{"id":205267,"date":"2026-05-30T07:23:14","date_gmt":"2026-05-30T11:23:14","guid":{"rendered":"https:\/\/www.sheilaomalley.com\/?p=205267"},"modified":"2026-05-30T07:23:14","modified_gmt":"2026-05-30T11:23:14","slug":"reviews-currents-2026","status":"publish","type":"post","link":"https:\/\/www.sheilaomalley.com\/?p=205267","title":{"rendered":"Reviews: <i>Currents<\/i> (2026)"},"content":{"rendered":"<p><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2026\/05\/MV5BOTczYWEyM2UtMWI4OC00ZDk4LTgzMzAtNjNjYWU2YTQ0NTViXkEyXkFqcGc@._V1_-768x1082-jpg-e1780139510399.webp\" alt=\"\" width=\"400\" height=\"564\" class=\"alignnone size-full wp-image-205268\" srcset=\"https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2026\/05\/MV5BOTczYWEyM2UtMWI4OC00ZDk4LTgzMzAtNjNjYWU2YTQ0NTViXkEyXkFqcGc@._V1_-768x1082-jpg-e1780139510399.webp 400w, https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2026\/05\/MV5BOTczYWEyM2UtMWI4OC00ZDk4LTgzMzAtNjNjYWU2YTQ0NTViXkEyXkFqcGc@._V1_-768x1082-jpg-e1780139510399-142x200.webp 142w, https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2026\/05\/MV5BOTczYWEyM2UtMWI4OC00ZDk4LTgzMzAtNjNjYWU2YTQ0NTViXkEyXkFqcGc@._V1_-768x1082-jpg-e1780139510399-284x400.webp 284w, https:\/\/www.sheilaomalley.com\/wp-content\/uploads\/2026\/05\/MV5BOTczYWEyM2UtMWI4OC00ZDk4LTgzMzAtNjNjYWU2YTQ0NTViXkEyXkFqcGc@._V1_-768x1082-jpg-e1780139510399-71x100.webp 71w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><\/p>\n<p>\n<i>Currents<\/i> doesn&#8217;t help you interpret what you see. But what you see is so mesmerizing, watching the movie is like falling into it. You&#8217;re <i>in<\/i> the currents, if you will. Virginia Woolf&#8217;s extreme subjectivity in approach is an obvious reference point, but there are more at work in this beautiful mysterious film about a woman in the process of removing all of the attachments keeping her IN her life. <a href=\"https:\/\/www.rogerebert.com\/reviews\/the-currents-movie-review-2026\" rel=\"noopener\" target=\"_blank\">I reviewed for Ebert<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Currents doesn&#8217;t help you interpret what you see. But what you see is so mesmerizing, watching the movie is like falling into it. You&#8217;re in the currents, if you will. Virginia Woolf&#8217;s extreme subjectivity in approach is an obvious reference &hellip; <a href=\"https:\/\/www.sheilaomalley.com\/?p=205267\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[4],"tags":[2457,2546,2637],"_links":{"self":[{"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/posts\/205267"}],"collection":[{"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=205267"}],"version-history":[{"count":2,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/posts\/205267\/revisions"}],"predecessor-version":[{"id":205270,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/posts\/205267\/revisions\/205270"}],"wp:attachment":[{"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=205267"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=205267"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=205267"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}