{"id":168683,"date":"2021-05-26T06:58:44","date_gmt":"2021-05-26T10:58:44","guid":{"rendered":"http:\/\/www.sheilaomalley.com\/?p=168683"},"modified":"2021-05-26T06:58:44","modified_gmt":"2021-05-26T10:58:44","slug":"r-i-p-milton-moses-ginsberg","status":"publish","type":"post","link":"https:\/\/www.sheilaomalley.com\/?p=168683","title":{"rendered":"R.I.P. Milton Moses Ginsberg"},"content":{"rendered":"<p><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2021\/05\/IMG_4674.jpg\" alt=\"\" width=\"640\" height=\"364\" class=\"alignnone size-full wp-image-168684\" srcset=\"https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2021\/05\/IMG_4674.jpg 640w, https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2021\/05\/IMG_4674-200x114.jpg 200w, https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2021\/05\/IMG_4674-400x228.jpg 400w, https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2021\/05\/IMG_4674-100x57.jpg 100w\" sizes=\"(max-width: 640px) 100vw, 640px\" \/><\/p>\n<p>\nI was so sad to hear of the passing of director Milton Moses Ginsberg, who directed many things but one which I hold very dear: 1973\u2019s <i>Werewolf of Washington<\/i>, a political satire\/monster movie starring Dean Stockwell as a White House press secretary who &#8211; unfortunately for everyone involved &#8211; is also a werewolf. <\/p>\n<p>\n<img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2021\/05\/IMG_4678.jpg\" alt=\"\" width=\"480\" height=\"640\" class=\"alignnone size-full wp-image-168686\" srcset=\"https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2021\/05\/IMG_4678.jpg 480w, https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2021\/05\/IMG_4678-150x200.jpg 150w, https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2021\/05\/IMG_4678-300x400.jpg 300w, https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2021\/05\/IMG_4678-75x100.jpg 75w\" sizes=\"(max-width: 480px) 100vw, 480px\" \/><\/p>\n<p>\nBecause it&#8217;s Dean Stockwell, you know I know this movie backwards and forwards. (<a href=\"https:\/\/www.slantmagazine.com\/film\/5-for-the-day-dean-stockwell\/\" rel=\"noopener\" target=\"_blank\">I wrote a little bit about it<\/a> in the giant piece I wrote about Stockwell for House Next Door back in the day.) <\/p>\n<p><i>Werewolf of Washington<\/i> died on the vine. As they were filming, the Watergate scandal was unfolding. They would scramble to rewrite in order to keep up with the news cycle. &#8220;I am not a crook&#8221; happened. The Saturday Night Massacre happened. The movie is ABOUT the corruption in Washington, and they were basically co-creating the zeitgeist AS they were filming. But unfortunately, by the time it came out, nobody was in the mood for a werewolf movie with political commentary embedded in it. Everyone had LIVED Watergate. They weren&#8217;t at all in the mood for a satire on it. <\/p>\n<p>\n<img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2021\/05\/Werewolf_2-e1622026570460.jpg\" alt=\"\" width=\"700\" height=\"394\" class=\"alignnone size-full wp-image-168700\" \/><\/p>\n<p>\nThe film has since been restored. Just last year, the Metrograph theatre &#8211; which was screening the film &#8211; hosted a conversation between Simon Abrams and myself about <i>Werewolf of Washington<\/i> . About 5 years ago, on break at Ebertfest, somehow Simon and I had discovered our shared love of the film &#8211; so this filmed conversation was a culmination of fandom for us!<\/p>\n<p>Another special thing: Ginsberg read that first piece I wrote about Dean Stockwell, and reached out. We corresponded for a bit, and he told me some great backstage stories, including one about the &#8220;bowling alley scene&#8221;, which I had mentioned in that original piece. Then, after my conversation with Simon went up on the Metrograph site, Ginsberg sent me a lovely sincere email, thanking me for loving this film and for championing it so much over the years. I am so grateful for this correspondence. <\/p>\n<p>\n<img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2021\/05\/the-werewolf-of-washington.jpg\" alt=\"\" width=\"700\" height=\"500\" class=\"alignnone size-full wp-image-168701\" srcset=\"https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2021\/05\/the-werewolf-of-washington.jpg 700w, https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2021\/05\/the-werewolf-of-washington-200x143.jpg 200w, https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2021\/05\/the-werewolf-of-washington-400x286.jpg 400w, https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2021\/05\/the-werewolf-of-washington-100x71.jpg 100w\" sizes=\"(max-width: 700px) 100vw, 700px\" \/><\/p>\n<p>\n<i>Werewolf of Washington<\/i> was basically a lost\/forgotten film for many years. The failure of the film was a disappointment for all involved. <\/p>\n<p>I\u2019m so glad, then, that Ginsberg lived to see the day &#8211; decades later &#8211; when his unfairly-ignored film was revived and celebrated. <\/p>\n<p><a href=\"https:\/\/metrograph.com\/live-screenings\/the-werewolf-of-washington\/\" rel=\"noopener\" target=\"_blank\">You can watch the conversation Simon and I had here.<\/a> (There are other goodies on that page too: an essay by Ginsberg about the film and his career, and an interview with Ginsberg.) And see the film! It&#8217;s a great monster movie and an even better political satire. <\/p>\n<p>\n<img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2021\/05\/Screen-Shot-2020-09-24-at-8.21.17-AM-1024x576-1-e1622026714143.jpg\" alt=\"\" width=\"700\" height=\"394\" class=\"alignnone size-full wp-image-168702\" \/><\/p>\n<p>\n","protected":false},"excerpt":{"rendered":"<p>I was so sad to hear of the passing of director Milton Moses Ginsberg, who directed many things but one which I hold very dear: 1973\u2019s Werewolf of Washington, a political satire\/monster movie starring Dean Stockwell as a White House &hellip; <a href=\"https:\/\/www.sheilaomalley.com\/?p=168683\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[24,4,23],"tags":[66,1488],"_links":{"self":[{"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/posts\/168683"}],"collection":[{"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=168683"}],"version-history":[{"count":3,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/posts\/168683\/revisions"}],"predecessor-version":[{"id":168703,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/posts\/168683\/revisions\/168703"}],"wp:attachment":[{"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=168683"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=168683"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=168683"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}