{"id":132292,"date":"2017-10-24T07:32:53","date_gmt":"2017-10-24T11:32:53","guid":{"rendered":"http:\/\/www.sheilaomalley.com\/?p=132292"},"modified":"2021-03-21T11:39:33","modified_gmt":"2021-03-21T15:39:33","slug":"more-2017-movies-for-your-radar","status":"publish","type":"post","link":"https:\/\/www.sheilaomalley.com\/?p=132292","title":{"rendered":"More 2017 Movies For Your Radar"},"content":{"rendered":"<p><a href=\"https:\/\/www.sheilaomalley.com\/?p=132127\" rel=\"noopener\" target=\"_blank\">Here&#8217;s Part 1.<\/a> <\/p>\n<p>\n<a href=\"https:\/\/www.sheilaomalley.com\/?attachment_id=132371\" rel=\"attachment wp-att-132371\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2017\/10\/the-meyerowitz-stories.jpg\" alt=\"\" width=\"500\" height=\"750\" class=\"alignnone size-full wp-image-132371\" srcset=\"https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2017\/10\/the-meyerowitz-stories.jpg 500w, https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2017\/10\/the-meyerowitz-stories-67x100.jpg 67w, https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2017\/10\/the-meyerowitz-stories-133x200.jpg 133w, https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2017\/10\/the-meyerowitz-stories-267x400.jpg 267w\" sizes=\"(max-width: 500px) 100vw, 500px\" \/><\/a><\/p>\n<p>\n<strong>Director\/Writer<\/strong>: Noah Baumbach<br \/>\n<strong>U.S. release date<\/strong>: October 13, 2017<br \/>\n<strong>U.K. release date<\/strong>: TBD<\/p>\n<p>The film is streaming on Netflix now. Starring Dustin Hoffman, Adam Sandler, Ben Stiller, Elizabeth Marvel and Grace Van Patten &#8211; it&#8217;s a true ensemble film, as the title suggests. Hoffman has his best role in years. Emma Thompson and Candice Bergen show up in smaller roles as the mothers\/stepmothers of the family. There are a couple of things <i>Meyerowitz Stories<\/i> gets so right, the main one being the feeling that you are actually looking at adult siblings. Movies very rarely get adult siblings right. I say this as someone with many adult siblings. The film is heartbreaking, funny, and insightful. It pays attention to things, like the way scared adult siblings latch onto a certain nurse caring for their father, and PANIC when there&#8217;s a shift-change. Or how the three of them all exclaim &#8220;WHAT?&#8221; in horror when the doctor blithely tells them she&#8217;s going on a 3-week vacation. I can&#8217;t tell you how much I appreciated these details. I&#8217;ve seen a bazillion movies about scared families in hospitals but I&#8217;ve never seen that particular dynamic portrayed. It was validating. I RECOGNIZED it. Each actor is superb, and both Adam Sandler and Ben Stiller have a couple of career-best moments, but it&#8217;s the group dynamic that is the special thing here. Family: messy, painful, funny. I loved this movie.<\/p>\n<p>\n<iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/J_h2I2L4VsY\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p>\n<a href=\"https:\/\/www.sheilaomalley.com\/?attachment_id=132372\" rel=\"attachment wp-att-132372\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2017\/10\/mudbound-movie-poster.jpg\" alt=\"\" width=\"500\" height=\"689\" class=\"alignnone size-full wp-image-132372\" srcset=\"https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2017\/10\/mudbound-movie-poster.jpg 500w, https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2017\/10\/mudbound-movie-poster-73x100.jpg 73w, https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2017\/10\/mudbound-movie-poster-145x200.jpg 145w, https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2017\/10\/mudbound-movie-poster-290x400.jpg 290w\" sizes=\"(max-width: 500px) 100vw, 500px\" \/><\/a><\/p>\n<p>\n<strong>Director<\/strong>: Dee Rees<br \/>\n<strong>Writer<\/strong>: Dee Rees, Vergil Williams, based on the novel by Hillary Jordan<br \/>\n<strong>U.S.\/U.K. release date<\/strong>: November 17, 2017<\/p>\n<p>I was just describing the plot of this extraordinary movie to my sister and she exclaimed, &#8220;Is it based on a book? I think I read that book.&#8221; <i>Mudbound<\/i> tells the story of two families, one white, one black, in post-WWII rural Mississippi. It&#8217;s a sharecropping world, a muddy dark world. The white family is &#8220;above&#8221; the black family in status, but their situations are similar: both live in homes with no electricity, running water, both work the land from dawn til dusk, at times side by side. (This is the world of Elvis Presley&#8217;s childhood, incidentally.) Men from both families &#8211; one brother and one son &#8211; went off to Europe to fight the Germans. Upon their return, these men &#8211; played by Garrett Hedlund and Jason Mitchell &#8211; are drawn to one another. They&#8217;re veterans, both of them struggling with what we now have a name for, PTSD. They become unlikely friends. But because this