{"id":5943,"date":"2007-01-28T13:42:24","date_gmt":"2007-01-28T18:42:24","guid":{"rendered":"http:\/\/www.sheilaomalley.com\/?p=5943"},"modified":"2024-10-27T15:34:31","modified_gmt":"2024-10-27T19:34:31","slug":"jan-to-march-1995-diary-flotsam-and-jetsam","status":"publish","type":"post","link":"https:\/\/www.sheilaomalley.com\/?p=5943","title":{"rendered":"Jan. to March 1995  Diary flotsam and jetsam"},"content":{"rendered":"<p><i>Quotes, snippets, fragments &#8230; some of this I don&#8217;t remember at all &#8230; some is as vivid to me as a newsreel flickering of my own life before my own eyes &#8230; I never go thru old journals &#8211; except the old high school ones for Diary Friday, but yesterday I went through some of them from this crazy 3-month period in Chicago (or, I should say &#8211; one of MANY crazy 3 month periods in Chicago) &#8211; I wasn&#8217;t sure why I picked those particular journals out of the box, it was very random (seemingly) &#8211; but it soon became clear to me why those were the ones I chose to browse through.  I was HOWLING with laughter at points, but &#8230; there was other stuff, too.  Quiet, memories, the whole thing coming back to me. Deep in thought these days.  I&#8217;ve got stuff to do.  (Ann &#8211; some of this stuff was just making me GUFFAW.) <\/i><\/p>\n<p><!--more--><br \/>\nJoe:  &#8220;Member in Pulp Fiction &#8211;&#8221;<br \/>\nAnn:  &#8220;No, see now, that was Sheila.&#8221;<\/p>\n<p>\n<p>Ann:  &#8220;Is that the one where your hair is different?&#8221;<br \/>\nMe:  &#8220;No, that&#8217;s your fantasy.&#8221;<\/p>\n<p><p>\nMe:  &#8220;I&#8217;m just gonna be myself&#8211;&#8221;<br \/>\nAnn:  &#8220;I think you should.  Of course, if you need to be <u>married<\/u> &#8230;&#8221;<\/p>\n<p><p>\nMe:  &#8220;I think M. knew he could show up and I would let him know I wanted him to be there &#8211;&#8221;<br \/>\nAnn:  &#8220;Or you&#8217;d blatantly ignore him like that night at the Wrigleyside.&#8221;<\/p>\n<p><p>\n<u>Fragments from M.&#8217;s improv show<\/u><br \/>\n&#8220;Thank you, Gore Vidal.&#8221;<\/p>\n<p>&#8220;Gash &#8211; Like a Wound &#8211; is offended.&#8221;<\/p>\n<p>&#8220;I wish I was a deformed midget.<\/p>\n<p><p>\n<u>1\/13\/95<\/u><br \/>\nGuess who crash-bang-boomed back into my life this week?  M.  We&#8217;re quite a pair.  I can&#8217;t discuss the chemistry anymore (but of course I still will) &#8211; but it just exists.  We&#8217;re friends.  M. is my friend.  I really can see myself now paging him from a scary L platform somewhere and he&#8217;d come and save me.  How do I BEGIN?  Being with M. &#8211; after a year &#8211; is so familiar.  It&#8217;s like my maroon sweater or something.  Oh, who KNOWS.  I adore him.  Like this is a surprise.  It&#8217;s a surprise to him, I think.<\/p>\n<p>\n<p>Mitchell: &#8220;Something has happened that I keep forgetting.&#8221;<\/p>\n<p><p>\nMe:  &#8220;Isn&#8217;t it great that M. is back in my life?&#8221;<br \/>\nAnn:  &#8220;I think it&#8217;s totally great, even though you <u>know<\/u> this is only going to lead to haikus and humidifiers.&#8221;<\/p>\n<p>\n<p><u>Snippets from M.&#8217;s improv show<\/u><br \/>\n&#8220;I usually save an extra seat for the Narrator.&#8221;<\/p>\n<p>Roy, the Idiot Man-Child from the Service Station<\/p>\n<p>&#8220;You&#8217;re not even a zoologist!&#8221;<\/p>\n<p><p>\n&#8220;Of course, we need to park on a street where there is a <u>raging<\/u> fire.