{"id":1192,"date":"2004-06-16T13:59:38","date_gmt":"2004-06-16T17:59:38","guid":{"rendered":"http:\/\/www.sheilaomalley.com\/?p=1192"},"modified":"2022-10-09T13:49:00","modified_gmt":"2022-10-09T17:49:00","slug":"and-so-concludes","status":"publish","type":"post","link":"https:\/\/www.sheilaomalley.com\/?p=1192","title":{"rendered":"And So Concludes My Joycean Mania"},"content":{"rendered":"<p>my Joycean mania.  I will go downtown later to a pub, where Joyce lovers are already far into their celebration &#8211; the readings, the songs, the limericks, have already begun.  Meeting with old friends, all of us holding our copy of this great book.<\/p>\n<p><a href=\"http:\/\/www.weeklystandard.com\/Content\/Public\/Articles\/000\/000\/004\/186gwnwu.asp\">Came across this article today<\/a> (among many others here at <a href=\"http:\/\/www.aldaily.com\/\">A&#038;L Daily<\/a>) about the lasting length of this book&#8217;s shadow.<\/p>\n<blockquote><p>BUT <i>Ulysses <\/i>transmutes the events of Homer&#8217;s Odyssey into the common speech of the Dublin Joyce knew. It was English as the language had never been spoken before, and perhaps never will be again: an English of comedy, depth, pathos, and blarney. The reader feels an almost physical desire, a linguistic lust, to have heard the voices recorded in its pages. Joyce did not simply use language; he lived within language, and <i>Ulysses <\/i>is truly a poem in prose. There is no other body of fiction, in any language, fully comparable to James Joyce&#8217;s.<\/p>\n<p>For the novel&#8217;s use of language alone we should all celebrate the hundredth Bloomsday this June 16. Becoming a writer in the English-speaking world without knowing Ulysses now seems impossible, and the book&#8217;s influences are found everywhere&#8211;even in politics, as when Stephen Dedalus makes his famous comment, &#8220;History is a nightmare from which I am trying to awake,&#8221; which could apply to millions today.<\/p>\n<p>Those who aim to be genuinely literate should at least understand the sense of language as a multidimensional fact that led Joyce to succeed <i>Ulysses <\/i>with the considerably more difficult <i>Finnegans Wake<\/i>, a book composed in &#8220;dream language.&#8221; The contemporary Irish writer Roddy Doyle early this year declared in a moment of ill-advised bluster, from which he quickly retreated, &#8220;I only read three pages of <i>Finnegans Wake <\/i>and it was a tragic waste of time.&#8221; That is a bit like hearing that an aspiring artist looked at one painting of Picasso, with the same result.<\/p>\n<p>There was a time when such mockery was prevalent among cultural conservatives; but that era should, by now, have passed by. Even Joyce&#8217;s subtle prescience&#8211;particularly about the causes of national prejudice and brutality in the century we have left&#8211;is enough to make <i>Ulysses <\/i>worth our attention. So, too, Joyce&#8217;s wisdom about the intellectual, cultural, and literary traditions of Western civilization makes the book worth revisiting this year. And then there&#8217;s the fact that <i>Ulysses <\/i>is such a comic story: bawdy, raucous, uncontrolled. A lot like real life, as it happens. Never was there a book like <i>Ulysses<\/i>. James Joyce took the modernist novel and forged it into the great story of human beings as they are: mockable and praiseworthy, pathetic and noble, foolish and wise, beastly and angelic&#8211;and very, very funny.<\/p><\/blockquote>\n<p>God bless, and thank you Joyce, and happy birthday Bloomsday.<\/p>\n<p>\n<img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2004\/06\/joyce2.jpeg\" alt=\"\" width=\"149\" height=\"190\" class=\"size-full wp-image-177987\" srcset=\"https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2004\/06\/joyce2.jpeg 149w, https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2004\/06\/joyce2-78x100.jpeg 78w\" sizes=\"(max-width: 149px) 100vw, 149px\" \/> <\/p>\n<p>\n","protected":false},"excerpt":{"rendered":"<p>my Joycean mania. I will go downtown later to a pub, where Joyce lovers are already far into their celebration &#8211; the readings, the songs, the limericks, have already begun. Meeting with old friends, all of us holding our copy &hellip; <a href=\"https:\/\/www.sheilaomalley.com\/?p=1192\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[28],"tags":[1581,566],"_links":{"self":[{"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/posts\/1192"}],"collection":[{"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1192"}],"version-history":[{"count":4,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/posts\/1192\/revisions"}],"predecessor-version":[{"id":177988,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/posts\/1192\/revisions\/177988"}],"wp:attachment":[{"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1192"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1192"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1192"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}