{"id":192853,"date":"2024-07-12T13:36:25","date_gmt":"2024-07-12T17:36:25","guid":{"rendered":"https:\/\/www.sheilaomalley.com\/?p=192853"},"modified":"2024-07-12T13:36:25","modified_gmt":"2024-07-12T17:36:25","slug":"review-national-anthem-2024","status":"publish","type":"post","link":"https:\/\/www.sheilaomalley.com\/?p=192853","title":{"rendered":"Review: <i>National Anthem<\/i> (2024)"},"content":{"rendered":"<p><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2024\/07\/MV5BNmMzOWVmNjktNDY2Ny00NzMwLThhN2UtN2JmODFhMTYxNzZiXkEyXkFqcGdeQXVyMTcxNTMwODI1._V1_FMjpg_UX1000_-e1720805669272.jpg\" alt=\"\" width=\"400\" height=\"608\" class=\"alignnone size-full wp-image-192854\" srcset=\"https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2024\/07\/MV5BNmMzOWVmNjktNDY2Ny00NzMwLThhN2UtN2JmODFhMTYxNzZiXkEyXkFqcGdeQXVyMTcxNTMwODI1._V1_FMjpg_UX1000_-e1720805669272.jpg 400w, https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2024\/07\/MV5BNmMzOWVmNjktNDY2Ny00NzMwLThhN2UtN2JmODFhMTYxNzZiXkEyXkFqcGdeQXVyMTcxNTMwODI1._V1_FMjpg_UX1000_-e1720805669272-132x200.jpg 132w, https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2024\/07\/MV5BNmMzOWVmNjktNDY2Ny00NzMwLThhN2UtN2JmODFhMTYxNzZiXkEyXkFqcGdeQXVyMTcxNTMwODI1._V1_FMjpg_UX1000_-e1720805669272-263x400.jpg 263w, https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2024\/07\/MV5BNmMzOWVmNjktNDY2Ny00NzMwLThhN2UtN2JmODFhMTYxNzZiXkEyXkFqcGdeQXVyMTcxNTMwODI1._V1_FMjpg_UX1000_-e1720805669272-66x100.jpg 66w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><\/p>\n<p>\nI really liked Luke Gilford&#8217;s feature film directorial debut, <i>National Anthem<\/i>, about queer rodeo riders, a sub-culture he already documented in his photography book of the same name. It&#8217;s beautiful. <a href=\"https:\/\/www.rogerebert.com\/reviews\/national-anthem-film-review-2024\" rel=\"noopener\" target=\"_blank\">I reviewed for Ebert<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I really liked Luke Gilford&#8217;s feature film directorial debut, National Anthem, about queer rodeo riders, a sub-culture he already documented in his photography book of the same name. It&#8217;s beautiful. I reviewed for Ebert.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[4],"tags":[2555,2668],"_links":{"self":[{"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/posts\/192853"}],"collection":[{"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=192853"}],"version-history":[{"count":1,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/posts\/192853\/revisions"}],"predecessor-version":[{"id":192855,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/posts\/192853\/revisions\/192855"}],"wp:attachment":[{"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=192853"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=192853"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=192853"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}