{"id":195932,"date":"2024-12-16T16:32:32","date_gmt":"2024-12-16T21:32:32","guid":{"rendered":"https:\/\/www.sheilaomalley.com\/?p=195932"},"modified":"2025-01-12T11:40:31","modified_gmt":"2025-01-12T16:40:31","slug":"for-liberties-what-was-good-about-2024-in-film","status":"publish","type":"post","link":"https:\/\/www.sheilaomalley.com\/?p=195932","title":{"rendered":"For Liberties: What Was Good About 2024? (in film)"},"content":{"rendered":"

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\nOver at Liberties: my top 20 films of 2024<\/a>. <\/p>\n

Tis the season for end-of-year lists. I tend to switch them up, depending on the outlet, because I don’t get attached to my lists. But those are the stand-outs. <\/p>\n

(Thanks to Liberties: this has been a great year because I’d been feeling a bit stagnant in my career. Hence, the newsletter. More long-form pieces. And then, from out of the sky, I am offered a column at Liberties magazine, alongside contributors like Fouad Ajami, Mary Gaitskill, etc. Idols. I feel lucky to have it and lucky I am given leeway to basically write what I want.)<\/p>\n

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\nThank you so much for stopping by. If you like what I do, and if you feel inclined to support my work, here’s a link to my Venmo account<\/a>. And I’ve launched a Substack, Sheila Variations 2.0<\/a>, if you’d like to subscribe.<\/em> <\/small><\/p>\n