{"id":163988,"date":"2020-12-10T10:21:19","date_gmt":"2020-12-10T15:21:19","guid":{"rendered":"http:\/\/www.sheilaomalley.com\/?p=163988"},"modified":"2020-12-10T13:25:24","modified_gmt":"2020-12-10T18:25:24","slug":"loneliness-and-lovers-rock","status":"publish","type":"post","link":"https:\/\/www.sheilaomalley.com\/?p=163988","title":{"rendered":"Loneliness and Lovers Rock"},"content":{"rendered":"<p><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2020\/12\/loversrock-e1607613574773.jpg\" alt=\"\" width=\"700\" height=\"393\" class=\"alignnone size-full wp-image-163993\" \/><br \/>\n<i>Shaniqua Okwok and Amarah-Jae St. Aubyn in Steve McQueen&#8217;s &#8220;Lovers Rock&#8221;<\/i><\/p>\n<p>\nSteve McQueen&#8217;s <i>Lovers Rock<\/i>, part of his Small Axe anthology (5 films depicting the life of West Indians in London) is a dreamy swoon of a movie. I&#8217;m not a huge Steve McQueen fan, but I am really digging what he&#8217;s doing with this series. <i>Lovers Rock<\/i>, for me, is the standout. I am in love with it. I point you to my friend <a href=\"https:\/\/www.rogerebert.com\/reviews\/small-axe-lovers-rock-movie-review-2020\" rel=\"noopener noreferrer\" target=\"_blank\">Odie&#8217;s wonderful review over on Ebert<\/a>. And here&#8217;s a <a href=\"https:\/\/slate.com\/culture\/2020\/11\/lovers-rock-songs-steve-mcqueen-interview-silly-games.html\" rel=\"noopener noreferrer\" target=\"_blank\">great interview with McQueen about the movie<\/a>, and the music in the movie. <\/p>\n<p>\n<img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2020\/12\/small-axe-lovers-rock-nyff58-e1607613624634.jpg\" alt=\"\" width=\"700\" height=\"393\" class=\"alignnone size-full wp-image-163994\" \/><\/p>\n<p>\nI loved this one small sequence: Barry Bigg&#8217;s &#8220;Lonely Girl&#8221; is put on the turntable by the DJ in the corner, and the crowd goes into a trance of connection. There&#8217;s a sequence of shots showing men grasping women&#8217;s elbows, bringing them onto the dance floor, then women\u2019s hands on their dance partners\u2019 shoulders, or men\u2019s hands on their dance partners\u2019 waist\/butt. It&#8217;s a gentle little montage of touch and mutual desire, which ends with the shot of Cynthia (Ellis George) &#8211; who has been so determined to have fun on her birthday &#8211; yet little things keep coming along and ruining it. <\/p>\n<p>And so that little montage of hands and bodies &#8211; as I read it anyway &#8211; turns out to be from her POV, because that\u2019s what it feels like when you\u2019re at a party and everyone is dancing with someone except for you and\/or that the person you want you can\u2019t have. Everywhere you look people are connecting and touching &#8230; and you don\u2019t get to participate. It\u2019s so beautifully done. No explicit underlining, but every single shot and how it&#8217;s all put together represent very specific visual choices. A narrative of desire and disappointment.<\/p>\n<p>\n<img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2020\/12\/lr-e1607612167141.jpg\" alt=\"\" width=\"700\" height=\"391\" class=\"alignnone size-full wp-image-163981\" \/><\/p>\n<p>\n<img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2020\/12\/lr2-e1607612216302.jpeg\" alt=\"\" width=\"700\" height=\"390\" class=\"alignnone size-full wp-image-163982\" \/><\/p>\n<p>\n<img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2020\/12\/lr3-e1607612252649.jpeg\" alt=\"\" width=\"700\" height=\"391\" class=\"alignnone size-full wp-image-163983\" \/><\/p>\n<p>\n<img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2020\/12\/lr4-e1607612318130.jpeg\" alt=\"\" width=\"700\" height=\"391\" class=\"alignnone size-full wp-image-163984\" \/><\/p>\n<p>\n<img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2020\/12\/lr5-e1607612328220.jpeg\" alt=\"\" width=\"700\" height=\"391\" class=\"alignnone size-full wp-image-163985\" \/><\/p>\n<p>\n<img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2020\/12\/lr6-e1607612337367.jpeg\" alt=\"\" width=\"700\" height=\"391\" class=\"alignnone size-full wp-image-163986\" \/><\/p>\n<p>\n<img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2020\/12\/lr7-e1607612448679.jpeg\" alt=\"\" width=\"700\" height=\"391\" class=\"alignnone size-full wp-image-163987\" \/><\/p>\n<p>\nHere&#8217;s the trailer. <i>Lovers Rock<\/i> is in my Top 10 for the year. It&#8217;s on Amazon.<\/p>\n<p><iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/zuP7TCyPwnI\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<p>\n","protected":false},"excerpt":{"rendered":"<p>Shaniqua Okwok and Amarah-Jae St. Aubyn in Steve McQueen&#8217;s &#8220;Lovers Rock&#8221; Steve McQueen&#8217;s Lovers Rock, part of his Small Axe anthology (5 films depicting the life of West Indians in London) is a dreamy swoon of a movie. I&#8217;m not &hellip; <a href=\"https:\/\/www.sheilaomalley.com\/?p=163988\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[4,17],"tags":[2208,2566],"_links":{"self":[{"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/posts\/163988"}],"collection":[{"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=163988"}],"version-history":[{"count":6,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/posts\/163988\/revisions"}],"predecessor-version":[{"id":163998,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/posts\/163988\/revisions\/163998"}],"wp:attachment":[{"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=163988"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=163988"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=163988"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}