{"id":170116,"date":"2025-08-13T08:00:25","date_gmt":"2025-08-13T12:00:25","guid":{"rendered":"http:\/\/www.sheilaomalley.com\/?p=170116"},"modified":"2025-08-13T09:32:25","modified_gmt":"2025-08-13T13:32:25","slug":"yeah-and-im-buddies-with-alfred-eminem","status":"publish","type":"post","link":"https:\/\/www.sheilaomalley.com\/?p=170116","title":{"rendered":"&#8220;Yeah, and I&#8217;m buddies with Alfred.&#8221; &#8212; Eminem on Alfred Hitchcock"},"content":{"rendered":"<p><big>For Alfred Hitchcock&#8217;s birthday.<\/big><\/p>\n<p>\n<img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2022\/08\/69bf2191326035.5e2f324aa0564-e1660146798189.jpg\" alt=\"\" width=\"500\" height=\"805\" class=\"alignnone size-full wp-image-176609\" \/><\/p>\n<p>\n<big>&#8220;It got silent, then all these voices said<br \/>\n&#8216;Come follow me into the gates of Hell.&#8217;<br \/>\nI heard &#8217;em yell &#8216;Welcome to the Norman Bates Motel!&#8217;<br \/>\nI ring the bell for service and I was greeted by his mother,<br \/>\nCovered in dry blood, head still dented from the shovel.<br \/>\nI said I need a room so I could try to get some rest.<br \/>\nShe gave me the keys to the best suite and a bag of cess<br \/>\nAnd told me that&#8217;s just for starters, Satan&#8217;ll be in to see me later<br \/>\nTo see if I&#8217;m interested in being partners.&#8221;<br \/>\n&#8212; Eminem, &#8220;Demon Inside&#8221; (1998)<\/big><\/p>\n<p>That ^^ is from one of the first songs Eminem recorded with Dr. Dre. It didn&#8217;t end up making it onto Eminem&#8217;s first (official) album, <i>The Slim Shady LP<\/i>, and it remains unfinished and unreleased but it is the perfect way to start this post for Alfred Hitchcock&#8217;s birthday, a post about Eminem&#8217;s lifelong obsession with Hitchcock (he calls him &#8220;Uncle Alfred&#8221;) and Norman Bates, in particular. <\/p>\n<p>If you listen even casually to Eminem you&#8217;ll hear references to Hitchcock everywhere. Even though &#8220;Demon Inside&#8221; didn&#8217;t make it onto the first album, &#8220;Role Model&#8221; did. <\/p>\n<blockquote><p>&#8220;I&#8217;m &#8217;bout as normal as Norman Bates with deformative traits.<br \/>\nA premature birth that was four minutes late.<br \/>\n&#8216;Mother, are you there? I love you!<br \/>\nI never meant to hit you over the head with that shovel!'&#8221;<br \/>\n&#8212; Eminem, &#8220;Role Model&#8221;<\/p><\/blockquote>\n<p>An isolated weirdo with violent thoughts and Mama issues? A demonic Mama&#8217;s boy? Not a stretch to figure out the connections. Norman is the perfect metaphor for him. <\/p>\n<p>Or how about this. <\/p>\n<blockquote><p>&#8220;Don&#8217;t come close, don&#8217;t run, yo (run),<br \/>\nyou can&#8217;t hide<br \/>\nWe&#8217;re in the shadows of the room you got sentenced to<br \/>\nSo leave the motel or no sperm cells, go into the doorway and get fucked.<br \/>\nAnyway, it&#8217;s Norman Bates.&#8221;<br \/>\n&#8212; Eminem and 50 Cent, &#8220;Norman Bates Motel&#8221; (2009)<\/p><\/blockquote>\n<p>In 2020, Eminem took the Hitchcock thing next level, using it as the organizing principle <a href=\"https:\/\/www.sheilaomalley.com\/?p=164182\" rel=\"noopener\" target=\"_blank\">for not one, but two albums<\/a>, <i>Music to Be Murdered By<\/i> (dropped in January 2020, just before Covid demolition-derbied into our lives) and <i>Music to Be Murdered By, Side B<\/i> (dropped in December 2020). These two massive albums &#8211; one of which was recorded entirely during 2020 lockdown &#8211; were inspired by Alfred Hitchcock&#8217;s 1958 spoken-word album <i>Music to be Murdered By<\/i>, which Dr. Dre somehow discovered and passed on to Eminem, knowing MM&#8217;s whole Hitchcock thing. At this point, Eminem drops the albums himself &#8211; with no advance press and\/or warning. He barely does interviews. But suddenly: here they both were. He is a recluse and a workaholic: the pandemic didn&#8217;t halt his work ethic, an engrained habit, but I can&#8217;t help but feel he also knew how much everyone out there (his fans anyway) needed it. Needed something from him, if nothing else as a distraction. Entertainers can provide welcome distraction, it can be one of their most important roles, particularly in times of stress\/trouble. 