{"id":184917,"date":"2023-01-26T21:38:17","date_gmt":"2023-01-27T02:38:17","guid":{"rendered":"http:\/\/www.sheilaomalley.com\/?page_id=184917"},"modified":"2026-04-10T22:23:17","modified_gmt":"2026-04-11T02:23:17","slug":"ebert-reviews","status":"publish","type":"page","link":"https:\/\/www.sheilaomalley.com\/?page_id=184917","title":{"rendered":"Ebert reviews"},"content":{"rendered":"

2026<\/strong>
\nHamlet<\/i> (2026)<\/a>
\nLiving the Land<\/i> (2026)<\/a>
\nHoly Days<\/i> (2026)<\/a>
\nTow<\/i> (2026)<\/a>
\nPompei: Below the Clouds<\/i> (2026)<\/a>
\nEPiC: Elvis Presley in Concert<\/i> (2026)<\/a>
\nHoney Bunch<\/i> (2026)<\/a>
\nIn Cold Light<\/i> (2026)<\/a>
\nSound of Falling<\/i> (2026)<\/a>
\nWe Bury the Dead<\/i> (2026)<\/a><\/p>\n

2025<\/strong>
\nMerv<\/i> (2025)<\/a>
\nThe Chronology of Water<\/i> (2025)<\/a>
\nCome Closer<\/i> (2025)<\/a>
\nThe Thing with Feathers<\/i> (2025)<\/a>
\nZodiac Killer Project<\/i> (2025)<\/a>
\nTrifole<\/i> (2025)<\/a>
\nDie My Love<\/i> (2025)<\/a>
\nThe Man Who Saves the World?<\/i> (2025)<\/a>
\nAll of You<\/i> (2025)<\/a>
\nThe Thursday Murder Club<\/i> (2025)<\/a>
\nWent Up the Hill<\/i> (2025)<\/a>
\nShe Rides Shotgun<\/i> (2025)<\/a>
\nFolktales<\/i> (2025)<\/a>
\nDrowning Dry<\/i> (2025)<\/a>
\nWild Diamond<\/i> (2025)<\/a>
\nPonyboi<\/i> (2025)<\/a>
\nMy Mom Jayne<\/i> (2025)<\/a>
\nPrime Minister<\/i> (2025)<\/a>
\nThe Last Rodeo<\/i> (2025)<\/a>
\nSew Torn<\/i> (2025)<\/a>
\nElectra<\/i> (2025)<\/a>
\nThe Ugly Stepsister<\/i> (2025)<\/a>
\nThat They May Face the Rising Sun<\/i> (2025)<\/a>
\nEric LaRue<\/i> (2025)<\/a>
\nBeing Maria<\/i> (2025)<\/a>
\nUppercut<\/i> (2025)<\/a>
\nRounding<\/i> (2025)<\/a>
\nSuze<\/i> (2025)<\/a>
\nLove Me<\/i> (2025)<\/a>
\nLiza: A Truly Terrific Absolutely True Story<\/i> (2025)<\/a><\/p>\n

2024<\/strong>
\n14 Underrated Movies of 2024 (2024)<\/a>
\nBabygirl<\/i> (2024)<\/a>
\nThe Great Performances of 2024<\/a>
\nThe Last Showgirl<\/i> (2024)<\/a>
\nThe Best Films of 2024<\/a>
\nThe End<\/i> (2024)<\/a>
\nAll We Imagine as Light<\/i> (2024)<\/a>
\nSmall Things Like These<\/i> (2024)<\/a>
\nNo Other Land<\/i> (2024)<\/a>
\nMagpie<\/i> (2024)<\/a>
\nAmber Alert<\/i> (2024)<\/a>
\nSweetheart Deal<\/i> (2024)<\/a>
\nMy First Film<\/i> (2024)<\/a>
\nThe Wasp<\/i> (2024)<\/a>
\nA Woman Without Peers: Gena Rowlands (1930-2024)<\/a>
\nGood One<\/i> (2024)<\/a>
\nKneecap<\/i> (2024)<\/a>
\nOddity<\/i> (2024)<\/a>
\nNational Anthem<\/i> (2024)<\/a>
\nGoldilocks and the Two Bears<\/i> (2024)<\/a>
\nDaddio<\/i> (2024)<\/a>
\nBad Behaviour<\/i> (2024)<\/a>
\nJust the Two of Us<\/i> (2024)<\/a>
\nEzra<\/i> (2024)<\/a>
\nForce of Nature: The Dry 2<\/i> (2024)<\/a>
\nJeanne du Barry<\/i> (2024)<\/a>
\nIt’s Only Life After All<\/i> (2024)<\/a>
\nScoop<\/i> (2024)<\/a>
\nWicked Little Letters<\/i> (2024)<\/a>
\nYou’ll Never Find Me<\/i> (2024)<\/a>
\nClub Zero<\/i> (2024)<\/a>
\nGlitter & Doom<\/i> (2024)<\/a>
\nPlayers<\/i> (2024)<\/a>
\nHere<\/i> (2024)<\/a>
\nThe Promised Land<\/i> (2024)<\/a>
\nSometimes I Think About Dying<\/i> (2024)<\/a>
\nThe Settlers<\/i> (2024)<\/a>
\nSociety of the Snow<\/i> (2024)<\/a><\/p>\n

