{"id":170912,"date":"2021-09-17T09:21:52","date_gmt":"2021-09-17T13:21:52","guid":{"rendered":"http:\/\/www.sheilaomalley.com\/?p=170912"},"modified":"2022-09-30T10:25:17","modified_gmt":"2022-09-30T14:25:17","slug":"review-blue-bayou-2021","status":"publish","type":"post","link":"https:\/\/www.sheilaomalley.com\/?p=170912","title":{"rendered":"Review: <i>Blue Bayou<\/i> (2021)"},"content":{"rendered":"<p><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2021\/09\/MV5BZjkyNjY1ZDAtMDBmNC00NzU1LTk1MzMtZTc5OWY3ODMwZWIzXkEyXkFqcGdeQXVyMTkxNjUyNQ@@._V1_FMjpg_UX1000_-e1631884712853.jpg\" alt=\"\" width=\"500\" height=\"692\" class=\"alignnone size-full wp-image-170960\" \/><\/p>\n<p>\nI reviewed <a href=\"https:\/\/www.rogerebert.com\/reviews\/blue-bayou-movie-review-2021\" rel=\"noopener\" target=\"_blank\">Justin Chon&#8217;s latest, <i>Blue Bayou<\/i><\/a> for Ebert. It has some major issues, but the story he&#8217;s telling here is urgent and devastating &#8211; and that still comes across. (<a href=\"https:\/\/www.rogerebert.com\/reviews\/ms-purple-movie-review-2019\" rel=\"noopener\" target=\"_blank\">I reviewed Chon&#8217;s 2019 film <i>Ms. Purple<\/i><\/a>, which had similar problems &#8211; an over-reliance on super-obvious symbolism, short-story-ish, amateur literary-ish. The rest of it is so good and such an interesting look at a sub-culture the moviegoing public &#8211; and America &#8211; doesn&#8217;t normally see. So &#8230; he has a lot going for him. His perspective is unique. I think he needs to retire his love of symbolism. He gets in his own way. Just my two cents. Still: well worth seeing.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I reviewed Justin Chon&#8217;s latest, Blue Bayou for Ebert. It has some major issues, but the story he&#8217;s telling here is urgent and devastating &#8211; and that still comes across. (I reviewed Chon&#8217;s 2019 film Ms. Purple, which had similar &hellip; <a href=\"https:\/\/www.sheilaomalley.com\/?p=170912\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[4],"tags":[2546,2668,2509],"_links":{"self":[{"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/posts\/170912"}],"collection":[{"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=170912"}],"version-history":[{"count":3,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/posts\/170912\/revisions"}],"predecessor-version":[{"id":170964,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/posts\/170912\/revisions\/170964"}],"wp:attachment":[{"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=170912"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=170912"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=170912"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}