{"id":10103,"date":"2010-05-22T07:27:10","date_gmt":"2010-05-22T11:27:10","guid":{"rendered":"http:\/\/www.sheilaomalley.com\/?p=10103"},"modified":"2021-03-09T19:19:50","modified_gmt":"2021-03-10T00:19:50","slug":"binoche-and-kiarostami","status":"publish","type":"post","link":"https:\/\/www.sheilaomalley.com\/?p=10103","title":{"rendered":"Binoche and Kiarostami"},"content":{"rendered":"<p><a href=\"http:\/\/artsbeat.blogs.nytimes.com\/2010\/05\/21\/a-double-bill-with-binoche-and-kiarostami\/\">Great interview from Cannes with Iranian director Abbas Kiarostami <\/a>about his latest film, <i>Certified Copy<\/i>, starring, among others, Juliette Binoche.<\/p>\n<p>I loved this part:<\/p>\n<blockquote><p>My next film is going to be a road movie too. In my film \u0080Ten on 10 I explain why I have these driving scenes. I feel good in a car. And the car is one of the locations where you feel the least the presence of a camera. Spielberg&#8217;\u0080\u0099s Duel is one of the most memorable films for me \u00e2\u0080\u0094 it may remind of Hitchcock but I like it even more than Hitchcock\u00e2\u0080\u0099s films. If you locked me in a car with a camera, and maybe an actor too, I wouldn\u00e2\u0080\u0099t protest. I would promise not to come out of the car. So who knows \u00e2\u0080\u0094 if I go back to Iran and get into trouble that\u00e2\u0080\u0099s what I can suggest to them: Don\u00e2\u0080\u0099t put me in a cell, put me in a car.<\/p><\/blockquote>\n<p>Kiarostami is still based in Iran, although he knows his films never stand a chance on passing the censors there.  He has been a huge vocal supporter of Jafar Panahi, calling for Iran to release him.<\/p>\n<p>Update on that front:  Panahi is still on hunger strike, but apparently he was allowed to see his wife on Thursday, and there is going to be a bail hearing today.  Things are actually looking up.  I cannot imagine that the international attention his imprisonment has received is not a factor.  Still a frightening situation, but there are glimmers of hope right now for Mr. Panahi &#8211; at least getting released on bail.  <a href=\"http:\/\/www.google.com\/hostednews\/afp\/article\/ALeqM5j2PguOQRuD-5en4I1M2Q2Hkk7htA\">More information here<\/a>.<\/p>\n<p><b>Another update<\/b>:  Not too much new information <a href=\"http:\/\/www.guardian.co.uk\/world\/2010\/may\/23\/jailed-jafar-panahi-release-hopes\">here<\/a>, except for the opening paragraphs:<\/p>\n<blockquote><p>Tehran&#8217;s prosecutor general has asked the Islamic revolutionary court to reconsider the continued detention of the celebrated Iranian film-maker, Jafar Panahi, raising hopes that he may quickly be freed.<\/p>\n<p>A high-profile international campaign calling for Panahi&#8217;s release has drawn the support of leading figures in the arts and politics. According to some reports a bail hearing could take place as early as this weekend and could free Panahi until his trial.<\/p><\/blockquote>\n<p>We&#8217;re all watching.<\/p>\n<p>And thank you, Bruce, for reminding me of another imprisoned Iranian filmmaker Mohammad Nourizad, who was imprisoned last December, and was sentenced in April to over 3 years of prison and 50 lashes, for writing critical letters to the new government.  Because the new government is so unbelievably sensitive that they can&#8217;t bear critiques.  Oh boo-hoo mullahs.  Nourizad was <a href=\"http:\/\/www.payvand.com\/news\/10\/may\/1239.html\">beaten so badly<\/a> that his eyes were injured, perhaps permanently.  He is also on hunger strike, with others, including Panahi.<\/p>\n<p>Panahi is the symbol.  The international star.<\/p>\n<p>The one whose chair was left empty for him at Cannes.<\/p>\n<p>But there are others.  Many many others.  Let us hold out hope for them as well.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Great interview from Cannes with Iranian director Abbas Kiarostami about his latest film, Certified Copy, starring, among others, Juliette Binoche. I loved this part: My next film is going to be a road movie too. In my film \u0080Ten on &hellip; <a href=\"https:\/\/www.sheilaomalley.com\/?p=10103\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[24],"tags":[1370,2150,14,1255,1116,2314],"_links":{"self":[{"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/posts\/10103"}],"collection":[{"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=10103"}],"version-history":[{"count":4,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/posts\/10103\/revisions"}],"predecessor-version":[{"id":24818,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/posts\/10103\/revisions\/24818"}],"wp:attachment":[{"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=10103"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=10103"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=10103"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}