2023<\/strong>
\nAll of Us Strangers<\/i> (2023)<\/a>
\nThe Great Performances of 2023 (2023)<\/a>
\nThe Taste of Things<\/i> (2023)<\/a>
\nThe Ten Best Films of 2023 (2023)<\/a>
\nEileen<\/i> (2023)<\/a>
\nMay December<\/i> (2023)<\/a>
\nYour Lucky Day<\/i> (2023)<\/a>
\nWingwomen<\/i> (2023)<\/a>
\nHoly Frit<\/i> (2023)<\/a>
\nOnyx the Fortuitous and the Talisman of Souls<\/i> (2023)<\/a>
\nOnce Within a Time<\/i> (2023)<\/a>
\nCat Person<\/i> (2023)<\/a>
\nMuzzle<\/i> (2023)<\/a>
\nBarber<\/i> (2023)<\/a>
\nSitting in Bars with Cake<\/i> (2023)<\/a>
\nErnest & Celestine: A Trip to Gibberitia<\/i> (2023)<\/a>
\nDan Callahan on His New Book, Bing and Billie and Frank and Ella and Judy and Barbra<\/a>
\nScrapper<\/i> (2023)<\/a>
\nbirth\/rebirth<\/i> (2023)<\/a>
\nBetween Two Worlds<\/i> (2023)<\/a>
\nA Compassionate Spy<\/i> (2023)<\/a>
\nThe Unknown Country<\/i> (2023)<\/a>
\nThe Deepest Breath<\/i> (2023)<\/a>
\nThe Miracle Club<\/i> (2023)<\/a>
\nThe YouTube Effect<\/i> (2023)<\/a>
\nThe Best Films of 2023 \u2026 So Far<\/a>
\nPrisoner’s Daughter<\/i> (2023)<\/a>
\nMending the Line<\/i> (2023)<\/a>
\nBrooklyn 45<\/i> (2023)<\/a>
\nClose to Vermeer<\/i> (2023)<\/a>
\nReality<\/i> (2023)<\/a>
\nThe Night of the 12th<\/i> (2023)<\/a>
\nIt Ain’t Over<\/i> (2023)<\/a>
\nThe Eight Mountains<\/i> (2023)<\/a>
\nThe Artifice Girl<\/i> (2023)<\/a>
\nLittle Richard: I Am Everything<\/i> (2023)<\/a>
\nEverything Went Fine<\/i> (2023)<\/a>
\nShowing Up<\/i> (2023)<\/a>
\nEnys Men<\/i> (2023)<\/a>
\nThe Lost King<\/i> (2023)<\/a>
\nPinball: The Man Who Saved the Game<\/i> (2023)<\/a>
\nUnwelcome<\/i> (2023)<\/a>
\nOperation Fortune: Ruse de Guerre<\/i> (2023)<\/a>
\nThe Quiet Girl<\/i> (2023)<\/a>
\nEmily<\/i> (2023)<\/a>
\nSeriously Red<\/i> (2023)<\/a>
\nBaby Ruby<\/i> (2023)<\/a>
\nWhen You Finish Saving the World<\/i> (2023)<\/a>
\nSaint Omer<\/i> (2023)<\/a><\/p>\n

2022<\/strong>
\nTurn Every Page: The Adventures of Robert Caro and Robert Gottlieb<\/i> (2022)<\/a>
\nWomen Talking<\/i> (2022)<\/a>
\nThe Individual Top Tens of 2022<\/a>
\nThe Ten Best Films of 2022<\/a>
\nRetrograde<\/i> (2022)<\/a>
\nThe Eternal Daughter<\/i> (2022)<\/a>
\nLady Chatterley’s Lover<\/i> (2022)<\/a>
\nThere There<\/i> (2022)<\/a>
\nI’m Totally Fine<\/i> (2022)<\/a>
\nSomething in the Dirt<\/i> (2022)<\/a>
\nCall Jane<\/i> (2022)<\/a>
\nAftersun<\/i> (2022)<\/a>
\nThe Loneliest Boy in the World<\/i> (2022)<\/a>
\nStay the Night<\/i> (2022)<\/a>
\nSirens<\/i> (2022)<\/a>
\nThe Justice of Bunny King<\/i> (2022)<\/a>
\nTrue Things<\/i> (2022)<\/a>
\nWe Are As Gods<\/i> (2022)<\/a>
\nThe Cathedral<\/i> (2022)<\/a>
\nFunny Pages<\/i> (2022)<\/a>
\nSpin Me Round<\/i> (2022)<\/a>
\nEmily the Criminal<\/i> (2022)<\/a>
\nWhat Josiah Saw<\/i> (2022)<\/a>
\nResurrection<\/i> (2022)<\/a>
\nHow to Please a Woman<\/i> (2022)<\/a>
\nShe Will<\/i> (2022)<\/a>
\nBoth Sides of the Blade<\/i> (2022)<\/a>
\nClara Sola<\/i> (2022)<\/a>
\nGood Luck to You, Leo Grande<\/i> (2022)<\/a>
\nLost Illusions<\/i> (2022)<\/a>
\nWatcher<\/i> (2022)<\/a>
\nDinner in America<\/i> (2022)<\/a>
\nThe Valet<\/i> (2022)<\/a>
\nAll My Puny Sorrows<\/i> (2022)<\/a>
\nAna\u00efs in Love<\/i> (2022)<\/a>
\nStanleyville<\/i> (2022)<\/a>
\nDual<\/i> (2022)<\/a>
\nAline<\/i> (2022)<\/a>
\nThe Bubble<\/i> (2022)<\/a>
\nYou Are Not My Mother<\/i> (2022)<\/a>
\nPhoenix Rising<\/i> (2022)<\/a>
\nCalendar Girl<\/i> (2022)<\/a>
\nHuda’s Salon<\/i> (2022)<\/a>
\nCyrano<\/i> (2022)<\/a>
\nStrawberry Mansion<\/i> (2022)<\/a>
\nHow History Moves Through a Life: Dana Stevens on Buster Keaton<\/a>
\nCatch the Fair One<\/i> (2022)<\/a>
\nLast Looks<\/i> (2022)<\/a>
\nThe King’s Daughter<\/i> (2022)<\/a>
\nBorrego<\/i> (2022)<\/a><\/p>\n

