{"id":4221,"date":"2006-01-18T12:25:23","date_gmt":"2006-01-18T17:25:23","guid":{"rendered":"http:\/\/www.sheilaomalley.com\/?p=4221"},"modified":"2022-10-09T22:25:18","modified_gmt":"2022-10-10T02:25:18","slug":"archie-leach-day-8","status":"publish","type":"post","link":"https:\/\/www.sheilaomalley.com\/?p=4221","title":{"rendered":"Cary Grant on Comedy"},"content":{"rendered":"

From Evenings With Cary Grant: Recollections in His Own Words and by Those Who Knew Him Best<\/a>\"\"<\/i>:<\/p>\n

Comedy holds the greatest risk for an actor, and laughter is the reward. You must be laughed at. You know right away that you’re a flop if no one laughs. An actor in a drama doesn’t get that kind of immediate feedback. Unless it’s a great tearjerker, you can’t tell how you’re doing. People think it’s easy to get a laugh. It’s not. There’s a story about a dying actor who was asked how it felt to die, and he said, “Dying’s easy; comedy’s hard.”<\/p>\n

I liked making comedy films even though there was little flexibility. Your timing had to be modified for the screen. Since a laugh rolling up the aisles of a big city movie theatre took longer than one bouncing off the walls of a tiny rural vaudeville house, you had to time what you thought would please all audiences. And you had to think about theatre audiences because the film crews don’t laugh. They are too busy doing their own jobs.”<\/p><\/blockquote>\n

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