{"id":192242,"date":"2024-06-07T09:49:22","date_gmt":"2024-06-07T13:49:22","guid":{"rendered":"https:\/\/www.sheilaomalley.com\/?p=192242"},"modified":"2024-06-07T12:32:32","modified_gmt":"2024-06-07T16:32:32","slug":"me-on-tennessee-and-elvis-in-arty-magazine","status":"publish","type":"post","link":"https:\/\/www.sheilaomalley.com\/?p=192242","title":{"rendered":"Tennessee and Elvis in Arty Magazine"},"content":{"rendered":"

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\nLast names not necessary in both cases.<\/p>\n

I am psyched to have a piece in the Spring\/Summer issue<\/a> of the long-running Arty zine<\/a>, run by Cathy Lomax. This issue is devoted to all things Tennessee Williams. I wrote about Elvis. Because naturally. There is a connection, which I wrote about here about a decade ago, but in lieu of Baz Luhrmann actually referencing this deep-DEEP-cut connection in the film, I thought it would be fun to re-visit. UK people can purchase online, and there’s a way to contact them for issues (or a subscription, which is worth it) on that main page there. You can also read Cathy’s intro – Seductive, Thrilling & Morally Deplorable… Why We Love Tennessee Williams – at the first link above. When I pitched my idea to them, I had no idea Cathy’s love of Elvis. So it was a good fit!
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\nThank you so much for stopping by. If you like what I do, and if you feel inclined to support my work, here’s a link to my Venmo account<\/a>. And I’ve launched a Substack, Sheila Variations 2.0<\/a>, if you’d like to subscribe.<\/em> <\/small><\/p>\n