age, documentary, drama, Eminem, Flannery O'Connor, horror, Jackass, John Garfield, Leonardo DiCaprio, musicals, Paul Thomas Anderson, Quentin Tarantino, religious movies, romantic drama, sci-fi, Shelley Winters, women directors
41 Comments
Year in Review: Running my mouth in 2019
Thanks, everyone, who hangs out here, who likes what I do, whether you’re an Elvis fan, a Supernatural fan, a general cinephile, a book-lover, or just someone who’s been checking in periodically for 17 years – WHAT? – I appreciate … Continue reading
Posted in Actors, James Joyce, Movies, Television
Tagged Agnes Varda, animation, Anna Karina, backting, Badlands, Belfast, Bibi Andersson, Bob Dylan, Bong Joon-Ho, Canada, Charlotte Rampling, comedy, Dennis Hopper, documentary, Doris Day, drama, Dubliners, Elvis Presley, Emily Dickinson, Frank O'Hara, friends, Gaspar Noe, George Stevens, Gold Diggers of 1933, horror, Ireland, Jean Arthur, Joanna Hogg, Joe Berlinger, Joel McCrea, John Ford, Kristen Stewart, Leonardo DiCaprio, Linda Manz, Marlon Brando, Martin Scorsese, Mary Oliver, Matthias Schoenaerts, Myrna Loy, Nick Nolte, Nick Tosches, Nicolas Roeg, Out of the Blue, Paraguay, Paul Thomas Anderson, poetry, Poland, Present Tense, Robert Evans, Sandrine Bonnaire, sci-fi, Sophia Takal, Sucker Punch, Supernatural, Sylvia Plath, Terrence Malick, Tom Noonan, What Happened Was, William Powell, Willie Nelson, women directors, year in writing, Zac Efron
1 Comment