2020 was so bad, and he gave us two albums that year. <\/p>\n<p>The cover art on the album was an imitation of the cover art of the original. <\/p>\n<p>\n<img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2022\/08\/131616882_10158082995332632_4344587336506854099_o-e1608644814247.jpg\" alt=\"\" width=\"700\" height=\"391\" class=\"alignnone size-full wp-image-176588\" srcset=\"https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2022\/08\/131616882_10158082995332632_4344587336506854099_o-e1608644814247.jpg 700w, https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2022\/08\/131616882_10158082995332632_4344587336506854099_o-e1608644814247-200x112.jpg 200w, https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2022\/08\/131616882_10158082995332632_4344587336506854099_o-e1608644814247-400x223.jpg 400w, https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2022\/08\/131616882_10158082995332632_4344587336506854099_o-e1608644814247-100x56.jpg 100w\" sizes=\"(max-width: 700px) 100vw, 700px\" \/><\/p>\n<p>\nI can&#8217;t even express how happy this all made me. <\/p>\n<p>Because Eminem is like Howard Hughes at this point, rarely seen, he basically dropped the first album via Twitter, saying: &#8220;Uncle Alfred and I have cooked something up.&#8221; <\/p>\n<p>The album starts with a clip from Hitchcock&#8217;s original album, Uncle Alfred crooning in his &#8220;let&#8217;s all get deliciously scared&#8221; voice:<\/p>\n<blockquote><p>&#8220;How do you do? Ladies and gentlemen. My name is Alfred Hitchcock and this is <i>Music\u2005To\u2005Be Murdered By<\/i>. It\u2005is mood music in a jugular\u2005vein. So why don&#8217;t you relax? Lean back and enjoy yourself &#8230;.<br \/>\nUntil the coroner comes.&#8221;<\/p><\/blockquote>\n<p>This is then followed by a horrifying clip of a woman screaming, accompanied by what sounds like a shovel hauling up dirt. Ominous. The first song on the album, &#8220;Premonition&#8221;, is a bragadocious &#8220;I&#8217;m the best and fuck the haters&#8221; song ending in a perfect cadence: <\/p>\n<blockquote><p>&#8220;Only way that you&#8217;re ahead of me&#8217;s alphabetically<br \/>\n&#8216;Cause if you diss me I&#8217;m coming after you like the letter V.<br \/>\nKilling everything, play this tune, it&#8217;s your eulogy,<br \/>\nIt&#8217;s your funeral, prepare to die.<br \/>\nThis is music for you to be murdered by.&#8221;<\/p><\/blockquote>\n<p>\n<iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/hlFOLS7vKaQ\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<p>Skipping ahead: A couple months after the first album dropped, the world shut down. Eminem performed a show in Dubai (in February, I think). He performed &#8220;Lose Yourself&#8221; at the Oscars and Salma Hayek spilled water on him backstage. After that, we went into lockdown, and Eminem was literally not seen &#8211; not once &#8211; for the whole entire year, until he showed up randomly in an <i>SNL<\/i> sketch in December 2020. Almost an entire year passed without one glimpse of him. (He did guest &#8220;spots&#8221; on a couple of people&#8217;s albums, contributing a verse to a song with Moon Man, with Jessie Reyez), but he was never SEEN. I thought, &#8220;Can someone do a welfare check on Marshall? Just for Proof of Life?