![\"\"](\"https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2021\/11\/MV5BODViZmM3MGQtNDdhYS00MzNkLTk4M2EtNTU2M2MxY2VlNzQ1XkEyXkFqcGdeQXVyMjc1NjE1MzM@._V1_.jpg\")
<\/p>\n<\/p>\n
\nWhat a pleasure to review Mia Hansen-L\u00f8ve’s directorial debut, All Is Forgiven<\/i>, released in France in 2007, winning some awards at Cannes, etc., but never released in the United States and long un-see-able. That’s now changed. She’s one of my favorite film-makers, with an impressive list of credits over the last decade: Father of My Children<\/i>, Eden<\/i> (which I reviewed<\/a>), Goodbye First Love<\/i> (haven’t reviewed, but love it), Things to Come<\/i> (which I reviewed<\/a>), Maya<\/i>, and this year’s Bergman’s Island<\/i>. She’s the cat’s pajamas, to quote Keeley and Roy Kent. Here’s my little birthday post about Mia Hansen-L\u00f8ve<\/a>. <\/p>\n And here’s my review of All Is Forgiven<\/i><\/a>, where I was able to loop in John Keats’ concept of Negative Capability, which represents a good day’s work as far as I’m concerned. <\/p>\n","protected":false},"excerpt":{"rendered":" What a pleasure to review Mia Hansen-L\u00f8ve’s directorial debut, All Is Forgiven, released in France in 2007, winning some awards at Cannes, etc., but never released in the United States and long un-see-able. That’s now changed. She’s one of my … Continue reading