{"id":1223,"date":"2004-06-22T16:34:24","date_gmt":"2004-06-22T20:34:24","guid":{"rendered":"http:\/\/www.sheilaomalley.com\/?p=1223"},"modified":"2015-05-14T10:17:34","modified_gmt":"2015-05-14T14:17:34","slug":"clifford-odets-playwright","status":"publish","type":"post","link":"https:\/\/www.sheilaomalley.com\/?p=1223","title":{"rendered":"Clifford Odets&#8217; Journal"},"content":{"rendered":"<p>Clifford Odets (playwright in the 30s and 40s &#8211; inspiration to Arthur Miller, Tennessee Williams, and more &#8211; immortalized a second time by the Coen Brothers in &#8220;Barton Fink&#8221;) kept a journal throughout his tumultuous life.<\/p>\n<p>One year of that journal has been published &#8211; 1940 &#8211; and the title of the book is <a href=\"http:\/\/www.amazon.com\/gp\/product\/0802131891?ie=UTF8&#038;tag=thesheivari-20&#038;linkCode=as2&#038;camp=1789&#038;creative=9325&#038;creativeASIN=0802131891\">The Time Is Ripe: The 1940 Journal of Clifford Odets : With an Introduction by William Gibson<\/a><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.assoc-amazon.com\/e\/ir?t=thesheivari-20&#038;l=as2&#038;o=1&#038;a=0802131891\" width=\"1\" height=\"1\" border=\"0\" alt=\"\" style=\"border:none !important; margin:0px !important;\" \/><\/i>.   It&#8217;s a classic and unfortunately out of print now.<\/p>\n<p>Unfurling below you are many quotes from this great little book.  I&#8217;ll post more when I have a bit more time.<\/p>\n<p>A couple biographical notes:<\/p>\n<p>Clifford Odets was catapulted into fame in the early 30s with his play <i>Waiting for Lefty<\/i>.  He became a resident playwright with the influential Group Theatre &#8211; and they put on many of his plays &#8211; which are now considered classics:  <i>Awake and Sing, Paradise Lost, Golden Boy<\/i> &#8211; just to name a few.  His work is very much of a time and place &#8211; although the writing is good enough for ALL times.  But his plays all have &#8220;the Great Depression&#8221; as an extra character.  Without understanding that context, his plays may seem &#8230; trite, or small, or naive.<\/p>\n<p>The Group Theatre lasted almost a decade &#8211; from 1931 to 1940.<\/p>\n<p><i>The Time is Ripe<\/i> describes the year of the demise of the theatre.  <i>Night Music<\/i>, Odets&#8217; latest play (which I absolutely ADORE &#8211; it is very difficult to find, and never produced anymore &#8211; my dad found it for me in the library and Xeroxed me a copy &#8211; Great play.) &#8211; was a huge flop.  This was devastating for him &#8211; the critics were very cruel.  They had come to expect a certain kind of play from him, and didn&#8217;t know what to do with this light-hearted romantic comedy.<\/p>\n<p>They crucified him, the play was a huge flop, and the theatre ensemble folded.<\/p>\n<p>All members scattered to the 4 winds &#8211; John Garfield, Morris Carnovsky, Stella Adler, Lee Strasberg, Elia Kazan &#8211; and yet they were forever linked, they forever had a relationship with one another &#8211; because of their experiences in the 1930s.<\/p>\n<p>One other thing:<\/p>\n<p>Clifford Odets&#8217; idol was Beethoven. Odets felt that any aspiring artist, any artist at all, only needed to study Beethoven &#8211; in order to figure out how to do it.  He felt that Beethoven had ALL the answers, and most of the entires in this journal have SOMETHING to do with Beethoven.  I&#8217;ve posted a bunch of those.  I love them.<\/p>\n<p>Second of all:<\/p>\n<p>I don&#8217;t post all of these because I agree with each and every sentiment.  I post them because they are interesting.<\/p>\n<p>\n<iframe style=\"width:120px;height:240px;\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" frameborder=\"0\" src=\"\/\/ws-na.amazon-adsystem.com\/widgets\/q?ServiceVersion=20070822&#038;OneJS=1&#038;Operation=GetAdHtml&#038;MarketPlace=US&#038;source=ac&#038;ref=tf_til&#038;ad_type=product_link&#038;tracking_id=thesheivari-20&#038;marketplace=amazon&#038;region=US&#038;placement=0802131891&#038;asins=0802131891&#038;linkId=FWSCIJESBSOJ2HJ2&#038;show_border=true&#038;link_opens_in_new_window=true\"><br \/>\n<\/iframe><\/p>\n<p>\n","protected":false},"excerpt":{"rendered":"<p>Clifford Odets (playwright in the 30s and 40s &#8211; inspiration to Arthur Miller, Tennessee Williams, and more &#8211; immortalized a second time by the Coen Brothers in &#8220;Barton Fink&#8221;) kept a journal throughout his tumultuous life. One year of that &hellip; <a href=\"https:\/\/www.sheilaomalley.com\/?p=1223\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[15],"tags":[115,1600],"_links":{"self":[{"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/posts\/1223"}],"collection":[{"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1223"}],"version-history":[{"count":4,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/posts\/1223\/revisions"}],"predecessor-version":[{"id":101656,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/posts\/1223\/revisions\/101656"}],"wp:attachment":[{"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1223"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1223"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1223"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}