&#8221; In a year when celebrities became so accessible to us we knew what the interiors of their houses look like, Eminem vanished even more completely. There was news though: In April, 2020, <a href=\"https:\/\/www.sheilaomalley.com\/?p=157369\" rel=\"noopener\" target=\"_blank\">a man broke into Eminem&#8217;s house in the middle of the night<\/a>. Eminem woke up and a person was standing over his bed. Eminem said, &#8220;Who are you?&#8221; The person said, &#8220;I am here to kill you.&#8221; !!! Eminem somehow defused the situation, and talked to the guy, keeping him calm. We still don&#8217;t really know how he did this or what was said, since Eminem has not once addressed it. Eminem led the guy out of the house, where the security detail &#8211; who had clearly been napping on the job &#8211; tackled the stalker. The guy was arrested. We only heard about all this when the news broke a month later. Eminem, to this day, has never spoken about it. Meanwhile, he was quietly sending food to the healthcare workers at Michigan hospitals, those who couldn&#8217;t (and wouldn&#8217;t) take breaks from the disaster unfolding. The only reason we know about THIS is because Detroit-area nurses and doctors were posting pictures to Instagram of the food and the notes from &#8220;Marshall Mathers&#8221;. He was also working on voting initiatives in Detroit, using his clout (quietly: again, none of this was publicized) to convince stadiums to open their doors to voting, so people could come &#8211; en masse &#8211; to cast their vote while ALSO social distancing. <\/p>\n<p>There was rampant speculation this whole time that he was working on a second album, a part 2 of <i>Music to Be Murdered By<\/i>. In the fall, a couple of photos leaked, one of him in a hat with a bird on his shoulder that appeared to be from the same photo shoot for the cover of <i>Music to Be Murdered By<\/i>. <\/p>\n<p>\n<img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2022\/08\/131895846_10158082969072632_2161610508941361149_o-e1608648224797.jpg\" alt=\"\" width=\"700\" height=\"394\" class=\"alignnone size-full wp-image-176625\" srcset=\"https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2022\/08\/131895846_10158082969072632_2161610508941361149_o-e1608648224797.jpg 700w, https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2022\/08\/131895846_10158082969072632_2161610508941361149_o-e1608648224797-200x113.jpg 200w, https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2022\/08\/131895846_10158082969072632_2161610508941361149_o-e1608648224797-400x225.jpg 400w, https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2022\/08\/131895846_10158082969072632_2161610508941361149_o-e1608648224797-100x56.jpg 100w\" sizes=\"(max-width: 700px) 100vw, 700px\" \/><\/p>\n<p>\nAlso: black bird? Plus Hitchcock? People felt like something might be coming. There was then the aforementioned surprise <em>SNL<\/em> &#8220;appearance&#8221; in mid-December. <\/p>\n<p>Right on schedule, if you had been sifting through all these tea leaves, <em>Music to be Murdered By, Side B<\/em> arrived a couple days after the <em>SNL<\/em> appearance. The fortune tellers had been right. <\/p>\n<p>So let&#8217;s discuss. <\/p>\n<p>The lead track of the Side B album is an extravaganza called &#8220;Alfred&#8217;s Theme&#8221;. It&#8217;s over 5 minutes long. It is &#8230; not a song you&#8217;d bump to in the club. Casual listeners would be like &#8220;wtf is this?