{"id":2197,"date":"2004-12-17T11:33:26","date_gmt":"2004-12-17T16:33:26","guid":{"rendered":"http:\/\/www.sheilaomalley.com\/?p=2197"},"modified":"2015-05-16T21:09:45","modified_gmt":"2015-05-17T01:09:45","slug":"lumet-appreciation-day-why-he-accepts-a-movie","status":"publish","type":"post","link":"https:\/\/www.sheilaomalley.com\/?p=2197","title":{"rendered":"Sidney Lumet: Accepting A Job"},"content":{"rendered":"<p>Excerpt from <a href=\"http:\/\/www.amazon.com\/gp\/product\/0679756604?ie=UTF8&#038;tag=thesheivari-20&#038;linkCode=as2&#038;camp=1789&#038;creative=9325&#038;creativeASIN=0679756604\">Making Movies<\/a><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.assoc-amazon.com\/e\/ir?t=thesheivari-20&#038;l=as2&#038;o=1&#038;a=0679756604\" width=\"1\" height=\"1\" border=\"0\" alt=\"\" style=\"border:none !important; margin:0px !important;\" \/>:<\/p>\n<p><i>Sidney Lumet<\/i>:<\/p>\n<blockquote><p>There are many reasons for accepting a movie.  I&#8217;m not a believer in waiting for &#8220;great&#8221; material that will produce a &#8220;masterpiece&#8221;.  What&#8217;s important is that the material involve me personally on some level.  And the levels will vary.<\/p>\n<p><i>Long Day&#8217;s Journey Into Night<\/i> is everything one can hope for.  Four characters come together and leave no area of life unexplored.<\/p>\n<p>However, I once did a picture called <i>The Appointment<\/i>.  It had fine dialogue by James Salter, but a dreadful story line that had been handed to him by an Italian producer.  I presume Jim needed the money.  The picture had to be shot in Rome.  Until then, I had been having great difficulty in finding out how to use color.  I&#8217;d been brought up on black-and-white movies, and almost all the movies I had made until then were in black and white.  The two color movies I had done, <i>Stage Struck<\/i> and <i>The Group<\/i>, had left me dissatisfied.  The color seemed fake.  The color seemed to make the movie even more unreal.  Why did black and white seem real and color false?  Obviously, I was using it wrong or &#8212; much more serious &#8212; not using it at all.<\/p>\n<p>I had seen a movie of Antonioni&#8217;s called <i>Red Desert<\/i>.  It had been photographed by Carlo Di Palma.  Here, at last, was color being used for drama, for furthering the story, for deepening the characters.  I called Di Palma in Rome, and he was available for <i>The Appointment<\/i>.  I happily accepted the picture.  I knew that Carlo would get me through my &#8220;color block&#8221;.  And he did.<\/p>\n<p>That was a perfectly sensible reason to do the movie.<\/p><\/blockquote>\n<p>\n<iframe style=\"width:120px;height:240px;\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" frameborder=\"0\" src=\"\/\/ws-na.amazon-adsystem.com\/widgets\/q?ServiceVersion=20070822&#038;OneJS=1&#038;Operation=GetAdHtml&#038;MarketPlace=US&#038;source=ac&#038;ref=tf_til&#038;ad_type=product_link&#038;tracking_id=thesheivari-20&#038;marketplace=amazon&#038;region=US&#038;placement=0679756604&#038;asins=0679756604&#038;linkId=OGTNAKKGLOQEAACY&#038;show_border=true&#038;link_opens_in_new_window=true\"><br \/>\n<\/iframe><\/p>\n<p>\n","protected":false},"excerpt":{"rendered":"<p>Excerpt from Making Movies: Sidney Lumet: There are many reasons for accepting a movie. I&#8217;m not a believer in waiting for &#8220;great&#8221; material that will produce a &#8220;masterpiece&#8221;. What&#8217;s important is that the material involve me personally on some level. &hellip; <a href=\"https:\/\/www.sheilaomalley.com\/?p=2197\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[24],"tags":[1452,1287,268],"_links":{"self":[{"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/posts\/2197"}],"collection":[{"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2197"}],"version-history":[{"count":4,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/posts\/2197\/revisions"}],"predecessor-version":[{"id":101953,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/posts\/2197\/revisions\/101953"}],"wp:attachment":[{"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2197"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2197"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2197"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}