Categories
Archives
-
-
-
Recent Posts
- “Fear urged him to go back, but growth drove him on.” — White Fang, by Jack London
- “I can pick a good song, but I sure couldn’t pick a good man.” — Ruth Brown
- “I’ll stay and look you straight in the eyes like all these normal people when I scream for my rights.” — Taraneh Alidoosti
- Colm Tóibín, Gary Indiana, and Los Angeles
- “And the world Is gonna know your name. What’s your name, man?” “Alexander Hamilton.”
- “It’s a situation I’ve never been able to fathom. One minute, it seemed I had more movie offers than I could handle, the next — no one wanted me.” — Sal Mineo
- “We’re not breaking new ground. We’re trying to be entertaining within a format that’s familiar.” — Walter Hill
- “I feel I’m writing for everyone, but they haven’t discovered it yet. They will – I’ll just be six feet under.” — Scott Walker
- Elvis forever and happy birthday
- R.I.P. Jeff Baena
Recent Comments
- sheila on Colm Tóibín, Gary Indiana, and Los Angeles
- Maddy on Colm Tóibín, Gary Indiana, and Los Angeles
- sheila on Colm Tóibín, Gary Indiana, and Los Angeles
- sheila on Colm Tóibín, Gary Indiana, and Los Angeles
- Scott Abraham on Colm Tóibín, Gary Indiana, and Los Angeles
- sheila on Colm Tóibín, Gary Indiana, and Los Angeles
- Scott Abraham on Colm Tóibín, Gary Indiana, and Los Angeles
- sheila on “Boredom is very important in life. It helps you feel when something is wrong.” — John Strasberg
- Marta on “Boredom is very important in life. It helps you feel when something is wrong.” — John Strasberg
- sheila on “We’re not breaking new ground. We’re trying to be entertaining within a format that’s familiar.” — Walter Hill
- Dan on “We’re not breaking new ground. We’re trying to be entertaining within a format that’s familiar.” — Walter Hill
- sheila on R.I.P. Jeff Baena
- sheila on For Film Comment: On Martin Scorsese’s Rolling Thunder Revue: A Bob Dylan Story
- mutecypher on For Film Comment: On Martin Scorsese’s Rolling Thunder Revue: A Bob Dylan Story
- mutecypher on For Film Comment: On Martin Scorsese’s Rolling Thunder Revue: A Bob Dylan Story
- Mike Molloy on R.I.P. Jeff Baena
- sheila on For Film Comment: On Martin Scorsese’s Rolling Thunder Revue: A Bob Dylan Story
- mutecypher on For Film Comment: On Martin Scorsese’s Rolling Thunder Revue: A Bob Dylan Story
- sheila on For Film Comment: On Martin Scorsese’s Rolling Thunder Revue: A Bob Dylan Story
- sheila on For Film Comment: On Martin Scorsese’s Rolling Thunder Revue: A Bob Dylan Story
-
Tag Archives: Paul Thomas Anderson
“The films that I love are very straightforward stories, like really old-fashioned stuff.” — Paul Thomas Anderson
There are many good contemporary film-makers doing fascinating bold work but Paul Thomas Anderson is what you might call “touched”. What other filmmaker now would even dare to make something like Magnolia? Who could even think that up? How was … Continue reading
December 2022 Viewing Diary
The Whale (2022; d. Darren Aronofsky) I thought it was appalling, and not for the obvious reasons. His body is viewed as literally a movie monster, with all these horror-movie shots of his gigantic ankles, etc.) It felt tired and … Continue reading
Posted in Monthly Viewing Diary, Movies, Television
Tagged action movies, animation, Austria, Brad Pitt, Brian De Palma, Charles Dickens, Christopher Walken, Claude Chabrol, Claudette Colbert, comedy, coming of age, Czechoslovakia, Darren Aronofsky, David Bowie, documentary, drama, England, France, Germany, heist movies, historical drama, Hungary, India, Isabelle Huppert, Kentucker Audley, Natasha Richardson, Paul Schrader, Paul Thomas Anderson, Preston Sturges, Punch-Drunk Love, Russia, Sandrine Bonnaire, screwball comedy, thrillers, Ukraine, war, women directors
3 Comments
Falling in love in itty-bitty cars
Claudette Colbert and Don Ameche, Midnight (1939; d. Mitchell Leisen) Daniel Day-Lewis and Vicki Krieps, Phantom Thread (2017; d. Paul Thomas Anderson)