&#8221; It&#8217;s not melodic, there&#8217;s no real beat, and &#8230; it isn&#8217;t really &#8220;about&#8221; anything, except for re-capping the strangeness of life in quarantine (including singing &#8220;Happy Birthday to you&#8221; as he washes his hands), as well as bragging and word play, just for the fun of it, all set to Charles Gounod&#8217;s &#8220;Funeral March of a Marionette&#8221; (the theme song of <em>Alfred Hitchcock Presents<\/em>). Eminem plus Gounod is a VERY strange mix on the one hand, but makes perfect sense on the other: Gounod&#8217;s song has a circus&#8211;y jangle to it, similar to Eminem&#8217;s use of dark-spooky-circus background tracks, which gives his work a mischievous sound, a sort of &#8220;I am tiptoeing up behind you with my Silver Hammer and about to yell BOO and bop you on the head&#8221; kind of sound. (See: &#8220;My Dad&#8217;s Gone Crazy&#8221;). &#8220;Alfred&#8217;s Theme&#8221; sounds like hip-hop as filtered through an organ-grinder in 1884. Hip-hop as played in a vaudeville theatre in 1911. <\/p>\n<p>Early on he chants: <\/p>\n<blockquote><p>Yeah, and I&#8217;m buddies with Alfred, we about to<br \/>\nDisembowel them, gut &#8217;em and scalp &#8217;em, yeah.<br \/>\nThis is &#8217;bout to be the bloodiest outcome<br \/>\n&#8216;Cause we gon&#8217; make you bleed with every cut from this album.<\/p><\/blockquote>\n<p>The whole conceit &#8211; the whole &#8220;double&#8221;, as hip-hop heads call it &#8211; is that &#8220;murdered&#8221; means violent death and is also colloquial for a successful performance. &#8220;You MURDERED the crowd tonight.&#8221; There&#8217;s Nas&#8217; famous dis to Jay-Z: &#8220;Em murdered you on your own shit&#8221; (in regards to the Jay-Z Eminem collaboration &#8220;Renegade&#8221;, technically Jay-Z&#8217;s song with Eminem providing a guest verse. People are still arguing to this day who &#8220;murdered&#8221; who on that track. In this context, Nas, a legend, saying &#8220;Em murdered you on your own shit&#8221; is brutal.) <\/p>\n<p>Word on the Eminem-street is that &#8220;Alfred&#8217;s Theme&#8221; was supposed to be on the first album, but there were extremely complicated rights issues to maneuver, and this held up the process. This is a strange thing when you consider &#8220;Funeral March for a Marionette&#8221; was written in 1872. Who the hell is going to put up a fuss if Eminem samples it? Regardless: it was all sorted out, so Eminem led off with &#8220;Alfred&#8217;s Theme&#8221;. <\/p>\n<p>A couple months after the second album dropped, a video was released for &#8220;Alfred&#8217;s Theme&#8221;. There is so much to discuss. It&#8217;s a &#8220;lyric video&#8221;, as they say, where the words appear alongside the images. The visuals are the thing here: the video is Saul Bass-inspired animation, a perfect choice considering all of the memorable Saul Bass opening credits Hitchcock used in his films. Even more fun, the video is crammed with references to Hitchcock&#8217;s movies as well as deep cuts from Hitchcock&#8217;s TV show. <\/p>\n<p>\n<iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/RkZQzzNkcXo\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<p>Here are the references I clocked:<\/p>\n<p><em>Psycho<\/em><br \/>\n<em>Rear Window<\/em><br \/>\n<em>The Birds<\/em><br \/>\n<em>Notorious<\/em> (the binoculars with mirror-like glass)<br \/>\n<em>The 39 Steps<\/em><br \/>\n<em>Vertigo<\/em><br \/>\n<em>The Sorcerer&#8217;s Apprentice<\/em><br \/>\nI may be reading too much into it, but I think there&#8217;s a ref to an episode from his TV show: &#8220;Glass Eye&#8221;<br \/>\n<em>Young and Innocent<\/em> (a super deep cut)<br \/>\nPlus there are dancing skeletons. <\/p>\n<p>I&#8217;m probably missing some! Let me know if you clock any others.