2021<\/strong>
\n24 Great Performances of 2021<\/a>
\nThe Lost Daughter<\/i> (2021)<\/a>
\nThe Ten Best Films of 2021<\/a>
\nAgnes<\/i> (2021)<\/a>
\nThe Beatles: Get Back<\/i> (2021)<\/a>
\nWriting with Fire<\/i> (2021)<\/a>
\nPrayers for the Stolen<\/i> (2021)<\/a>
\nThe Mystery Was the Point: On the Life of Dean Stockwell (1936-2021)<\/a>
\nCusp<\/i> (2021)<\/a>
\nAll Is Forgiven<\/i> (2021)<\/a>
\nThe Souvenir Part II<\/i> (2021)<\/a>
\nThe French Dispatch<\/i> (2021)<\/a>
\nLuzzu<\/i> (2021)<\/a>
\nSouth of Heaven<\/i> (2021)<\/a>
\nTitane<\/i> (2021)<\/a>
\nBlue Bayou<\/i> (2021)<\/a>
\nThe Mad Women’s Ball<\/i> (2021)<\/a>
\nDating & New York<\/i> (2021)<\/a>
\nBlood Brothers: Malcolm X & Muhammad Ali<\/i> (2021)<\/a>
\nFaya Dayi<\/i> (2021)<\/a>
\nSummer Days Summer Nights<\/i> (2021)<\/a>
\nMa Belle My Beauty<\/i> (2021)<\/a>
\nHabit<\/i> (2021)<\/a>
\nMisha and the Wolves<\/i> (2021)<\/a>
\nAnnette<\/i> (2021)<\/a>
\nThe Evening Hour<\/i> (2021)<\/a>
\nNine Days<\/i> (2021)<\/a>
\nMandibles<\/i> (2021)<\/a>
\nCan You Bring It: Bill T. Jones And D-Man In The Waters <\/i> (2021)<\/a>
\nZola<\/i> (2021)<\/a>
\nI Carry You With Me<\/i> (2021)<\/a>
\nGaia<\/i> (2021)<\/a>
\nSkater Girl<\/i> (2021)<\/a>
\nCaveat<\/i> (2021)<\/a>
\nOslo<\/i> (2021)<\/a>
\nThe Dry<\/i> (2021)<\/a>
\nThose Who Wish Me Dead<\/i> (2021)<\/a>
\nState Funeral<\/i> (2021)<\/a>
\nThe Waterman<\/i> (2021)<\/a>
\nMy Mother’s Stories: Michael Koresky on Films of Endearment<\/em><\/a>
\nTiny Tim: King for a Day<\/i> (2021)<\/a>
\nJakob’s Wife<\/i> (2021)<\/a>
\nThunder Force<\/i> (2021)<\/a>
\nThe Unholy<\/i> (2021)<\/a>
\nTina<\/i> (2021)<\/a>
\nRose Plays Julie<\/i> (2021)<\/a>
\nCenter Stage<\/i> (1991)<\/a>
\nLucky<\/i> (2021)<\/a>
\nMoxie<\/i> (2021)<\/a>
\nCherry<\/i> (2021)<\/a>
\nBlithe Spirit<\/i> (2021)<\/a>
\nBarb and Star Go to Vista Del Mar<\/i> (2021)<\/a>
\nPVT Chat<\/i> (2021)<\/a>
\nThe Dig<\/i> (2021)<\/a>
\nSaint Maud<\/i> (2021)<\/a>
\nOur Friend<\/i> (2021)<\/a>
\nHerself<\/i> (2021)<\/a><\/p>\n

2020<\/strong>
\nThe Ten Best Films of 2020<\/a>
\nAssassins<\/i> (2020)<\/a>
\nWander Darkly<\/i> (2020)<\/a>
\nBlack Bear<\/i> (2020)<\/a>
\nMy Psychedelic Love Story<\/i> (2020)<\/a>
\nLast Call<\/i> (2020)<\/a>
\nCollective<\/i> (2020)<\/a>
\nThe Life Ahead<\/i> (2020)<\/a>
\nJungleland<\/i> (2020)<\/a>
\nThe Craft: Legacy<\/i> (2020)<\/a>
\nThe Opening Act<\/i> (2020)<\/a>
\nRebecca<\/i> (2020)<\/a>
\nA Call to Spy<\/i> (2020)<\/a>
\nPossessor<\/i> (2020)<\/a>
\nMisbehaviour<\/i> (2020)<\/a>
\nThe Swerve<\/i> (2020)<\/a>
\nInfidel<\/i> (2020)<\/a>
\nI Am Woman<\/i> (2020)<\/a>
\nThe Argument<\/i> (2020)<\/a>
\nFatima<\/i> (2020)<\/a>
\nMatthias & Maxime<\/i> (2020)<\/a>
\nChemical Hearts<\/i> (2020)<\/a>
\nI Used to Go Here<\/i> (2020)<\/a>
\nShe Dies Tomorrow<\/i> (2020)<\/a>
\nYes, God, Yes<\/i> (2020)<\/a>
\nFlannery<\/i> (2020)<\/a>
\nPalm Springs<\/i> (2020)<\/a>
\nRelic<\/i> (2020)<\/a>
\nSuzi Q<\/i> (2020)<\/a>
\nAll I Can Say<\/i> (2020)<\/a>
\nBabyteeth<\/i> (2020)<\/a>
\nDarkness Falls<\/i> (2020)<\/a>
\nShirley<\/i> (2020)<\/a>
\nAKA Jane Roe<\/i> (2020)<\/a>
\nOn the Record<\/i> (2020)<\/a>
\nThe Vast of Night<\/i> (2020)<\/a>
\nI Know This Much Is True<\/i> (2020)<\/a>
\nThe Flood<\/i> (2020)<\/a>
\nEndings, Beginnings<\/i> (2020)<\/a>
\nTigertail<\/i> (2020)<\/a>
\nAlmost Love<\/i> (2020)<\/a>
\nBanana Split<\/i> (2020)<\/a>
\nWhat to Watch During Quarantine<\/a>
\nAn Ode to Supernatural<\/i><\/a>
\nStargirl<\/i> (2020)<\/a>
\nThe Way Back<\/i> (2020)<\/a>
\nSaint Frances<\/i> (2020)<\/a>
\nEmma.<\/i> (2020)<\/a>
\nBuffaloed<\/i> (2020)<\/a>
\nI Was at Home, But…<\/i> (2020)<\/a>
\nThe Assistant<\/i> (2020)<\/a>
\nThe Gentlemen<\/i> (2020)<\/a>
\nDolittle<\/i> (2020)<\/a>
\nLes Mis\u00e9rables<\/i> (2020)<\/a><\/p>\n