is rural Mississippi in 1946, they have to &#8220;sneak away&#8221; to be friends. They meet up in an abandoned barn, and drink, and talk about the war, and women, etc. But <i>Mudbound<\/i> is not just the story of this friendship. There isn&#8217;t a &#8220;lead&#8221; character. It&#8217;s such a strong and interwoven ensemble that we on the nominating committee for Best Actor\/Actress in the Gotham Awards couldn&#8217;t pull one person out specifically and decided to give the ensemble a special Jury Prize. The acting is so good (even Carey Mulligan, and I am not a fan). There are moments when the pain is unbearable, when the stress and tension and unfairness blazes off the screen like an indictment. Dee Rees is a young African-American filmmaker, determined to do things her own way, to not compromise herself by surrendering to &#8220;the system.&#8221; This is one of the only ways to really get things done. Reject the system itself. I&#8217;m a HUGE fan of her work and <i>Mudbound<\/i> shows her gift in working with a large cast of actors, black\/white, seasoned professionals\/newbies, big stars\/up-and-comers. Not easy. Mary J. Blige!! She&#8217;s SO GOOD. This is a rich and textured portrait of two families. It&#8217;s a film with six lead characters. Rees keeps that multiple POV attitude afloat in ways that deeply enhance the experience of watching the film. For the last half hour, I thought my heart would explode. This is one you will not want to miss. (Side note: I thought I had my crush on Garrett Hedlund &#8211; which began with his nearly wordless performance in <i>Inside Llewyn Davis<\/i> &#8211; under control. After watching <i>Mudbound<\/i>, I realized I was dead wrong. My crush is not at ALL under control.)<\/p>\n<p>\n<iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/vAZWhFI9lLQ\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p>\n<a href=\"https:\/\/www.sheilaomalley.com\/?attachment_id=132373\" rel=\"attachment wp-att-132373\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2017\/10\/MV5BOGNkMzliMGMtMDI5Ni00OTZkLTgyMTYtNzk5ZTY1NjVhYjVmXkEyXkFqcGdeQXVyNTAzMTY4MDA@._V1_UY1200_CR9006301200_AL_.jpg\" alt=\"\" width=\"630\" height=\"1200\" class=\"alignnone size-full wp-image-132373\" srcset=\"https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2017\/10\/MV5BOGNkMzliMGMtMDI5Ni00OTZkLTgyMTYtNzk5ZTY1NjVhYjVmXkEyXkFqcGdeQXVyNTAzMTY4MDA@._V1_UY1200_CR9006301200_AL_.jpg 630w, https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2017\/10\/MV5BOGNkMzliMGMtMDI5Ni00OTZkLTgyMTYtNzk5ZTY1NjVhYjVmXkEyXkFqcGdeQXVyNTAzMTY4MDA@._V1_UY1200_CR9006301200_AL_-53x100.jpg 53w, https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2017\/10\/MV5BOGNkMzliMGMtMDI5Ni00OTZkLTgyMTYtNzk5ZTY1NjVhYjVmXkEyXkFqcGdeQXVyNTAzMTY4MDA@._V1_UY1200_CR9006301200_AL_-105x200.jpg 105w, https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2017\/10\/MV5BOGNkMzliMGMtMDI5Ni00OTZkLTgyMTYtNzk5ZTY1NjVhYjVmXkEyXkFqcGdeQXVyNTAzMTY4MDA@._V1_UY1200_CR9006301200_AL_-210x400.jpg 210w\" sizes=\"(max-width: 630px) 100vw, 630px\" \/><\/a><\/p>\n<p>\n<strong>Director<\/strong>: James Franco<br \/>\n<strong>Writer<\/strong>: Scott Neustadter, Michael H. Weber, based on the book &#8220;The Disaster Artist: My Life Inside The Room, the Greatest Bad Movie Ever Made&#8221; by Greg Sestero and<br \/>\nTom Bissell<br \/>\n<strong>U.S. release date<\/strong>: December 8, 2017<br \/>\n<strong>U.K. release date<\/strong>: December 1, 2017<\/p>\n<p>God, I needed this. In the middle of what has been a particularly brutal month, I went to an afternoon screening of this film. I didn&#8217;t know much about it. It&#8217;s about the filming of the cult movie <i>The Room<\/i>. I have not seen <i>The Room<\/i> although I&#8217;ve heard of it, of course. You can look up clips on Youtube and it is agonizingly mind-bogglingly bad. Helmed by a mysterious man with unlimited funds and an indeterminate accent named Tommy Wiseau, <i>The Room<\/i> is one of those &#8220;so bad it&#8217;s AWESOME&#8221; movies, and Wiseau&#8217;s &#8220;partner&#8221; &#8211; Greg Sustero &#8211; wrote a pretty great book about the experience. So now comes James Franco, directing <i>The Disaster Artist<\/i>, and he also plays Wiseau. It&#8217;s the role of a lifetime. In a weird way, it feels like this is the role James Franco &#8211; a clearly talented man &#8211; was BORN to play. Nobody else could do it. It didn&#8217;t matter that I wasn&#8217;t familiar with <i>The Room<\/i>. Prior knowledge is not necessary. Franco is <i>so hilarious<\/i> (his portrayal of Tommy Wiseau playing Stanley Kowalski is one for the books), but also manages to find the pathos in this improbable real-life character. Great support staff from Zac Efron, Seth Rogen, Dave Franco &#8230; a great cast in general. It&#8217;s a great movie about acting and film-making too. It&#8217;s been a long time since a movie has