<\/p>\n<p>This Eminem\/Hitchcock thing was so much fun, in a year (2020) where fun was hard to come by. And I found it disheartening on another level: This rich detailed nerdy 30-track double album &#8211; inspired by Alfred Hitchcock &#8211; came out and&#8230; crickets from film critics. <\/p>\n<p>I wrote about it on my site and Tweeted about it. I was the only one. I pitched a piece about all these connections to <em>Film Comment<\/em>, for my column (RIP), and they were intrigued, but then <em>Film Comment<\/em> shut its doors in the late spring of 2020. <em>Rolling Stone<\/em> published a snooty review of one of the albums &#8211; or maybe it was just an essay, I don&#8217;t know &#8211; but it sounded like it was written by one of the &#8220;pick a little talk a little&#8221; ladies in <em>The Music Man<\/em>, horrified that the librarian &#8220;advocates dirty books&#8221;. It&#8217;s so strange to hear a pass-the-smelling-salts tone in <em>Rolling Stone<\/em> for God&#8217;s sake, written by someone who isn&#8217;t 75 years old. From one of the comments made in the review, the critic clearly did not know of the existence of <i>Kamikaze<\/i>, Eminem&#8217;s 2018 album, released right on the heels of his &#8211; unfairly scorned &#8211; album <i>Revival<\/i>. Inexcusable. After being bombarded with reader complaints, a correction was appended to the review. How can you write on Eminem if you don&#8217;t even know his discography? The reviewer led with a disapproving tone, fact-checking one of the lines from &#8220;Gnat&#8221;, where Eminem joked about all of the adjustments everyone has had to make during lockdown. The reviewer corrected Eminem&#8217;s joke about getting Covid from a bat-bite, and accused Eminem of spreading harmful conspiracy theories. Since the reviewer was clearly not familiar with Eminem&#8217;s work, I suppose he missed Eminem&#8217;s guest spot earlier that year on Moon Man&#8217;s song &#8220;The Adventures of Moon Man and Slim Shady&#8221; which started with:<\/p>\n<blockquote><p>Fuck&#8217;s going on, man?<br \/>\nBunch of half-wits up in office.<br \/>\nHalf of us walking around like a zombie apocalypse.<br \/>\nOther half are just pissed off and<br \/>\nDon&#8217;t wanna wear a mask<br \/>\nand they&#8217;re just scoffing.<br \/>\nAnd that&#8217;s how you end up catching the shit off &#8217;em<br \/>\nI just used the same basket as you shopping.<br \/>\nNow I&#8217;m in a fuckin&#8217; casket from you coughin&#8217;.<\/p><\/blockquote>\n<p>It was so irritating to read a review where the critic spent half the time pompously correcting Eminem&#8217;s &#8220;incorrect&#8221; information about Covid (complete with links to CDC pages), when CLEARLY what Eminem was doing &#8211; Eminem, the only artist I am aware of who received a visit from the FBI, wanting to ascertain whether or not Eminem&#8217;s public rage at Trump posed a serious threat &#8211; was lampooning Trump&#8217;s campaign of misinformation. The reviewer also mentioned the &#8220;disturbing&#8221; image in the &#8220;Gnat&#8221; video of Eminem coughing into the camera. My God, guy, haven&#8217;t you heard of irony and satire? Or, at the very least, lightening the mood in a universally serious and scary time? Why is a critic for <i>Rolling Stone<\/i> scolding an artist for being &#8220;disturbing&#8221;? Are you familiar with rock &#8216;n&#8217; roll at ALL? You think the Sex Pistols or Jerry Lee Lewis or Little Richard WEREN&#8217;T &#8220;disturbing&#8221;? Disturbing the complacent status quo is how rock &#8216;n&#8217; roll was born. <\/p>\n<p>Considering this young critic&#8217;s attitude, maybe writing for <em>Good Housekeeping<\/em> would be a more appropriate gig.