2019<\/strong>
\nThe Best Films of 2019<\/a>
\nCats<\/i> (2019)<\/a>
\nUncut Gems<\/i> (2019)<\/a>
\nThe Disappearance of My Mother<\/i> (2019)<\/a>
\nQueen & Slim<\/i> (2019)<\/a>
\nRecorder: The Marion Stokes Project<\/i> (2019)<\/a>
\nHoney Boy<\/i> (2019)<\/a>
\nOn The Wolf of Wall Street<\/i><\/a>
\nAdopt a Highway<\/i> (2019)<\/a>
\nGreener Grass<\/i> (2019)<\/a>
\nMary<\/i> (2019)<\/a>
\nSemper Fi<\/i> (2019)<\/a>
\nThe Death of Dick Long<\/i> (2019)<\/a>
\nMonos<\/i> (2019)<\/a>
\nChained for Life<\/i> (2019)<\/a>
\nMs. Purple<\/i> (2019)<\/a>
\nSatanic Panic<\/i> (2019)<\/a>
\nDon’t Let Go<\/i> (2019)<\/a>
\nJawline<\/i> (2019)<\/a>
\nBlinded by the Light<\/i> (2019)<\/a>
\nLight of My Life<\/i> (2019)<\/a>
\nThe Peanut Butter Falcon<\/i> (2019)<\/a>
\nThe Nightingale<\/i> (2019)<\/a>
\nThe Mountain<\/i> (2019)<\/a>
\nLying and Stealing<\/i> (2019)<\/a>
\nMarianne & Leonard: Words of Love<\/i> (2019)<\/a>
\nYesterday<\/i> (2019)<\/a>
\nThe Quiet One<\/i> (2019)<\/a>
\nBeing Frank<\/i> (2019)<\/a>
\nLate Night<\/i> (2019)<\/a>
\nMouthpiece<\/i> (2019)<\/a>
\nThe Perfection<\/i> (2019)<\/a>
\nTrial by Fire<\/i> (2019)<\/a>
\nTolkien<\/i> (2019)<\/a>
\nExtremely Wicked, Shockingly Evil and Vile<\/i> (2019)<\/a>
\nAsk Dr. Ruth<\/i> (2019)<\/a>
\nCarmine Street Guitars<\/i> (2019)<\/a>
\nFast Color<\/i> (2019)<\/a>
\nWild Nights with Emily<\/i> (2019)<\/a>
\nThe Haunting of Sharon Tate<\/i> (2019)<\/a>
\nFinding Steve McQueen<\/i> (2019)<\/a>
\nGirl<\/i> (2019)<\/a>
\nGloria Bell<\/i> (2019)<\/a>
\nClimax<\/i> (2019)<\/a>
\nRuben Brandt, Collector<\/i> (2019)<\/a>
\nSt. Agatha<\/i> (2019)<\/a>
\nDaughter of Mine<\/i> (2019)<\/a>
\nThe Invisibles<\/i> (2019)<\/a>
\nThe Heiresses<\/i> (2019)<\/a>
\nTouch Me Not<\/i> (2019)<\/a>
\nCommunion<\/i> (2019)<\/a><\/p>\n