Posted in Movies
Tagged Claudette Colbert, Paul Thomas Anderson, romantic drama, screwball comedy
Leave a comment
NYFCC 2021 Awards
Early this month, the New York Film Critics Circle met up at Lincoln Center – in person – for the first time in over a year – to vote on our 2021 awards. The awards show is being held in … Continue reading
Posted in Movies
Tagged Afghanistan, animation, comedy, Denmark, documentary, drama, Japan, Lady Gaga, musicals, Norway, Paul Thomas Anderson, Steven Spielberg, women directors
Leave a comment
Rogerebert.com: The Ten Best Films of 2021
The annual Rogerebert.com contributors’ collective Top 10. We each submit an individual list, and then we’re given assignments based on the tally. I wrote on Paul Thomas Anderson’s Licorice Pizza. You can read the full list here. I’ll be putting … Continue reading
November 2021 Viewing Diary
The Wire, half of Season 3 This is the busiest time of year in re: film-critic-land, so had to stop my re-watch of The Wire to make room for new releases. I’ll get back to it! All Is Forgiven (2007; … Continue reading
Posted in Monthly Viewing Diary, Movies, Television
Tagged Amy Heckerling, Balkans, Dean Stockwell, documentary, drama, Ethan Hawke, Eugene O'Neill, France, Ingmar Bergman, Jake Gyllenhaal, Japan, Katharine Hepburn, literary adaptation, Long Day's Journey Into Night, Mexico, Mia Hansen-Løve, Mia Wasikowska, New Zealand, Paul Thomas Anderson, Quantum Leap, Rebecca Hall, Sidney Lumet, Spain, Sweden, The Beatles, Will Ferrell, women directors
22 Comments
July/August 2020 Viewing Diary
Let’s get to it. July and August have been very … extra. Movies are fine, but I am gravitating towards series, anything I can binge-watch. I get clicked into something that interests me, and then feel so relieved that I … Continue reading
Posted in Monthly Viewing Diary, Movies, Television
Tagged biopic, Brad Pitt, comedy, coming of age, documentary, drama, Eminem, Flannery O'Connor, horror, Jackass, John Garfield, Leonardo DiCaprio, musicals, Paul Thomas Anderson, Quentin Tarantino, religious movies, romantic drama, sci-fi, Shelley Winters, women directors
41 Comments
Year in Review: Running my mouth in 2019
Thanks, everyone, who hangs out here, who likes what I do, whether you’re an Elvis fan, a Supernatural fan, a general cinephile, a book-lover, or just someone who’s been checking in periodically for 17 years – WHAT? – I appreciate … Continue reading
Posted in Actors, James Joyce, Movies, Television
Tagged Agnes Varda, animation, Anna Karina, backting, Badlands, Belfast, Bibi Andersson, Bob Dylan, Bong Joon-Ho, Canada, Charlotte Rampling, comedy, Dennis Hopper, documentary, Doris Day, drama, Dubliners, Elvis Presley, Emily Dickinson, Frank O'Hara, friends, Gaspar Noe, George Stevens, Gold Diggers of 1933, horror, Ireland, Jean Arthur, Joanna Hogg, Joe Berlinger, Joel McCrea, John Ford, Kristen Stewart, Leonardo DiCaprio, Linda Manz, Marlon Brando, Martin Scorsese, Mary Oliver, Matthias Schoenaerts, Myrna Loy, Nick Nolte, Nick Tosches, Nicolas Roeg, Out of the Blue, Paraguay, Paul Thomas Anderson, poetry, Poland, Present Tense, Robert Evans, Sandrine Bonnaire, sci-fi, Sophia Takal, Sucker Punch, Supernatural, Sylvia Plath, Terrence Malick, What Happened Was, William Powell, Willie Nelson, women directors, year in writing, Zac Efron
1 Comment
February 2019 Viewing Diary
St. Agatha (2019; d. Darren Lynn Bousman) I reviewed this nunsploitation horror film which I resisted at first for some reason, but then I got into the spirit of it. It’s fun. It’s what it needs to be. It also … Continue reading
Posted in Monthly Viewing Diary, Movies, Television
Tagged Badlands, Cuba, documentary, Elia Kazan, Gaspar Noe, Hungary, Ireland, Joaquin Phoenix, Meryl Streep, Patricia Neal, Paul Thomas Anderson, Philip Seymour Hoffman, Poland, Russell Crowe, Ryan Gosling, Steven Spielberg, Supernatural, Terrence Malick, Tom Hanks, women directors
8 Comments