<\/p>\n<p>At this point, Eminem doesn&#8217;t need accolades or critical approval. Both albums were on the top-selling albums lists of 2020 (and the usual suspects huffed and puffed in indignation because no one THEY knew listened to Eminem. &#8220;Nobody listens to Eminem&#8221; someone said with a straight &#8220;face&#8221; on Twitter.) <\/p>\n<p>So this is my post about Eminem&#8217;s use of Alfred Hitchcock as an inspiration. <\/p>\n<p>You&#8217;d have to tiptoe into Eminem&#8217;s body of work in order to perceive the overlap between the two. Here, off the top of the dome, are the connections, explicit, implicit:<\/p>\n<p>&#8212; Hitchcock&#8217;s glee at making people squirm in their seats, his joy at causing fear in others<br \/>\n&#8212; the catharsis Hitchcock felt from expressing his own inner nightmarescape, sharing what terrified him in the hopes others will share the terror<br \/>\n&#8212; Hitchcock&#8217;s innovations in what was already a well-established genre<br \/>\n&#8212; Hitchcock&#8217;s creation of characters who have entered the cultural lexicon as a kind of shorthand (can you say &#8220;Stan&#8221;? &#8220;Stan&#8221; is cousin to &#8220;Norman&#8221;)<br \/>\n&#8212; Hitchcock&#8217;s films are frightening, but they are also unapologetically popular entertainments. Hitchcock wasn&#8217;t going for a niche audience. He was going for everyone.<br \/>\n&#8212; Hitchcock suffered from anxiety, dating back to his childhood. He remembered every trauma.<br \/>\n&#8212; Hitchcock was 1. an exhibitionist and 2. socially awkward. An anxiety-provoking combo.<br \/>\n&#8212; Hitchcock was a one-woman man. Maybe not a HAPPY one-woman man, but a one-woman man nonetheless.<br \/>\n&#8212; Hitchcock was a devoted father, and he often included his daughter in his work.<br \/>\n&#8212; Hitchcock was one of the most successful artists of his day, racking up an awe-inspiring number of awards.<br \/>\n&#8212; Hitchcock was celebrated in his own time and ours. He directed hits. But in the critical world, this is often a strike against you. You&#8217;re a &#8220;hack&#8221; if you&#8217;re too popular. (The French took Hitchcock very seriously indeed.) Critical consensus often celebrates not the serious, but the SELF-serious &#8211; and wanting to be <em>entertaining<\/em> is seen as low-brow. <\/p>\n<p>Lots of overlap. <\/p>\n<p>\n<img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2022\/08\/69a74ec6f3a240cf9c7520d080586c07-e1660393829793.jpg\" alt=\"\" width=\"550\" height=\"825\" class=\"alignnone size-full wp-image-176658\" \/><\/p>\n<p>\n<big>&#8220;You&#8217;re all hitched to my cock.&#8221;<br \/>\n&#8212; Eminem, &#8220;Alfred&#8217;s Theme&#8221;<\/big><\/p>\n","protected":false},"excerpt":{"rendered":"<p>For Alfred Hitchcock&#8217;s birthday. &#8220;It got silent, then all these voices said &#8216;Come follow me into the gates of Hell.&#8217; I heard &#8217;em yell &#8216;Welcome to the Norman Bates Motel!&#8217; I ring the bell for service and I was greeted &hellip; <a href=\"https:\/\/www.sheilaomalley.com\/?p=170116\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[24,4,17,39],"tags":[319,1555,2208,469],"_links":{"self":[{"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/posts\/170116"}],"collection":[{"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=170116"}],"version-history":[{"count":85,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/posts\/170116\/revisions"}],"predecessor-version":[{"id":200711,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/posts\/170116\/revisions\/200711"}],"wp:attachment":[{"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=170116"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=170116"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=170116"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}