{"id":106223,"date":"2025-08-27T08:00:01","date_gmt":"2025-08-27T12:00:01","guid":{"rendered":"http:\/\/www.sheilaomalley.com\/?p=106223"},"modified":"2025-08-26T00:46:49","modified_gmt":"2025-08-26T04:46:49","slug":"happy-birthday-tuesday-weld","status":"publish","type":"post","link":"https:\/\/www.sheilaomalley.com\/?p=106223","title":{"rendered":"&#8220;I do not ever want to be a huge star.&#8221; &#8212; Tuesday Weld"},"content":{"rendered":"<p>It&#8217;s her birthday today.<\/p>\n<p>\n<a href=\"https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2015\/08\/1968_Pretty-Poison_Weld_Perkins.jpg\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2015\/08\/1968_Pretty-Poison_Weld_Perkins.jpg\" alt=\"1968_Pretty Poison_Weld_Perkins\" width=\"1146\" height=\"636\" class=\"alignnone size-full wp-image-106224\" srcset=\"https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2015\/08\/1968_Pretty-Poison_Weld_Perkins.jpg 1146w, https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2015\/08\/1968_Pretty-Poison_Weld_Perkins-100x55.jpg 100w, https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2015\/08\/1968_Pretty-Poison_Weld_Perkins-200x111.jpg 200w, https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2015\/08\/1968_Pretty-Poison_Weld_Perkins-400x222.jpg 400w\" sizes=\"(max-width: 1146px) 100vw, 1146px\" \/><\/a><\/p>\n<p>\n<i>From the great &#8220;Pretty Poison&#8221; (1968) with Anthony Perkins. And below you can see her as the creepily blank and heart-achingly gorgeous teenage majorette in the fantastic opening sequence of the film.<\/i><\/p>\n<p>\n<a href=\"https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2015\/08\/1173763_10151657852872632_1096713554_n.jpg\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2015\/08\/1173763_10151657852872632_1096713554_n.jpg\" alt=\"1173763_10151657852872632_1096713554_n\" width=\"676\" height=\"859\" class=\"alignnone size-full wp-image-106226\" srcset=\"https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2015\/08\/1173763_10151657852872632_1096713554_n.jpg 676w, https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2015\/08\/1173763_10151657852872632_1096713554_n-79x100.jpg 79w, https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2015\/08\/1173763_10151657852872632_1096713554_n-157x200.jpg 157w, https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2015\/08\/1173763_10151657852872632_1096713554_n-315x400.jpg 315w\" sizes=\"(max-width: 676px) 100vw, 676px\" \/><\/a><\/p>\n<p>\nSee <i>Pretty Poison<\/i> if you have not. <a href=\"https:\/\/thenewbev.com\/blog\/2019\/06\/kim-morgan-pretty-poison\/\" target=\"blank\" rel=\"noopener noreferrer\">Don&#8217;t miss Kim&#8217;s essay about <i>Pretty Poison<\/i>.<\/a> In <i>Pretty Poison<\/i>, Weld shows up as the bombshell blonde teenager, restless in her small-town life, bored out of her mind (Weld was thrilling when she was bored because then she started yearning for excitement\/stimulation\/something to DO &#8230; and by that point, look out). She&#8217;s looking for escape and release, she&#8217;s empty on some level, and emptiness can be filled by bad-ness just as easily as it can by goodness. Bad-ness is certainly more exciting. <\/p>\n<p>Also:<\/p>\n<p>\n<a href=\"https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2015\/08\/wild2.jpg\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2015\/08\/wild2.jpg\" alt=\"wild2\" width=\"848\" height=\"358\" class=\"alignnone size-full wp-image-106225\" srcset=\"https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2015\/08\/wild2.jpg 848w, https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2015\/08\/wild2-100x42.jpg 100w, https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2015\/08\/wild2-200x84.jpg 200w, https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2015\/08\/wild2-400x169.jpg 400w\" sizes=\"(max-width: 848px) 100vw, 848px\" \/><\/a><\/p>\n<p>\n<i>From the wonderful &#8220;Wild in the Country&#8221; (1961).