&#8221; &#8211; Me and Ann<\/p>\n<p><p>\n<u>Exchange between casting agent and M.<\/u><br \/>\nCasting agent:  &#8220;The character is constantly getting into situations he needs to get out of.  He&#8217;s also a hopeless romantic.  Do you think you can do that?&#8221;<br \/>\nM.:  &#8220;I like acting.&#8221;<\/p>\n<p><p>\nM. to me, on that horrible night: &#8220;There are traction issues that you just can&#8217;t understand.&#8221;<\/p>\n<p><p>\n<u>Fragments &#8211; from M.&#8217;s improv show<\/u><br \/>\n&#8220;Leave some <u>room<\/u>, John!&#8221;<\/p>\n<p>&#8220;I like working with pigs!&#8221;<\/p>\n<p>&#8220;You&#8217;re gonna have to wear an eyepatch!&#8221;<\/p>\n<p><p>\nFrom <u>Vindication<\/u>:<br \/>\nI have not the constitution, the education, the ability to concentrate.  I fear for my sanity sometimes.  There are days when I am on the edge of tears.  Sometimes I am so restless I do not know what to do.  Sometimes I can talk all night, like King George, you know.  I am too, too happy, and in the same day I can be sad beyond hope.  Sometimes teaching the girls is all I can do.  Sometimes I am magnificent at it.  Sometimes I do not know what to do with myself, my hands, my eyes.  I want to fling myself down on the grass, embrace it, thank it, each little stem of it.  I want a beautiful blue dress, shimmery, the color of the ocean.  I want to be the ocean and the clouds.  No, not the clouds, that is too far away.<\/p>\n<p><p>\n&#8220;Well, that will make you more three-dimensional.&#8221; &#8211; Me (weaving a web of lies with Ann Marie)<\/p>\n<p><p>\n&#8220;You sent the man 30 haikus.  I don&#8217;t think he&#8217;ll mind if you come to a couple of his shows.&#8221; &#8211; Ann<\/p>\n<p><p>\nWe were all talking about what our &#8220;type&#8221; was.  I had just come back from a weekend with M.  I said, &#8220;My type of guy punctuates each sentence with a shot of Rumpelmans.&#8221;<\/p>\n<p><p>\nMe to M.: &#8220;I have a kinder-whore appeal &#8230; or at least so I&#8217;ve been told.&#8221;<\/p>\n<p><p>\nJoey, talking to the television, as we watched 30something: &#8220;These are nice people, Susannah.  They want to like you because they love Garry.&#8221;<\/p>\n<p>\n<p>\nI&#8217;m forever under lock and key<br \/>\nAs you pass thru me<\/p>\n<p><p>\nM.:  &#8220;There came a point when I was &#8211; whatever, it was clear to my parents that I had to be having sex by that time &#8211; I was 23, whatever &#8211; and my mom said something to me like, &#8216;Well, at least you&#8217;re not having sex,&#8217; and I had to say, &#8216;Mom.  Look, I&#8217;m having sex.&#8217; and she said, &#8216;I&#8217;m glad you&#8217;re not having sex.&#8217;  <u>Total denial<\/u>.  She couldn&#8217;t even hear what I was saying.  I think my mom could walk in on me actually <u>having<\/u> sex, and she&#8217;d be like, &#8216;I&#8217;m so glad you&#8217;re studying!'&#8221;<\/p>\n<p><p>\n<u>From the party 12\/10\/94<\/u><br \/>\n&#8220;These Oreos are <u>insanely<\/u> delicious.&#8221; &#8211; Joey<\/p>\n<p>&#8220;You just never know what will happen with broccoli.&#8221; &#8211; Me<\/p>\n<p>&#8220;I just kicked a pig.&#8221; &#8211; Ann<\/p>\n<p><u>Heard simultaneously by Ann:<\/u><br \/>\nMe: (with a mouth full of food)  &#8220;I have an eating disorder.&#8221;<br \/>\nMitchell:  &#8220;I can honestly say I&#8217;ve never slept with &#8212;&#8211; oh, wait &#8212; yes, I have.