2018<\/strong>
\nDestroyer<\/i> (2018)<\/a>
\nThe Ten Best Films of 2018<\/a>
\nSwimming With Men<\/i> (2018)<\/a>
\nVox Lux<\/i> (2018)<\/a>
\nNever Look Away<\/i> (2018)<\/a>
\nWrite When You Get Work<\/i> (2018)<\/a>
\nA Look Back At the 2018 Indie Memphis Film Festival<\/a>
\nPostcards from London<\/i> (2018)<\/a>
\nThe Long Dumb Road<\/i> (2018)<\/a>
\nSearching for Ingmar Bergman<\/i> (2018)<\/a>
\nBohemian Rhapsody<\/i> (2018)<\/a>
\nBurning<\/i> (2018)<\/a>
\nMid90s<\/i> (2018)<\/a>
\nThe Sentence<\/i> (2018)<\/a>
\nThe Happy Prince<\/i> (2018)<\/a>
\nAll About Nina<\/i> (2018)<\/a>
\nNappily Ever After<\/i> (2018)<\/a>
\nA Simple Favor<\/i> (2018)<\/a>
\nLizzie<\/i> (2018)<\/a>
\nCity of Joy<\/i> (2018)<\/a>
\nBlue Iguana<\/i> (2018)<\/a>
\nWe the Animals<\/i> (2018)<\/a>
\nElizabeth Harvest<\/i> (2018)<\/a>
\nCocote<\/i> (2018)<\/a>
\nHot Summer Nights<\/i> (2018)<\/a>
\nEighth Grade<\/i> (2018)<\/a>
\nGauguin: Voyage to Tahiti<\/i> (2018)<\/a>
\nLeave No Trace<\/i> (2018)<\/a>
\nThe King<\/i> (2018)<\/a>
\nEn el S\u00e9ptimo Dia<\/i> (2018)<\/a>
\nHearts Beat Loud<\/i> (2018)<\/a>
\nAdrift<\/i> (2018)<\/a>
\nThe Tale<\/i> (2018)<\/a>
\nOn Chesil Beach<\/i> (2018)<\/a>
\nBeast<\/i> (2018)<\/a>
\nRBG<\/i> (2018)<\/a>
\nDisobedience<\/i> (2018)<\/a>
\nMercury 13<\/i> (2018)<\/a>
\nElvis Presley: The Searcher<\/i> (2018)<\/a>
\nAardvark<\/i> (2018)<\/a>
\nYou Were Never Really Here<\/i> (2018)<\/a>
\nThe Last Movie Star<\/i> (2018)<\/a>
\nGod’s Not Dead: A Light in Darkness<\/i> (2018)<\/a>
\nLet the River Run: On the 30th Anniversary of Working Girl<\/i><\/a>
\nBack to Burgundy<\/i> (2018)<\/a>
\nLove, Simon<\/i> (2018)<\/a>
\nSouvenir<\/i> (2018)<\/a>
\nIf We Picked the Oscar Winners: On Andrey Zvyagintsev\u2019s Loveless<\/i> <\/a>
\nIrreplaceable You<\/i> (2018)<\/a>
\nPermission<\/i> (2018)<\/a>
\nFifty Shades Freed<\/i> (2018)<\/a>
\nA Fantastic Woman<\/i> (2018)<\/a>
\nThe Clapper<\/i> (2018)<\/a>
\nMary and the Witch’s Flower<\/i> (2018)<\/a>
\nSaturday Church<\/i> (2018)<\/a>
\nBlame<\/i> (2018)<\/a><\/p>\n

2017<\/strong>
\nDownsizing<\/i> (2017)<\/a>
\nThe Greatest Showman<\/i> (2017)<\/a>
\nGreat Performances of 2017<\/a>
\nPermanent<\/i> (2017)<\/a>
\nIndividual Top Tens of 2017<\/a>
\nTen Best Films of 2017<\/a>
\nQuest<\/i> (2017)<\/a>
\nMr. Roosevelt<\/i> (2017)<\/a>
\nThelma<\/i> (2017)<\/a>
\nPrincess Cyd<\/i> (2017)<\/a>
\nThe Light of the Moon<\/i> (2017)<\/a>
\nMaya Dardel<\/i> (2017)<\/a>
\nThy Father’s Chair<\/i> (2017)<\/a>
\nDina<\/i> (2017)<\/a>
\nBarracuda<\/i> (2017)<\/a>
\nSuper Dark Times<\/i> (2017)<\/a>
\nBobbi Jene<\/i> (2017)<\/a>
\nHarry Dean Stanton 1926 – 2017<\/a>
\nRat Film<\/i> (2017)<\/a>
\nStrong Island<\/i> (2017)<\/a>
\nSchool Life<\/i> (2017)<\/a>
\nA Boy Called Po<\/i> (2017)<\/a>
\nBeach Rats<\/i> (2017)<\/a>
\nPolina<\/i> (2017)<\/a>
\nLemon<\/i> (2017)<\/a>
\nIngrid Goes West<\/i> (2017)<\/a>
\nColumbus<\/i> (2017)<\/a>
\nThe Incredible Jessica James<\/i> (2017)<\/a>
\nThe Girl Without Hands<\/i> (2017)<\/a>
\nTo the Bone<\/i> (2017)<\/a>
\nBirthright: A War Story<\/i> (2017)<\/a>
\nAustin Found<\/i> (2017)<\/a>
\nThe Little Hours<\/i> (2017)<\/a>
\nThe Beguiled<\/i> (2017)<\/a>
\nMegan Leavey<\/i> (2017)<\/a>
\nInterview with Charles Taylor on Opening Wednesday at a Theater or Drive-In Near You<\/i><\/a>
\nThe Journey<\/i> (2017)<\/a>
\nBand Aid<\/i> (2017)<\/a>
\nThe Women’s Balcony<\/i> (2017)<\/a>
\nThe Commune<\/i> (2017)<\/a>
\nManifesto<\/i> (2017)<\/a>
\nChuck<\/i> (2017)<\/a>
\nTake Me<\/i> (2017)<\/a>
\nSmall Crimes<\/i> (2017)<\/a>
\nBurn Motherfucker, Burn!<\/i> (2017)<\/a>
\nHeal the Living<\/i> (2017)<\/a>
\nWin It All<\/i> (2017)<\/a>
\nThe Discovery<\/i> (2017)<\/a>
\nThe Zookeeper’s Wife<\/i> (2017)<\/a>
\nWorld-Class Acting: On Joan Crawford and Sudden Fear<\/em><\/a>
\nThrough the Eyes of Love: The Timelessness of Ice Castles<\/i><\/a>
\nThis Beautiful Fantastic<\/i> (2017)<\/a>
\nCatfight<\/i> (2017)<\/a>
\nKiki<\/i> (2017)<\/a>
\nAmerican Fable<\/i> (2017)<\/a>
\nLiving Truthfully Under Imaginary Circumstances: An Interview with Sam Schacht About Method Acting<\/a>
\nKedi<\/i> (2017)<\/a>
\nFifty Shades Darker<\/i> (2017)<\/a>
\nMr. Gaga<\/i> (2017)<\/a>
\nI Am Michael<\/i> (2016)<\/a>
\nMa<\/i> (2016)<\/a>
\nBook Review: Mary Astor\u2019s Purple Diary: The Great American Sex Scandal of 1936<\/i><\/a>
\nBright Lights: Starring Carrie Fisher and Debbie Reynolds<\/i> (2017)<\/a><\/p>\n