<\/i><\/p>\n<p> Weld was only a teenager when she made <i>Wild in the Country<\/i> but she is fantastic as the wild-child bored-out-of-her-mind, her horniness indistinguishable from boredom and disgust, the so-called local bad-girl who torments Elvis Presley&#8217;s character, a man trying (under court order) to stay good, clean, on the right side of the law. She practically begs him to &#8220;take&#8221; her. With all of her impulsive shenanigans, there is a quiet moment in the middle of the film, where Presley and Weld perch on a rickety back stairway, and he sings, and she listens. There&#8217;s a stillness, a communion between these two hard-to-be-pinned-down misunderstood-sex-outlaws &#8230; when everything slows to a standstill, and they can just be. They&#8217;re kindred spirits. <\/p>\n<p>\n<iframe loading=\"lazy\" width=\"420\" height=\"315\" src=\"\/\/www.youtube.com\/embed\/n-XI7Z6NbUs\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p>Elvis puts her off until, in the kitchen scene, after he adjusts her dress strap (because he&#8217;s aroused by that flash of uninterrupted creamy shoulder), he finally succumbs in an act of aggression that you rarely saw in Elvis films after this, where he was basically the somewhat submissive and amused recipient of the attentions of hordes of women. But Weld brought out the tiger in him.<\/p>\n<p>I mean, who can blame him? Tuesday Weld was (and still is) irresistible.<\/p>\n<p>Weld and Presley dated (if you can say that either of them ever &#8220;dated&#8221; in a traditional sense) and Weld had this to say about Presley:<\/p>\n<blockquote><p>He walked into a room and everything stopped. Elvis was just so physically beautiful that even if he didn&#8217;t have any talent . . . just his face, just his presence. And he was funny, charming, and complicated, but he didn&#8217;t wear it on his sleeve. You didn&#8217;t see that he was complicated. You saw great needs.<\/p><\/blockquote>\n<p>You could also say that she didn&#8217;t wear things on her sleeve. She was complicated but she didn&#8217;t walk around broadcasting that. You could also say that you look at her and see &#8220;great needs.&#8221; <\/p>\n<p>\n<a href=\"https:\/\/www.sheilaomalley.com\/?attachment_id=45550\" rel=\"attachment wp-att-45550\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2011\/12\/weld_presley.jpg\" alt=\"\" title=\"Photo of Elvis Presley\" width=\"450\" height=\"563\" class=\"alignnone size-full wp-image-45550\" srcset=\"https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2011\/12\/weld_presley.jpg 450w, https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2011\/12\/weld_presley-79x100.jpg 79w, https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2011\/12\/weld_presley-159x200.jpg 159w, https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2011\/12\/weld_presley-319x400.jpg 319w\" sizes=\"(max-width: 450px) 100vw, 450px\" \/><\/a><br \/>\n<i>Tuesday Weld and Elvis Presley.<\/i><\/p>\n<p>\nThere&#8217;s her chilly portrait of Los Angeles malaise in <i>Play It As It Lays<\/i>, based on Joan Didion&#8217;s novel (I wrote about the book for <i>Sight &#038; Sound<\/i>, for their feature on the best books about Hollywood). Reunited with Anthony Perkins, Weld is an almost opaque figure here, eerily blank, the blank-ness not emptiness so much as almost total dissociation. <\/p>\n<p>\n<img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2022\/08\/Play-It-2-e1661517680874.jpg\" alt=\"\" width=\"700\" height=\"559\" class=\"alignnone size-full wp-image-176868\" \/><\/p>\n<p>\nAgain, let me point you towards Kim Morgan, <a href=\"https:\/\/thenewbev.com\/blog\/2017\/03\/kim-morgan-on-play-it-as-it-lays\/\" rel=\"noopener\" target=\"_blank\">who wrote gorgeously about the film<\/a> for Quentin Tarantino&#8217;s New Beverly Cinema website. Kim writes:<\/p>\n<blockquote><p>Hollywood, already filled with vipers and leeches and artists and muses, is the perfect backdrop for this type of dramatic discernment, as model and actress Maria (Tuesday Weld, very much a Sedgwick\/Cassady mold breaker), wanders through the spread-out city with all of its surrounding areas and high desert lonesome in a state of depressive detachment and grim determination of \u2026 something. She\u2019s not sure. <\/p><\/blockquote>\n<p>\n<img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2022\/08\/0K4-x4ZX5EF0AEZYF.png\" alt=\"\" width=\"450\" height=\"334\" class=\"alignnone size-full wp-image-176869\" srcset=\"https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2022\/08\/0K4-x4ZX5EF0AEZYF.png 450w, https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2022\/08\/0K4-x4ZX5EF0AEZYF-200x148.png 200w, https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2022\/08\/0K4-x4ZX5EF0AEZYF-400x297.png 400w, https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2022\/08\/0K4-x4ZX5EF0AEZYF-100x74.png 100w\" sizes=\"(max-width: 450px) 100vw, 450px\" \/><\/p>\n<p>\nThere are so many other roles: her fascinating cameo as the whorehouse &#8220;madame&#8221; in <i>Once Upon a Time in America<\/i>, her thankless role in Michael Mann&#8217;s <i>Thief<\/i>, which she fills to capacity with her alert listening humanity, taking in James Caan&#8217;s words with curiosity but also confusion, the whiff of her