{"id":132638,"date":"2017-10-31T09:18:50","date_gmt":"2017-10-31T13:18:50","guid":{"rendered":"http:\/\/www.sheilaomalley.com\/?p=132638"},"modified":"2021-07-28T00:12:29","modified_gmt":"2021-07-28T04:12:29","slug":"bookshelf-tour-3","status":"publish","type":"post","link":"https:\/\/www.sheilaomalley.com\/?p=132638","title":{"rendered":"Bookshelf Tour #3"},"content":{"rendered":"<p><a href=\"https:\/\/www.sheilaomalley.com\/?attachment_id=132639\" rel=\"attachment wp-att-132639\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2017\/10\/b.jpg\" alt=\"\" width=\"598\" height=\"447\" class=\"alignnone size-full wp-image-132639\" srcset=\"https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2017\/10\/b.jpg 598w, https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2017\/10\/b-100x75.jpg 100w, https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2017\/10\/b-200x149.jpg 200w, https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2017\/10\/b-400x299.jpg 400w\" sizes=\"(max-width: 598px) 100vw, 598px\" \/><\/a><\/p>\n<p>\nSome of the most well-worn books in my library. <\/p>\n<p><i><a target=\"_blank\" href=\"https:\/\/www.amazon.com\/gp\/product\/0345805992\/ref=as_li_tl?ie=UTF8&#038;camp=1789&#038;creative=9325&#038;creativeASIN=0345805992&#038;linkCode=as2&#038;tag=thesheivari-20&#038;linkId=5d0379754693a5034c93c5de0a8f49ee\" rel=\"noopener\">Real Life Drama: The Group Theatre and America 1931-1940<\/a><img decoding=\"async\" loading=\"lazy\" src=\"\/\/ir-na.amazon-adsystem.com\/e\/ir?t=thesheivari-20&#038;l=am2&#038;o=1&#038;a=0345805992\" width=\"1\" height=\"1\" border=\"0\" alt=\"\" style=\"border:none !important; margin:0px !important;\" \/><\/i> is Wendy Smith\u2019s exhaustive history of The Group Theater. I consider it essential reading. It&#8217;s an important part of the history of the 20th century. <a href=\"https:\/\/www.sheilaomalley.com\/?p=45396\" rel=\"noopener\" target=\"_blank\">Post about it here<\/a>.<\/p>\n<p>Harold Clurman\u2019s memoir <i><a target=\"_blank\" href=\"https:\/\/www.amazon.com\/gp\/product\/0306801868\/ref=as_li_tl?ie=UTF8&#038;camp=1789&#038;creative=9325&#038;creativeASIN=0306801868&#038;linkCode=as2&#038;tag=thesheivari-20&#038;linkId=e0121dbb3c56e3de3d67a4fe945bd80e\" rel=\"noopener\">The Fervent Years: The Group Theatre And The Thirties<\/a><img decoding=\"async\" loading=\"lazy\" src=\"\/\/ir-na.amazon-adsystem.com\/e\/ir?t=thesheivari-20&#038;l=am2&#038;o=1&#038;a=0306801868\" width=\"1\" height=\"1\" border=\"0\" alt=\"\" style=\"border:none !important; margin:0px !important;\" \/><\/i> details his own memory of that time. Gorgeous. <\/p>\n<p>Michael Caine&#8217;s <i><a target=\"_blank\" href=\"https:\/\/www.amazon.com\/gp\/product\/1557832773\/ref=as_li_tl?ie=UTF8&#038;camp=1789&#038;creative=9325&#038;creativeASIN=1557832773&#038;linkCode=as2&#038;tag=thesheivari-20&#038;linkId=73d67930003702f27596d3d30f7a300d\" rel=\"noopener\">Acting in Film: An Actor&#8217;s Take on Movie Making<\/a><img decoding=\"async\" loading=\"lazy\" src=\"\/\/ir-na.amazon-adsystem.com\/e\/ir?t=thesheivari-20&#038;l=am2&#038;o=1&#038;a=1557832773\" width=\"1\" height=\"1\" border=\"0\" alt=\"\" style=\"border:none !important; margin:0px !important;\" \/><\/i> is an outright classic.