2016<\/strong>
\nR.I.P. Carrie Fisher<\/a>
\n20th Century Women<\/i> (2016)<\/a>
\nPatriots Day<\/i> (2016)<\/a>
\nThe Great Performances of 2016<\/a>
\nThe 10 Best Films of 2016<\/a>
\nAll We Had<\/i> (2016)<\/a>
\nMiss Sloane<\/i> (2016)<\/a>
\nThings to Come<\/i> (2016)<\/a>
\nAlways Shine<\/i> (2016)<\/a>
\nNew Voices: Ebert Young Writers Program for the Arts covers HIFF 2016<\/a>
\nI Am Not Madame Bovary<\/i> (2016)<\/a>
\nElle<\/i> (2016)<\/a>
\nThe state of cinema: 2016<\/a>
\nIn a Valley of Violence<\/i> (2016)<\/a>
\nChristine<\/i> (2016)<\/a>
\nLittle Sister<\/i> (2016)<\/a>
\nUnder the Shadow<\/i> (2016)<\/a>
\nAudrie & Daisy<\/i> (2016)<\/a>
\nSouthwest of Salem<\/i> (2016)<\/a>
\nKicks<\/i> (2016)<\/a>
\nThe Wild Life<\/i> (2016)<\/a>
\nWhite Girl<\/i> (2016)<\/a>
\nAlways the Greatest: Remembering Muhammad Ali<\/a>
\nIn Order of Disappearance<\/i> (2016)<\/a>
\nSpa Night<\/i> (2016)<\/a>
\nDisorder<\/i> (2016)<\/a>
\nLittle Men<\/i> (2016)<\/a>
\nDon’t Think Twice<\/i> (2016)<\/a>
\nQuitters<\/i> (2016)<\/a>
\nPhantom Boy<\/i> (2016)<\/a>
\nCaptain Fantastic<\/i> (2016)<\/a>
\nLife, Animated<\/i> (2016)<\/a>
\nCarnage Park<\/i> (2016)<\/a>
\nWiener-Dog<\/i> (2016)<\/a>
\nNuts!<\/i> (2016)<\/a>
\nPuerto Ricans in Paris<\/i> (2016)<\/a>
\nThe Fits<\/i> (2016)<\/a>
\nArt Bastard<\/i> (2016)<\/a>
\nThe Lobster<\/i> (2016)<\/a>
\nDheepan<\/i> (2016)<\/a>
\nDough<\/i> (2016)<\/a>
\nSin Alas<\/i> (2016)<\/a>
\nMen & Chicken<\/i> (2016)<\/a>
\nHunt for the Wilderpeople<\/i> (2016)<\/a>
\nRadical Grace<\/i> (2015)<\/a>
\nMidsummer in Newtown<\/i> (2016)<\/a>
\nThe Last Laugh<\/i> (2016)<\/a>
\nMy Scientology Movie<\/i> (2015)<\/a>
\nThe Tenth Man<\/i> (2016)<\/a>
\nSing Street<\/i> (2016)<\/a>
\nMother<\/i> (2016)<\/a>
\nGod’s Not Dead 2<\/i> (2016)<\/a>
\nThe Dark Horse<\/i> (2016)<\/a>
\nEverybody Wants Some!!<\/i> (2016)<\/a>
\nFade to White: Thelma and Louise<\/i> Turns 25<\/a>
\nBorn To Be Blue<\/i> (2016)<\/a>
\nKrisha<\/i> (2016)<\/a>
\nThe Perfect Match<\/i> (2016)<\/a>
\nMarguerite<\/i> (2016)<\/a>
\nCemetery of Splendour<\/i> (2016)<\/a>
\nRolling Papers<\/i> (2016)<\/a>
\nAlready Tomorrow in Hong Kong<\/i> (2016)<\/a>
\nTumbledown<\/i> (2016)<\/a>
\nMichael Jackson’s Journey from Motown to “Off the Wall”<\/i><\/a>
\nNaz & Maalik<\/i> (2016)<\/a>
\nThe 5th Wave<\/i> (2016)<\/a>
\nR.I.P. Alan Rickman<\/a>
\nHenry Gamble’s Birthday Party<\/i> (2016)<\/a>
\nA Living Cinematic Organism: Stephen Cone on Henry Gamble’s Birthday Party<\/i><\/a><\/p>\n