sordid former life all over her face: you don&#8217;t even need to know where she&#8217;s been to know where she&#8217;s been. <\/p>\n<p>\n<img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2024\/08\/Michael-Mann-Thief-Weld-Caan-e1724672274651.jpg\" alt=\"\" width=\"700\" height=\"525\" class=\"alignnone size-full wp-image-193993\" srcset=\"https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2024\/08\/Michael-Mann-Thief-Weld-Caan-e1724672274651.jpg 700w, https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2024\/08\/Michael-Mann-Thief-Weld-Caan-e1724672274651-200x150.jpg 200w, https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2024\/08\/Michael-Mann-Thief-Weld-Caan-e1724672274651-400x300.jpg 400w, https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2024\/08\/Michael-Mann-Thief-Weld-Caan-e1724672274651-100x75.jpg 100w\" sizes=\"(max-width: 700px) 100vw, 700px\" \/><\/p>\n<p>\nThere&#8217;s sadness there too. There usually is with Weld. I want to point to her WACKY performance in <i>Lord Love a Duck<\/i>, which shows what she can really do, shows her difference from other actresses. It&#8217;s not easy to play a scene like this one, and it&#8217;s hard to imagine another actress being bold enough, fearless enough, WILD enough, to make the choices she makes in this scene: <\/p>\n<p>\n<iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/-VWkMxCM8wg\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<p>Tuesday Weld has one of the most passionate and devoted fan bases on the planet, even through &#8211; or maybe because of &#8211; her long years of retirement. <\/p>\n<p>I mean, remember this? <\/p>\n<p>\n<a href=\"https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2015\/08\/Matthew-Sweet.jpg\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2015\/08\/Matthew-Sweet.jpg\" alt=\"Matthew-Sweet\" width=\"600\" height=\"600\" class=\"alignnone size-full wp-image-106239\" srcset=\"https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2015\/08\/Matthew-Sweet.jpg 600w, https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2015\/08\/Matthew-Sweet-100x100.jpg 100w, https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2015\/08\/Matthew-Sweet-200x200.jpg 200w, https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2015\/08\/Matthew-Sweet-400x400.jpg 400w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/><\/a><\/p>\n<p>\nThat album came out in 1990. She now works so rarely. Her heyday was decades ago. But there she was. Aggressive. Insolent. Knowing. And stop-you-in-your-tracks gorgeous. You wondered what life was really like for her. You were never quite sure. <\/p>\n<p>She&#8217;s still out there. And she wants nothing to do with her own fame, with her own fans. This was who she was all along. When Weld was done, she was really DONE. <\/p>\n<p><p>\n&nbsp;<br \/>\n&nbsp;<br \/>\n<small><em>Thank you so much for stopping by. If you like what I do, and if you feel inclined to support my work, here&#8217;s a link to <a href=\"https:\/\/www.venmo.com\/u\/Sheila-OMalley-3\" rel=\"noopener\" target=\"_blank\">my Venmo account<\/a>. And I&#8217;ve launched a Substack, <a href=\"https:\/\/sheilaomalley.substack.com\/\" rel=\"noopener\" target=\"_blank\">Sheila Variations 2.0<\/a>, if you&#8217;d like to subscribe.<\/em> <\/small><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/sheilaomalley.substack.com\/embed\" width=\"480\" height=\"320\" style=\"border:1px solid #EEE; background:white;\" frameborder=\"0\" scrolling=\"no\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>It&#8217;s her birthday today. From the great &#8220;Pretty Poison&#8221; (1968) with Anthony Perkins. And below you can see her as the creepily blank and heart-achingly gorgeous teenage majorette in the fantastic opening sequence of the film. See Pretty Poison if &hellip; <a href=\"https:\/\/www.sheilaomalley.com\/?p=106223\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[7,4,39],"tags":[2095,2662],"_links":{"self":[{"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/posts\/106223"}],"collection":[{"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=106223"}],"version-history":[{"count":22,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/posts\/106223\/revisions"}],"predecessor-version":[{"id":193994,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/posts\/106223\/revisions\/193994"}],"wp:attachment":[{"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=106223"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=106223"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=106223"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}