{"id":123023,"date":"2016-10-28T08:48:50","date_gmt":"2016-10-28T12:48:50","guid":{"rendered":"http:\/\/www.sheilaomalley.com\/?p=123023"},"modified":"2016-10-28T11:12:31","modified_gmt":"2016-10-28T15:12:31","slug":"the-great-wesley-morris-on-the-last-taboo","status":"publish","type":"post","link":"https:\/\/www.sheilaomalley.com\/?p=123023","title":{"rendered":"The Great Wesley Morris on &#8220;The Last Taboo&#8221;"},"content":{"rendered":"<p><a href=\"http:\/\/www.nytimes.com\/interactive\/2016\/10\/30\/magazine\/black-male-sexuality-last-taboo.html?_r=0\" target=\"blank\">This is one of the best pieces of cultural criticism<\/a> I have seen in a long long time. I almost can&#8217;t believe it exists, and I am just so happy that we HAVE it now. In years to come, this essay will be referenced by others. There&#8217;s been nothing else like it, at least not in film criticism. <\/p>\n<p>As with so much of Wesley Morris&#8217; stuff, the essay is singular. It is the perspective of an African-American gay male. A rarity in the hallowed halls of film criticism (puh-leeze), and is a blazing reminder that having any field dominated by white males &#8211; having white males set the terms, or at least be the &#8220;default&#8221; and any other voice is a deviation from that &#8220;norm&#8221; &#8211; does everyone a disservice. Only Morris could have written this piece. <\/p>\n<p>His musings were inspired by <i>Moonlight<\/i>, a new film that just came out in limited release &#8211; and so far has been doing quite well (surprisingly, considering the subject matter and the treatment of that subject matter &#8211; not to mention the astonishing final scene), so hopefully it will get a wider release soon. As it stands now, for me, it&#8217;s the Film of the Year. It&#8217;s a revelation in a way: it&#8217;s very rare (almost unheard of) to see something NEW in cinema. <i>Moonlight<\/i> is one of those movies. It cracks open new ground. <\/p>\n<p>And it started something in Wesley Morris&#8217; mind, and that something led to this piece. I have been reading Wesley Morris for years, since Grantland. He&#8217;s one of the best critics working today. <\/p>\n","protected":false},"excerpt":{"rendered":"<p>This is one of the best pieces of cultural criticism I have seen in a long long time. I almost can&#8217;t believe it exists, and I am just so happy that we HAVE it now. In years to come, this &hellip; <a href=\"https:\/\/www.sheilaomalley.com\/?p=123023\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[4],"tags":[],"_links":{"self":[{"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/posts\/123023"}],"collection":[{"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=123023"}],"version-history":[{"count":5,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/posts\/123023\/revisions"}],"predecessor-version":[{"id":123028,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/posts\/123023\/revisions\/123028"}],"wp:attachment":[{"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=123023"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=123023"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=123023"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}