2015<\/strong>
\nJoy<\/i> (2015)<\/a>
\nTen Best Films of 2015<\/a>
\nThe Best Performances of 2015<\/a>
\nIndividual Top Tens of 2015<\/a>
\nInterview with Charles Hood, director of Night Owls<\/i><\/a>
\nAlvin and the Chipmunks: The Road Chip<\/i> (2015)<\/a>
\nNight Owls<\/i> (2015)<\/a>
\nChristmas, Again<\/i> (2015)<\/a>
\nGena Rowlands: A Life in Film<\/a>
\nCarol<\/i> (2015)<\/a>
\nSweet Micky for President<\/i> (2015)<\/a>
\nSpotlight<\/i> (2015)<\/a>
\nSuffragette<\/i> (2015)<\/a>
\nCrimson Peak<\/i> (2015)<\/a>
\nInterview with Reed Morano, director of Meadowland<\/i> (2015)<\/a>
\nThe Final Girls<\/i> (2015)<\/a>
\nBreathe<\/i> (2015)<\/a>
\nThe Visit<\/i> (2015)<\/a>
\nCinema That Attacks You: The Directors of Goodnight Mommy<\/i><\/a>
\nBreak Point<\/i> (2015)<\/a>
\nDigging for Fire<\/i> (2015)<\/a>
\nTom at the Farm<\/i> (2015)<\/a>
\n10,000 Saints<\/i> (2015)<\/a>
\nThe Gift<\/i> (2015)<\/a>
\nThe Diary of a Teenage Girl<\/i> (2015)<\/a>
\nSamba<\/i> (2015)<\/a>
\nA Gay Girl in Damascus: The Amina Profile<\/i> (2015)<\/a>
\nMad Women<\/i> (2015)<\/a>
\nIn Stereo<\/i> (2015)<\/a>
\nFaith of Our Fathers<\/i> (2015)<\/a>
\nEden<\/i> (2015)<\/a>
\nMe and Earl and the Dying Girl<\/i> (2015)<\/a>
\nThe Nightmare<\/i> (2015)<\/a>
\nResults<\/i> (2015)<\/a>
\nLove at First Fight<\/i> (2015)<\/a>
\nAnimals<\/i> (2015)<\/a>
\nThe Film Critic<\/i> (2015)<\/a>
\nI Am Big Bird: The Carroll Spinney Story<\/i> (2015)<\/a>
\nMonty Python Live<\/a>
\nMeadowland<\/i> (2015)<\/a>
\nFastball<\/i> (2015)<\/a>
\nEl Cinco<\/i> (2015)<\/a>
\nAmong the Believers<\/i> (2015)<\/a>
\nGored<\/i> (2015)<\/a>
\nIn Transit<\/i> (2015)<\/a>
\n5 to 7<\/i> (2015): Interview with director Victor Levin<\/a>
\nDreamcatcher<\/i> (2015)<\/a>
\nTreading Water<\/i> (2015)<\/a>
\nHome Sweet Hell<\/i> (2015)<\/a>
\nFrom Tales of Hoffmann<\/i> to Taxi Driver<\/i>: An Interview with Thelma Schoonmaker<\/a>
\nUnfinished Business<\/i> (2015)<\/a>
\nThe Widowmaker<\/i> (2015)<\/a>
\nMarion Cotillard in Two Days One Night<\/i><\/a>
\nGirlhood<\/i> (2015)<\/a>
\nAgainst the Sun<\/i> (2015)<\/a>
\nThree Night Stand<\/i> (2015)<\/a>
\nAppropriate Behavior<\/i> (2015)<\/a>
\nTaken 3<\/i> (2015)<\/a>
\nJust One Line: Edward Herrmann, 1943-2014<\/a><\/p>\n

2014<\/strong>
\nBig Eyes<\/i> (2014)<\/a>
\nThe Individual Top Tens of 2014<\/a>
\nThe Ten Best Films of 2014<\/a>
\nThe Hobbit: The Battle of the Five Armies<\/i><\/a>
\nMiss Julie<\/i> (2014)<\/a>
\nThe Foxy Merkins<\/i> (2014)<\/a>
\nA Girl Walks Home Alone at Night<\/i> (2014)<\/a>
\nWitness to a Legend: The Career of Gena Rowlands<\/a>
\nBad Hair<\/i> (2014)<\/a>
\nThe Homesman<\/i> (2014)<\/a>
\nThe Tower<\/i> (2014)<\/a>
\nJessabelle<\/i> (2014)<\/a>
\nThe Great Invisible<\/i> (2014)<\/a>
\nPrivate Violence<\/i> (2014)<\/a>
\nWatchers of the Sky<\/i> (2014)<\/a>
\nHousebound<\/i> (2014)<\/a>
\nAddicted<\/i> (2014)<\/a>
\nAlexander and the Terrible, Horrible, No Good, Very Bad Day<\/i> (2014)<\/a>
\nCopenhagen<\/i> (2014)<\/a>
\nThe Hero of Color City<\/i> (2014)<\/a>
\nThe Boxtrolls<\/i> (2014)<\/a>
\nHector and the Search for Happiness<\/i> (2014)<\/a>
\nThe Guest<\/i> (2014)<\/a>
\nDolphin Tale 2<\/i> (2014)<\/a>
\nJoan Rivers 1933-2014<\/a>
\nFalcon Rising<\/i> (2014)<\/a>
\nThe Identical<\/i> (2014)<\/a>
\nSin City: A Dame To Kill For<\/i> (2014)<\/a>
\nThe One I Love<\/i> (2014)<\/a>
\nLove Is Strange<\/i> (2014)<\/a>
\nThe Giver<\/i> (2014)<\/a>
\nThe Strange Little Cat<\/i> (2014)<\/a>
\nBehaving Badly<\/i> (2014)<\/a>
\nWish I Was Here<\/i> (2014)<\/a>
\nAffluenza<\/i> (2014)<\/a>
\nInterview: Paul Duane & John Healy of Barbaric Genius<\/i><\/a>
\nInterview with Greg Salvatore<\/a>
\nLa Bare<\/i> (2014)<\/a>
\nA Coffee in Berlin<\/i> (2014)<\/a>
\nHellion<\/i> (2014)<\/a>
\nObvious Child<\/i> (2014)<\/a>
\nQA with Dan Callahan on Vanessa Redgrave<\/a>
\nA Night in Old Mexico<\/i> (2014)<\/a>
\nPalo Alto<\/i> (2014)<\/a>
\nNOW: In the Wings on a World Stage<\/i> (2014)<\/a>
\nHe Who Gets Slapped<\/i> (1924)<\/a>
\nYoung & Beautiful<\/i> (2014)<\/a>
\nMake Your Move<\/i> (2014)<\/a>
\nHateship Loveship<\/i> (2014)<\/a>
\nNymphomaniac: Vol. II<\/i> (2014)<\/a>
\nAlien Abduction<\/i> (2014)<\/a>
\nThe Galapagos Affair: Satan Came to Eden<\/i> (2014)<\/a>
\nRob the Mob<\/i> (2014)<\/a>
\nNymphomaniac, Vol. I<\/i> (2014)<\/a>
\nMaladies<\/i> (2014)<\/a>
\nA Birder’s Guide to Everything<\/i> (2014)<\/a>
\nThe Single Moms Club<\/i> (2014)<\/a>
\nThe Art of the Steal<\/i> (2014)<\/a>
\nThe Right Kind of Wrong<\/i> (2014)<\/a>
\nU Want Me 2 Kill Him?<\/i> (2014)<\/a>
\nA Farewell to Fools<\/i> (2014)<\/a>
\nBethlehem<\/i> (2014)<\/a>
\nThe Bag Man<\/i> (2014)<\/a>
\nSon of God<\/i> (2014)<\/a>
\nThe Wind Rises<\/i> (2014)<\/a>
\nOmar<\/i> (2014)<\/a>
\nChild’s Pose<\/i> (2014)<\/a>
\nWinter’s Tale<\/i> (2014)<\/a>
\nA Fantastic Fear of Everything<\/i> (2014)<\/a>
\n7 Boxes<\/i> (2014)<\/a>
\nPhilip Seymour Hoffman, 1967-2014<\/a>
\nBest Night Ever<\/i> (2014)<\/a>
\nGimme Shelter<\/i> (2014)<\/a>
\nBack In the Day<\/i> (2014)<\/a>
\nThe Banshee Chapter<\/i> (2014)<\/a>
\nBlack Coffee<\/i> (2014)<\/a><\/p>\n

