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Recent Posts
- “Improvement makes strait roads, but the crooked roads without Improvement, are roads of Genius.” — poet/engraver/visionary William Blake
- “You can’t dance in a long dress.” — Tina Turner
- Happy Birthday, Emir Kusturica
- “What’s the difference between an exile and an expatriate? It seems to me that an Englishman in France is an expat, but an Irishman is an exile.” — Irish poet Derek Mahon
- Posters in Aki Kaurismäki’s Fallen Leaves (2023)
- “[I wish] to trace the gradual action of ordinary causes rather than exceptional.” — George Eliot
- “There were so many things I wanted to say, stream-of-consciousness things, designs and patterns while listening to music. I felt I might be able to say [them] if I had an unending canvas.” — pioneering experimental animator Mary Ellen Bute
- The (Fractured) Male Gaze
- “Being understood is not the most essential thing in life.” — Jodie Foster
- Happy Birthday, Graham Parker
Recent Comments
- Chris on “There were so many things I wanted to say, stream-of-consciousness things, designs and patterns while listening to music. I felt I might be able to say [them] if I had an unending canvas.” — pioneering experimental animator Mary Ellen Bute
- Mitch Berg on “What’s the difference between an exile and an expatriate? It seems to me that an Englishman in France is an expat, but an Irishman is an exile.” — Irish poet Derek Mahon
- Sean Giere on “I don’t like being approached by people who look at me too intensely, who needed something from me that I didn’t have. I don’t represent anything.” — Liz Phair
- Jessie on Review: May December (2023)
- Jessie on Review: Holy Frit (2023)
- Jessie on She’s not a bad person. Honest she isn’t: Kerry O’Malley in David Fincher’s The Killer
- Ginny SH on “There’s nothing you can tell me about guilt.” — Martin Scorsese
- Clary on The (Fractured) Male Gaze
- sheila on “I don’t like being approached by people who look at me too intensely, who needed something from me that I didn’t have. I don’t represent anything.” — Liz Phair
- SeanGiere on “I don’t like being approached by people who look at me too intensely, who needed something from me that I didn’t have. I don’t represent anything.” — Liz Phair
- sheila on She’s not a bad person. Honest she isn’t: Kerry O’Malley in David Fincher’s The Killer
- Melissa Sutherland on She’s not a bad person. Honest she isn’t: Kerry O’Malley in David Fincher’s The Killer
- sheila on “There’s nothing you can tell me about guilt.” — Martin Scorsese
- sheila on “There’s nothing you can tell me about guilt.” — Martin Scorsese
- sheila on Review: May December (2023)
- sheila on Talking 1953 movies with Jason Bailey and Mike Hull: A Very Good Year podcast
- sheila on Review: Holy Frit (2023)
- sheila on “Given as much to the gutter as to the gods” — Nick Tosches
- sheila on She’s not a bad person. Honest she isn’t: Kerry O’Malley in David Fincher’s The Killer
- sheila on She’s not a bad person. Honest she isn’t: Kerry O’Malley in David Fincher’s The Killer
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Tag Archives: Substack
Substack: on The Heart Machine (2014)
On my Substack, I posted a slightly re-worked piece I wrote for the now-defunct (and off the web, unfortunately) site The Dissolve, on Zachary Wigon’s surprisingly harrowing The Heart Machine. When you hear the plot, you might think you know … Continue reading
Substack: On Dustin Guy Defa’s Bad Fever
I’m a big admirer of the filmmaker (and occasional actor) Dustin Guy Defa. Currently, many of his shorts and a couple of his features are streaming on the Criterion Channel. I wrote about his 2011 feature Bad Fever on my … Continue reading
Substack: Catching up with interesting people saying interesting things
Link roundup on my Substack, to my own stuff, yes, but also to some things I’ve read over the last month I adore: a beautiful piece by my friend Charlie on Bernardo Bertolucci’s The Dreamers, an interview with director Susan … Continue reading
Posted in Movies, Personal
Tagged Joan Didion, Play It As It Lays, Substack, Tuesday Weld
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Music and my aunt Anne.
We said farewell to Anne yesterday, four generations gathered together, to mourn and celebrate our mother, aunt, sister, wife, friend. I wrote about Anne and my family, and music.
Substack: on John Cassavetes’ Minnie and Moskowitz
This is a re-vamped post I resurrected for my Substack. A freebie for all subscribers. I saw it again recently and elaborated on my original thoughts. Outside-Inside: John Cassavetes’ “Minnie and Moskowitz” Thank you so much for stopping … Continue reading
Posted in Directors, Movies
Tagged Gena Rowlands, John Cassavetes, Minnie and Moskowitz, Seymour Cassel, Substack
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New Substack: Bloomsday past and present
For my Substack, I wrote about the Bloomsday celebration I’ve been going to (more or less) for 20 years, and my history with the book, and Dad, and lovable finance bro, and meeting people where the sole bond is knowing … Continue reading
Substack: Rachel, Rachel (1968)
I wrote about Paul Newman’s directorial debut, Rachel, Rachel, starring Joanne Woodward, for my Substack.
Posted in Actors, Directors, Movies
Tagged drama, Joanne Woodward, Paul Newman, Substack
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Substack: Writing roundup
A freebie for all subscribers: Roundup of my writing over the last couple of months, plus some thoughts on Viva Las Vegas, After Hours, Ebertfest, my time in Chicago … everything I’ve been doing. Thanks for reading!
Posted in Movies, Personal, Television
Tagged After Hours, Elvis Presley, Martin Scorsese, Substack, Viva Las Vegas
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Substack: Heather Armstrong, aka Dooce
I wasn’t going to write about Heather Armstrong (who committed suicide a couple of weeks ago), but then realized I had some stuff to say. Wrote some thoughts on my Substack. Thank you so much for stopping by. … Continue reading
Substack: “I was a sinister child, lazy and cynical.” — Eve Babitz
For my Substack paid subscribers, I wrote another piece about Eve Babitz: her impossible to imitate voice and the courage it takes to live life as a female swashbuckling romantic. Thank you so much for stopping by. If … Continue reading