&#8221;<\/p>\n<p><u>George and Ann, providing dialogue to an old movie, with the sound turned down<\/u>:<br \/>\nGeorge: &#8220;That&#8217;s why your dancing frustrates me &#8211; because <u>I can&#8217;t move<\/u>!&#8221;<br \/>\nAnn:  &#8220;Well, don&#8217;t you think I understand that?  I mean, look at my eyebrows!&#8221;<\/p>\n<p><p>\nAnn: &#8220;I was thinking about your life the other day &#8230;&#8221;<\/p>\n<p><p>\n2\/20\/95<br \/>\nMe: Hi, honey.<br \/>\nM.:  Hi, spanky.<\/p>\n<p><p>\nJackie: &#8220;The symptoms of this disease are: trouble with social skills &#8230;. <u>long legs<\/u> &#8230; developing breasts as a man &#8211; and small tightly formed gonads.&#8221;<\/p>\n<p><p>\n2\/24\/95<br \/>\nM. calls my house &#8211; Jackie picks up.<br \/>\nJackie:  &#8220;Hello.  Tony&#8217;s Pizza Palace.&#8221;<br \/>\nM.:  &#8220;I&#8217;d like a Sheila to go.&#8221;<br \/>\nJackie:  &#8220;And what would you like on that?&#8221;<br \/>\nM.:  &#8220;Nothing.&#8221;<\/p>\n<p>\n<p>\n2\/23\/95<br \/>\nMe:  &#8220;I have my period.&#8221;<br \/>\nM.:  &#8220;What else is new.&#8221;<\/p>\n<p><p>\nMe to M. (and I was dead serious):  &#8220;It would totally not surprise me if I disappeared into a white slavery sex ring at some point.&#8221;<\/p>\n<p><p>\nMe to Mitchell (about M.): &#8220;Isn&#8217;t he so sweet?&#8221;<br \/>\nMitchell: &#8220;He is.  He is sweet.&#8221; Long pause.  &#8220;He&#8217;s a <u>lunatic<\/u>.&#8221;<\/p>\n<p>\n<p>\nMitchell:  &#8220;The improv jam is pushing all my buttons.&#8221;<\/p>\n<p><p>\nMitchell to me: &#8220;If you say &#8216;improv jam&#8217; one more time, I&#8217;m going to scream at the top of my lungs.&#8221;<\/p>\n<p>\n<p>2\/26\/95<br \/>\nCrying in M.&#8217;s arms &#8211; it was, God, 3 am?  I said later, &#8220;Sorry for crying like such a werewolf.&#8221; Not aware that werewolves were big criers.  But anyway, I couldn&#8217;t stop.   It wasn&#8217;t sadness, though.  I had been so wound up for about a week, and then I relaxed with him, and started to cry, and then I couldn&#8217;t stop.  <u>For about an hour<\/u>.  Poor man.    I kept saying to him, &#8220;Don&#8217;t be scared &#8211; the tears are good tears &#8230; I&#8217;m happy &#8230; I&#8217;m so happy &#8230;&#8221;  He had a cigarette dangling from his lips, he was holding me, and he said, drily, &#8220;I hope you don&#8217;t mind if I just take your word for it that you&#8217;re happy, okay?  I mean, you&#8217;re fucking <u>crying<\/u> &#8230;&#8221; &#8220;I&#8217;m just happy, M, I&#8217;m happy &#8230;&#8221; &#8220;Okay, okay, you&#8217;re happy.  Christ.&#8221;<\/p>\n<p>\n<p>\n1\/13\/95<br \/>\n7 a.m. Jazz Bulls.  The place closed its doors at 6 a.m. M. was working &#8211; so there was grey weird light seeping into the basement windows.  Everything looked weird.  Pre-dawn.  It felt like we were the only 2 people on the earth.  M. said, &#8220;You want some coffee before you go to work?&#8221;  &#8220;You mean &#8230; go out?&#8221; I didn&#8217;t think there&#8217;d be time for that.  He scoffed at the &#8220;out&#8221; question.  &#8220;No &#8211; I can make you coffee here.  You want some?&#8221;  &#8220;God, yes.&#8221;  I hoisted myself up onto the bar and sat there as M made a pot of coffee.  His pants were totally ripped by that loony Christine bitch.  I loved watching him shuffle around dealing with filters and coffee and water.  He was adorable.  All the while we were talking about us.  