2013<\/strong>
\nThe Best Offer<\/i> (2013)<\/a>
\nParanormal Activity: The Marked Ones<\/i> (2013)<\/a>
\nJustin Bieber’s Believe<\/i> (2013)<\/a>
\nAll the Light in the Sky<\/i> (2013)<\/a>
\nTyler Perry’s A Madea Christmas<\/i> (2013)<\/a>
\nThe Hobbit: The Desolation of Smaug<\/i> (2013)<\/a>
\nOn Abel Ferrara’s Ms. 45<\/i><\/a>
\nMy Favorite Roger: Kwik Stop<\/i><\/a>
\nMerry Christmas<\/i> (2013)<\/a>
\nBettie Page Reveals All<\/i> (2013)<\/a>
\nIlya and Emilia Kabakov: Enter Here<\/i> (2013)<\/a>
\nThe Motel Life<\/i> (2013)<\/a>
\nMan of Tai Chi<\/i> (2013)<\/a>
\nBig Sur<\/i> (2013)<\/a>
\nEnzo Avitabile Music Life<\/i> (2013)<\/a>
\nCamille Claudel, 1915<\/i> (2013)<\/a>
\nConcussion<\/i> (2013)<\/a>
\nMetallica: Through the Never<\/i> (2013)<\/a>
\nThe Movie Love Questionnaire<\/a>
\nPrisoners<\/i> (2013)<\/a>
\nThe Family<\/i> (2013)<\/a>
\nHarry Dean Stanton: Partly Fiction<\/i> (2013)<\/a>
\nRed Obsession<\/i> (2013)<\/a>
\nMy Father and the Man in Black<\/i> (2013)<\/a>
\nThe Lifeguard<\/i> (2013)<\/a>
\nThe Frozen Ground<\/i> (2013)<\/a>
\nUna Noche<\/i> (2013)<\/a>
\nWe the Parents<\/i> (2013)<\/a>
\nI Give It a Year<\/i> (2013)<\/a>
\nBlood<\/i> (2012)<\/a>
\nDrift<\/i> (2013)<\/a>
\nA Band Called Death<\/i> (2013)<\/a>
\nThe Heat<\/i> (2013)<\/a>
\nMuch Ado About Nothing<\/i> (2013)<\/a>
\nThe Melancholy Hero: On the Acting of Owen Wilson<\/a>
\nThe Internship<\/i> (2013)<\/a>
\nThe Kings of Summer<\/i> (2013)<\/a>
\nStories We Tell<\/i> (2012)<\/a>
\nSightseers<\/i> (2012)<\/a>
\nWhat Maisie Knew<\/i> (2013)<\/a>
\nGimme the Loot<\/i> (2013)<\/a>
\nBarbara<\/i> (2013)<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

2026 Hamlet (2026) Living the Land (2026) Holy Days (2026) Tow (2026) Pompei: Below the Clouds (2026) EPiC: Elvis Presley in Concert (2026) Honey Bunch (2026) In Cold Light (2026) Sound of Falling (2026) We Bury the Dead (2026) 2025 … Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/pages\/184917"}],"collection":[{"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=184917"}],"version-history":[{"count":52,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/pages\/184917\/revisions"}],"predecessor-version":[{"id":204526,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/pages\/184917\/revisions\/204526"}],"wp:attachment":[{"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=184917"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}