made me laugh as hard as this one did. LOVE it and can&#8217;t wait for my actor friends to see it. <\/p>\n<p>\n<iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/cMKX2tE5Luk\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p><a href=\"https:\/\/www.sheilaomalley.com\/?attachment_id=132425\" rel=\"attachment wp-att-132425\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2017\/10\/I-Tonya-Banner-Poster.jpg\" alt=\"\" width=\"800\" height=\"296\" class=\"alignnone size-full wp-image-132425\" srcset=\"https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2017\/10\/I-Tonya-Banner-Poster.jpg 800w, https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2017\/10\/I-Tonya-Banner-Poster-100x37.jpg 100w, https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2017\/10\/I-Tonya-Banner-Poster-200x74.jpg 200w, https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2017\/10\/I-Tonya-Banner-Poster-768x284.jpg 768w, https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2017\/10\/I-Tonya-Banner-Poster-400x148.jpg 400w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><\/a><\/p>\n<p>\n<strong>Director<\/strong>: Craig Gillespie<br \/>\n<strong>Writer<\/strong>: Steven Rogers<br \/>\n<strong>U.S. release date<\/strong>: December 8, 2017<br \/>\n<strong>U.K. release date<\/strong>: February 16, 2018<\/p>\n<p>I have some issues with the film (mainly the on-the-nose soundtrack, and some of the fourth-wall-breaking contrivances). HOWEVER, it&#8217;s totally engaging and really brings back the whole brou-haha, especially to those of us who were obsessed with the whole thing as it was occurring. (Meaning: most of the planet.) Margot Robbie is a gorgeous willowy blonde. A talented actress, too, but I had some misgivings going in. Tonya Harding was &#8211; famously &#8211; a lumpy dumpy-looking girl, with frizzy hair, bad teeth, the spectre of the American under-class infiltrating the girlie-princess world of figure skating. Girl could SKATE. Girl was the first American to do a triple in competition. Just by existing, Harding revealed the simpering surface-level elitism of figure skating and it was hard not to root for her. I DID root for her. But anyway: Margot Robbie? What? The fact that Robbie can convince me that this is a girl who has never been thought of as attractive is one of the major accomplishments of the performance. I&#8217;m sorry to focus on looks and say mean things but this is reality we&#8217;re talking about. The way Robbie walks &#8211; the clumpy stomping &#8220;unladylike&#8221; walk &#8211; the way she sits with her legs spread, elbows on her knees &#8211; a linebacker on the bench &#8230; These things feel <i>organic<\/i>, and that is totally to Robbie&#8217;s credit. Robbie has gotten very good roles, leading lady roles, and she made a huge impression in <i>Wolf of Wall Street<\/i>. But consider that she was chosen by Adam McKay to give one of the &#8220;celebrity monologues&#8221; in <i>The Big Short<\/i> while lying in a bubble bath. That&#8217;s the image of Margot Robbie. The beautiful blonde. So to see her here, insecure and yet also FEROCIOUS, a ferocious competitor, beaten by her mother, her husband, an unloved child, an unloved young woman &#8230; it&#8217;s really fun to watch her get a role she can sink her teeth into. She&#8217;s terrific. She&#8217;s been ice skating for much of her life, too, so she does a lot (not all, but a lot) of her own skating. This helps enormously. Also terrific is Allison Janney, as Harding&#8217;s monstrous mother. I was really impressed. The film is very funny at times, but also tragic in a way. It moved me. <\/p>\n<p>\n<iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/9Onvy-0t4ew\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p>\n","protected":false},"excerpt":{"rendered":"<p>Here&#8217;s Part 1. Director\/Writer: Noah Baumbach U.S. release date: October 13, 2017 U.K. release date: TBD The film is streaming on Netflix now. Starring Dustin Hoffman, Adam Sandler, Ben Stiller, Elizabeth Marvel and Grace Van Patten &#8211; it&#8217;s a true &hellip; <a href=\"https:\/\/www.sheilaomalley.com\/?p=132292\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[4],"tags":[1737,2544,2546,485,2501,2558,2637],"_links":{"self":[{"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/posts\/132292"}],"collection":[{"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=132292"}],"version-history":[{"count":24,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/posts\/132292\/revisions"}],"predecessor-version":[{"id":166929,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/posts\/132292\/revisions\/166929"}],"wp:attachment":[{"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=132292"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=132292"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=132292"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}