<\/p>\n<p>Stella Adler (another Group alum) gave a series of lectures &#8211; on Ibsen, Strindberg and Chekhov. <i><a target=\"_blank\" href=\"https:\/\/www.amazon.com\/gp\/product\/0679746986\/ref=as_li_tl?ie=UTF8&#038;camp=1789&#038;creative=9325&#038;creativeASIN=0679746986&#038;linkCode=as2&#038;tag=thesheivari-20&#038;linkId=a67d3c43bcb533055ff6ef2c85e740d9\" rel=\"noopener\">Stella Adler on Ibsen, Strindberg, and Chekhov<\/a><img decoding=\"async\" loading=\"lazy\" src=\"\/\/ir-na.amazon-adsystem.com\/e\/ir?t=thesheivari-20&#038;l=am2&#038;o=1&#038;a=0679746986\" width=\"1\" height=\"1\" border=\"0\" alt=\"\" style=\"border:none !important; margin:0px !important;\" \/><\/i> is a treasure: you get a sense of what it must have been like to be in that room. If you want to learn about script analysis, this is a hell of a place to start. Robert De Niro studied with her and has said that her script analysis class is one of the most important classes he ever took.<\/p>\n<p>Jack Garfein\u2019s recently published memoir\/acting book <i><a target=\"_blank\" href=\"https:\/\/www.amazon.com\/gp\/product\/0810126737\/ref=as_li_tl?ie=UTF8&#038;camp=1789&#038;creative=9325&#038;creativeASIN=0810126737&#038;linkCode=as2&#038;tag=thesheivari-20&#038;linkId=3651a2544399cab6a8f9194e1108b114\" rel=\"noopener\">Life and Acting: Techniques for the Actor<\/a><img decoding=\"async\" loading=\"lazy\" src=\"\/\/ir-na.amazon-adsystem.com\/e\/ir?t=thesheivari-20&#038;l=am2&#038;o=1&#038;a=0810126737\" width=\"1\" height=\"1\" border=\"0\" alt=\"\" style=\"border:none !important; margin:0px !important;\" \/><\/i> is another volume rich with wisdom on actors. Garfein was a member of the Actors Studio, and the first director to be asked to join (he was asked by Lee Strasberg). (You can read more about Garfein in the <a href=\"https:\/\/www.criterion.com\/current\/posts\/4392-something-wild-last-chances\" rel=\"noopener\" target=\"_blank\">essay I wrote for the Criterion release of his 1961 film <i>Something Wild<\/i><\/a>. Which you all should see.) As a teacher for decades, Garfein knows what he\u2019s talking about. The book is filled with wonderfully thought-provoking unique acting exercises. Earlier this year, I attended a Master Class he gave at the Actors Studio. A night I\u2019ll never forget. The freedom he creates in a very stressful room &#8230; extraordinary! His \u201ctake\u201d on acting is very intuitive, un-academic, with a healthy respect for old-fashioned Playing Make-Believe.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Some of the most well-worn books in my library. Real Life Drama: The Group Theatre and America 1931-1940 is Wendy Smith\u2019s exhaustive history of The Group Theater. I consider it essential reading. It&#8217;s an important part of the history of &hellip; <a href=\"https:\/\/www.sheilaomalley.com\/?p=132638\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[15,16],"tags":[2397,644,1458,1336,2478,272,375],"_links":{"self":[{"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/posts\/132638"}],"collection":[{"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=132638"}],"version-history":[{"count":5,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/posts\/132638\/revisions"}],"predecessor-version":[{"id":169848,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/posts\/132638\/revisions\/169848"}],"wp:attachment":[{"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=132638"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=132638"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=132638"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}