{"id":114521,"date":"2016-03-04T08:57:41","date_gmt":"2016-03-04T13:57:41","guid":{"rendered":"http:\/\/www.sheilaomalley.com\/?p=114521"},"modified":"2022-09-30T12:37:08","modified_gmt":"2022-09-30T16:37:08","slug":"cemetery-of-splendour-2016-d-apichatpong-weerasethakul","status":"publish","type":"post","link":"https:\/\/www.sheilaomalley.com\/?p=114521","title":{"rendered":"Review: <i>Cemetery of Splendour<\/i> (2016); d. Apichatpong Weerasethakul"},"content":{"rendered":"<p><a href=\"https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2016\/03\/large_ntSaGFGT0fK22SDdyFgkxMPTNic.jpg\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2016\/03\/large_ntSaGFGT0fK22SDdyFgkxMPTNic.jpg\" alt=\"large_ntSaGFGT0fK22SDdyFgkxMPTNic\" width=\"400\" height=\"601\" class=\"alignnone size-full wp-image-114522\" srcset=\"https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2016\/03\/large_ntSaGFGT0fK22SDdyFgkxMPTNic.jpg 400w, https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2016\/03\/large_ntSaGFGT0fK22SDdyFgkxMPTNic-67x100.jpg 67w, https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2016\/03\/large_ntSaGFGT0fK22SDdyFgkxMPTNic-133x200.jpg 133w, https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2016\/03\/large_ntSaGFGT0fK22SDdyFgkxMPTNic-266x400.jpg 266w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><\/a><\/p>\n<p>\nI treasure the unique films of Thai director Apichatpong Weerasethakul. They&#8217;re unlike anything else. They could only come from him. Their profundity explodes the second the screen goes black. <\/p>\n<p><a href=\"http:\/\/www.rogerebert.com\/reviews\/cemetery-of-splendour-2016\" target=\"blank\" rel=\"noopener noreferrer\">I reviewed his latest, <i>Cemetery of Splendour<\/i><\/a>, over at Rogerebert.com. <\/p>\n","protected":false},"excerpt":{"rendered":"<p>I treasure the unique films of Thai director Apichatpong Weerasethakul. They&#8217;re unlike anything else. They could only come from him. Their profundity explodes the second the screen goes black. I reviewed his latest, Cemetery of Splendour, over at Rogerebert.com.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[4],"tags":[2668,2549],"_links":{"self":[{"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/posts\/114521"}],"collection":[{"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=114521"}],"version-history":[{"count":3,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/posts\/114521\/revisions"}],"predecessor-version":[{"id":148353,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/posts\/114521\/revisions\/148353"}],"wp:attachment":[{"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=114521"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=114521"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=114521"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}