{"id":5038,"date":"2006-06-23T12:24:04","date_gmt":"2006-06-23T16:24:04","guid":{"rendered":"http:\/\/www.sheilaomalley.com\/?p=5038"},"modified":"2022-10-10T19:38:19","modified_gmt":"2022-10-10T23:38:19","slug":"happy-birthday-bob-fosse","status":"publish","type":"post","link":"https:\/\/www.sheilaomalley.com\/?p=5038","title":{"rendered":"Happy Birthday, Bob Fosse!"},"content":{"rendered":"<p>I found this <a href=\"http:\/\/www.theatredance.com\/choreographers\/bob_fosse.jpg\">great link online <\/a>(click on it to make it bigger) &#8211; called &#8220;A Step-by-Step Tour Through the Moves of Bob Fosse&#8221;.  It details his slinky anti-gravity counter-intuitive completely recognizable style.<\/p>\n<p>Check out how the hands go.  It&#8217;s opposite of what is expected.  Same with the way the bodies lean out like a flat board.  It&#8217;s off kilter.  It&#8217;s sexy, but in a kind of sick way.<\/p>\n<p>And here he is directing Liza in the film of <i>Cabaret<\/i>:<\/p>\n<p>Liza was one of the quintessential Bob Fosse dancers.  When you watch her in her prime &#8211; doing that choreography &#8211; you are witnessing perfection.<\/p>\n<p>Here he is with Gwen Verdon, his wife.  Their insane marriage was immortalized, by Fosse, in <i>All That Jazz<\/i>.  I love this picture.<\/p>\n<p>Verdon had this to say about Fosse:  &#8220;I was a great dancer when he got hold of me, but he developed me, he created me.&#8221;<\/p>\n<p>So many dancers have similar memories of him.<\/p>\n<p>Ann Reinking &#8230; who was brilliant in his <i>All That Jazz<\/i> &#8230; basically holds the legacy to the Fosse style.  She was already an incredible dancer when he got hold of her &#8230; but he transformed her, morphed her, twisted her &#8211; Phenomenal to watch.<\/p>\n<p>He was a brilliant film director as well.  <i>All That Jazz<\/i> comes pretty close to greatness in my opinion.  <i>Star 80<\/i> is fantastic, with some great acting by Eric Roberts &#8211; but it&#8217;s a bit too unrelentingly dark for my taste.  <i>Cabaret<\/i> is amazing &#8211; but, to me &#8211; <i>All That Jazz<\/i> is one of the most audaciously personal films ever made.  He films his own death.  He fantasizes about it.  He enacts it.  But &#8230; the film isn&#8217;t self-indulgent at all.  Or &#8230; it is so blatantly self-indulgent that we verge on genius here.  Genius as in:  indulging in his own fantasies to such a degree that most people never allow.  He just GOES there.  It&#8217;s brutal.  He imagines his own death as an opera, with a cast of thousands.  There&#8217;s a beautiful woman in white (Jessica Lange) beckoning him on.  This was his daily life, the siren song of death  always in his ears.<\/p>\n<p>Not a happy man.  But he had work to do &#8211; and he did it.<\/p>\n<p><a href=\"http:\/\/en.wikipedia.org\/wiki\/Bob_Fosse\">More information about him here<\/a>.<\/p>\n<p>Quite a legacy.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I found this great link online (click on it to make it bigger) &#8211; called &#8220;A Step-by-Step Tour Through the Moves of Bob Fosse&#8221;. It details his slinky anti-gravity counter-intuitive completely recognizable style. Check out how the hands go. It&#8217;s &hellip; <a href=\"https:\/\/www.sheilaomalley.com\/?p=5038\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[24,39],"tags":[1431,337,1274,1275],"_links":{"self":[{"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/posts\/5038"}],"collection":[{"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5038"}],"version-history":[{"count":5,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/posts\/5038\/revisions"}],"predecessor-version":[{"id":179380,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/posts\/5038\/revisions\/179380"}],"wp:attachment":[{"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5038"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5038"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5038"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}