{"id":143109,"date":"2019-01-23T11:36:00","date_gmt":"2019-01-23T16:36:00","guid":{"rendered":"http:\/\/www.sheilaomalley.com\/?p=143109"},"modified":"2019-01-23T13:00:47","modified_gmt":"2019-01-23T18:00:47","slug":"r-i-p-jonas-mekas","status":"publish","type":"post","link":"https:\/\/www.sheilaomalley.com\/?p=143109","title":{"rendered":"R.I.P. Jonas Mekas"},"content":{"rendered":"<p><a href=\"https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2019\/01\/Jonas-Mekas_gro\u00df-\u00a9-Boris-Lehman1.jpg\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2019\/01\/Jonas-Mekas_gro\u00df-\u00a9-Boris-Lehman1.jpg\" alt=\"\" width=\"700\" height=\"306\" class=\"alignnone size-full wp-image-143110\" srcset=\"https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2019\/01\/Jonas-Mekas_gro\u00df-\u00a9-Boris-Lehman1.jpg 700w, https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2019\/01\/Jonas-Mekas_gro\u00df-\u00a9-Boris-Lehman1-100x44.jpg 100w, https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2019\/01\/Jonas-Mekas_gro\u00df-\u00a9-Boris-Lehman1-200x87.jpg 200w, https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2019\/01\/Jonas-Mekas_gro\u00df-\u00a9-Boris-Lehman1-400x175.jpg 400w\" sizes=\"(max-width: 700px) 100vw, 700px\" \/><\/a><\/p>\n<p>\nThe avant-garde filmmaker has just died at the age of 96. I haven&#8217;t seen any obituaries yet, and will add links as they come in. (My NYFF colleague Bilge Ebiri <a href=\"https:\/\/www.villagevoice.com\/2017\/09\/21\/im-like-the-last-leaf-of-a-big-tree-a-conversation-with-jonas-mekas\/\" rel=\"noopener\" target=\"_blank\">interviewed Mekas in 2017 for the <i>Village Voice<\/i> <\/a>&#8211; where Mekas had served as the paper&#8217;s first film critic.)<\/p>\n<p>But for my purposes, here on this personal blog, it&#8217;s gotta be about Elvis. Because Elvis is everywhere. <\/p>\n<p>In 1972, Mekas attended the final show of Elvis Presley&#8217;s 4-show gig at Madison Square Garden. He brought with him a 16mm camera. He shot what he could. It&#8217;s wild footage. Chaotic. He did not record the sound. He did not try to sync anything up. He said, &#8220;Some of it was filmed normal 24fps speed, some not.&#8221; <\/p>\n<p>\n<a href=\"https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2019\/01\/jonas_mekas_elvis_1024x768-1-e1548266428827.jpg\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2019\/01\/jonas_mekas_elvis_1024x768-1-e1548266428827.jpg\" alt=\"\" width=\"500\" height=\"1039\" class=\"alignnone size-full wp-image-143120\" \/><\/a><\/p>\n<p>Decades later, in 2001, the Viennale International Film Festival asked Jonas Mekas to prepare a trailer for the festival. He could do whatever he wanted with the trailer, obviously. He&#8217;s Jonas Mekas. <\/p>\n<p>He spoke later about why he created the trailer in the way that he did:<\/p>\n<blockquote><p>I was lucky enough to see Elvis Presley\u2019s final concert at Madison Square Garden in June 1972. Usually, you are not allowed to bring a camera to a concert. But the audience and the entire event were so wild that no one paid any attention to me. Over the years I watched the footage again and again. Then the Viennale called and I immediately thought of my Elvis material. The only problem was that I didn\u2019t know what kind of musical soundtrack to use. I tried everything and was close to giving up when I happened to hear a Viennese waltz on the radio. That was it! What could be better \u2013 or funnier \u2013 than Elvis and Strauss?<\/p><\/blockquote>\n<p>It&#8217;s beautiful. <\/p>\n<p>\n<iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/b_4ljZ6UN_Y\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<p>Thank you, Jonas Mekas. Your career has meant so much to so many and I have barely touched on the scope of what you have done. But here&#8217;s a small portion of gratitude to you from a hardcore Elvis fan.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The avant-garde filmmaker has just died at the age of 96. I haven&#8217;t seen any obituaries yet, and will add links as they come in. (My NYFF colleague Bilge Ebiri interviewed Mekas in 2017 for the Village Voice &#8211; where &hellip; <a href=\"https:\/\/www.sheilaomalley.com\/?p=143109\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[24,4,23],"tags":[2095],"_links":{"self":[{"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/posts\/143109"}],"collection":[{"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=143109"}],"version-history":[{"count":3,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/posts\/143109\/revisions"}],"predecessor-version":[{"id":143121,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/posts\/143109\/revisions\/143121"}],"wp:attachment":[{"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=143109"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=143109"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=143109"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}