{"id":169382,"date":"2021-07-08T06:42:30","date_gmt":"2021-07-08T10:42:30","guid":{"rendered":"http:\/\/www.sheilaomalley.com\/?p=169382"},"modified":"2022-10-07T19:41:55","modified_gmt":"2022-10-07T23:41:55","slug":"now-on-criterion-bringing-up-baby","status":"publish","type":"post","link":"https:\/\/www.sheilaomalley.com\/?p=169382","title":{"rendered":"Now on Criterion: <i>Bringing Up Baby<\/i>"},"content":{"rendered":"<p><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2021\/07\/ggrZXM2sodjtW7SorrnSy7J6gZ6rrC_large-e1625740289536.jpg\" alt=\"\" width=\"500\" height=\"621\" class=\"alignnone size-full wp-image-169383\" \/><\/p>\n<p>\nThe Criterion Collection just released <a href=\"https:\/\/www.criterion.com\/films\/29010-bringing-up-baby\" rel=\"noopener\" target=\"_blank\">Howard Hawks&#8217; 1938 screwball classic <i>Bringing Up Baby<\/i><\/a>, in a new 4k restoration. The special features are EXTENSIVE, including a video-essay on Cary Grant by Scott Eyman (author of the new biography of Grant), as well as multiple interviews about various aspects of the film (special effects, cinematography, costume design &#8211; and more. <\/p>\n<p>I was honored to be asked to write the booklet essay included with the release. This is my fifth booklet essay for them, after <i><a href=\"https:\/\/www.criterion.com\/current\/posts\/3878-the-long-shadow-of-gilda\" rel=\"noopener\" target=\"_blank\">Gilda<\/a><\/i>, <i><a href=\"https:\/\/www.criterion.com\/current\/posts\/4392-something-wild-last-chances\" rel=\"noopener\" target=\"_blank\">Something Wild<\/a><\/i>, <i><a href=\"https:\/\/www.criterion.com\/current\/posts\/6941-the-great-escape-not-caught\" rel=\"noopener\" target=\"_blank\">The Great Escape<\/a><\/i>, and <i><a href=\"https:\/\/www.criterion.com\/current\/posts\/6950-dance-girl-dance-gotta-dance\" rel=\"noopener\" target=\"_blank\">Dance, Girl, Dance<\/a><\/i>. My relationship with Criterion started when they asked me to write and narrate a video-essay to be included in their release of <a href=\"https:\/\/www.criterion.com\/films\/28032-love-streams\" rel=\"noopener\" target=\"_blank\">John Cassavetes&#8217; <i>Love Streams<\/i><\/a>. I&#8217;m very pleased with this archive, and think it&#8217;s great how diverse these movies are!<\/p>\n<p>Each assignment was fun in its own way. I loved doing <i>Something Wilde<\/i> since it was basically a forgotten film finally finding its way into the light. Same with <i>Dance, Girl, Dance<\/i>. <i>The Great Escape<\/i> was fun &#8211; and I felt a HUGE responsibility since that film is so revered in such a unique way. And everybody loves <i>Bringing Up Baby<\/i>. If you don&#8217;t, you&#8217;re a lost cause. Sorry. So this one was really fun. <\/p>\n<p>The essay (with its very amusing title, if I do say so myself) is included in the DVD\/Blu packet, but it&#8217;s also online. So if you want to check it out, here it is. <\/p>\n<p><big><a href=\"https:\/\/www.criterion.com\/current\/posts\/7454-bringing-up-baby-bones-balls-and-butterflies\" rel=\"noopener\" target=\"_blank\"><i>Bringing Up Baby<\/i>: Bones, Balls and Butterflies<\/a><\/big><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Criterion Collection just released Howard Hawks&#8217; 1938 screwball classic Bringing Up Baby, in a new 4k restoration. The special features are EXTENSIVE, including a video-essay on Cary Grant by Scott Eyman (author of the new biography of Grant), as &hellip; <a href=\"https:\/\/www.sheilaomalley.com\/?p=169382\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[4],"tags":[362,120,119,117,2668,2543],"_links":{"self":[{"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/posts\/169382"}],"collection":[{"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=169382"}],"version-history":[{"count":2,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/posts\/169382\/revisions"}],"predecessor-version":[{"id":169386,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/posts\/169382\/revisions\/169386"}],"wp:attachment":[{"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=169382"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=169382"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=169382"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}