I told him how comfortable I felt with him.  At one point I fell into a depression, having to go to work after being up all night.  I said, &#8220;I can&#8217;t believe I&#8217;m going to work right now.&#8221;<\/p>\n<p>He was standing with his back to me, pouring coffee.  &#8220;Cream?  Sugar?&#8221;<\/p>\n<p>&#8220;Just black.  And strong.  And please don&#8217;t say &#8216;You like it like you like your men&#8217; or whatever.  Everyone says that.&#8221;<\/p>\n<p>He poured sugar and cream into his own coffee, handed me mine, which I began to devour (it didn&#8217;t even make a dent in my exhaustion) and then stood there, stirring his own coffee.  We were lost in our own thoughts.  He was deep in contemplation.  Turns out, it was about me &#8211; but I didn&#8217;t guess that in that moment.  He was just pondering me, perched on top of the counter, pale, sipping the coffee he made for me, in the dawn-lit bar where he works, half an hour away from having to go to my job.<\/p>\n<p>He turned to stare at me, still stirring his coffee.  He looked at me for a long time.  Contemplatively.  I didn&#8217;t ask what he was looking at me like that for.  I just looked back at him.  Then he said &#8211; slowly &#8211; choosing his words &#8211; or, no &#8211; not choosing his words &#8211; M. doesn&#8217;t really do that &#8211; but slowly, as though this idea had just occurred to him and surprised him:  &#8220;You must really like me.&#8221;<\/p>\n<p>That is SUCH a funny moment if I really ponder it.  I&#8217;ve known this guy for 3 years, and <u>now<\/u> he says, in a tone of awe, &#8220;You must really like me!&#8221;  It was so sincere.  I started laughing.  &#8220;Of <u>course<\/u> I like you.  What are you, a moron?&#8221;  Laughing at him.  &#8220;You didn&#8217;t know that I like you?&#8221;<\/p>\n<p>&#8220;Well &#8211; no &#8211; I mean, I know you like me.  But, I mean, you must <u>like<\/u> me.  You&#8217;ve gotten no sleep because of me, and you&#8217;re about to go to work &#8211; I mean, there&#8217;s not too many people I&#8217;d do that for.&#8221;  (He didn&#8217;t say if he&#8217;d do it for me or not.)  &#8220;I think it&#8217;s rare.&#8221;<\/p>\n<p>I felt like I should <u>say<\/u> something, but I didn&#8217;t know what to say.  M. sensed that in me, because he said, quickly, reassuring, &#8220;No, I mean &#8211; it&#8217;s cool &#8211; that you like me &#8211; I mean &#8230; I guess I just didn&#8217;t know.&#8221;  He went back into contemplative stirring-coffee mode.<\/p>\n<p>&#8220;Well, now you know.&#8221; I said.<\/p>\n<p>We drank coffee, not talking, the air clear between us.  Both of us thinking.  About the other.  He gets shy.  Like he doesn&#8217;t want to say too much, or ruin anything.<\/p>\n<p>He said, looking down into his coffee, &#8220;I feel like there&#8217;s not a word evolved enough for what we are.&#8221;<\/p>\n<p>Fragile moment.  I didn&#8217;t speak.  I let it hover.  He had more to say.  I knew it.  He said, &#8220;You have always struck me, from the very beginning as &#8230; someone who &#8230; wanted to <u>different<\/u> than what you are.&#8221;<\/p>\n<p>That was an ambiguous thing to say.  I saw 2 possible interpretations &#8211; or, no, actually &#8211; <u>now<\/u> I see the 2 interpretations &#8211; but this is how I took it at the time:  Sheila, you have been trying to be something you&#8217;re not.<\/p>\n<p>So I felt a little chilled by that.  I pursued it.  &#8220;What do you &#8230;&#8221;<\/p>\n<p>He meant what he had said &#8211; but it wasn&#8217;t the negative interpretation that I put on it.  He meant that: I&#8217;m not satisfied anymore with being unhappy, repressed, uptight &#8211; and I am determined to get over myself, and get better, push through these barriers I have up.<\/p>\n<p>I did not know that he had perceived that from the beginning.  I remember him saying to me on a tequila-soaked summer&#8217;s eve, when I was all upset and weepy, &#8220;Your journey &#8230; has just begun.&#8221;  He <u>knew<\/u>.  How did he know?<\/p>\n<p>He explained what he meant: &#8220;The first time we went out &#8230; &#8221; (neither of us know how to define this whole damn thing &#8211; we have no words &#8211; there are not words evolved enough for what we are) &#8220;Well &#8211; I told you this &#8211; you were so &#8211; &#8221; (he stopped talking, and then kind of hugged his arms around himself, put his head down &#8211; to show how closed I was and uptight) &#8220;And I wasn&#8217;t &#8212; sure how to handle it &#8230; I wasn&#8217;t sure if you &#8230;&#8221; (unfinished sentence, wincing expression, awkward, shy) &#8220;But then &#8230; you kept &#8230;&#8221; (stopped himself &#8211; and smiled &#8211; and I knew what he meant.  I had kept calling him, kept making myself available &#8211; he didn&#8217;t say it in a mean way.  It&#8217;s the truth.)  I said, grinning, &#8220;I kept coming back for more, huh.&#8221;  &#8220;Well &#8230; yeah &#8230; so I figured &#8230; Okay &#8230; This person is &#8230;&#8221; (all of this accompanied with those subtle facial expressions and hand gestures he does &#8211; we transcend words &#8211; the expression and the gesture he made conveyed my whole <u>life<\/u>: pushing through, frustrated, upset, sick of being upset &#8230; wanting to be <u>happy<\/u>.  He saw all that?)  I nodded in agreement with his interpretation of me.  He said, nearly unable to get it out &#8211; too awkward and vulnerable, &#8220;So &#8230; it&#8217;s kind of cool, Sheila &#8230; to see how you have progressed.  It&#8217;s &#8230;&#8221;  He stopped.  It&#8217;s like I was inside of him.  Like he could hear those words &#8220;how you have progressed&#8221; and to him they suddenly sounded patronizing.  But no.  They were not.  I said, softly, &#8220;It is cool, M.  It is cool.&#8221;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Quotes, snippets, fragments &#8230; some of this I don&#8217;t remember at all &#8230; some is as vivid to me as a newsreel flickering of my own life before my own eyes &#8230; I never go thru old journals &#8211; except &hellip; <a href=\"https:\/\/www.sheilaomalley.com\/?p=5943\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[3],"tags":[],"_links":{"self":[{"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/posts\/5943"}],"collection":[{"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5943"}],"version-history":[{"count":2,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/posts\/5943\/revisions"}],"predecessor-version":[{"id":21551,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/posts\/5943\/revisions\/21551"}],"wp:attachment":[{"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5943"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5943"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5943"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}