{"id":6114,"date":"2007-03-15T12:58:12","date_gmt":"2007-03-15T16:58:12","guid":{"rendered":"http:\/\/www.sheilaomalley.com\/?p=6114"},"modified":"2022-10-12T15:35:22","modified_gmt":"2022-10-12T19:35:22","slug":"et-tu-brute-then-fall-caesar-2","status":"publish","type":"post","link":"https:\/\/www.sheilaomalley.com\/?p=6114","title":{"rendered":"\u201cEt tu, Brute! Then fall, Caesar.\u201d"},"content":{"rendered":"<p>It&#8217;s the <a href=\"http:\/\/en.wikipedia.org\/wiki\/Ides_of_March\">Ides of March<\/a>, yo.<\/p>\n<p>Here&#8217;s the moment in the play where Caesar gets the warning from the soothsayer.  And ignores it.<\/p>\n<p><b>SCENE II. A public place<\/b><\/p>\n<p>Flourish. Enter CAESAR; ANTONY, CALPURNIA, PORTIA, DECIUS BRUTUS, CICERO, BRUTUS, CASSIUS, and CASCA; a great crowd following, among them a SOOTHSAYER<\/p>\n<p>CAESAR<br \/>\nCalpurnia!<\/p>\n<p>CASCA<br \/>\nPeace, ho! Caesar speaks.<\/p>\n<p>CAESAR<br \/>\nCalpurnia!<\/p>\n<p>CALPURNIA<br \/>\nHere, my lord.<\/p>\n<p>CAESAR<br \/>\nStand you directly in Antonius&#8217; way,<br \/>\nWhen he doth run his course. Antonius!<\/p>\n<p>ANTONY<br \/>\nCaesar, my lord?<\/p>\n<p>CAESAR<br \/>\nForget not, in your speed, Antonius,<br \/>\nTo touch Calpurnia; for our elders say,<br \/>\nThe barren, touched in this holy chase,<br \/>\nShake off their sterile curse.<\/p>\n<p>ANTONY<br \/>\nI shall remember:<br \/>\nWhen Caesar says &#8216;do this,&#8217; it is perform&#8217;d.<\/p>\n<p>CAESAR<br \/>\nSet on; and leave no ceremony out.<\/p>\n<p><i>Flourish<\/i><\/p>\n<p>SOOTHSAYER<br \/>\nCaesar!<\/p>\n<p>CAESAR<br \/>\nHa! who calls?<\/p>\n<p>CASCA<br \/>\nBid every noise be still: peace yet again!<\/p>\n<p>CAESAR<br \/>\nWho is it in the press that calls on me?<br \/>\nI hear a tongue, shriller than all the music,<br \/>\nCry &#8216;Caesar!&#8217; Speak; Caesar is turn&#8217;d to hear.<\/p>\n<p>SOOTHSAYER<br \/>\nBeware the ides of March.<\/p>\n<p>CAESAR<br \/>\nWhat man is that?<\/p>\n<p>BRUTUS<br \/>\nA soothsayer bids you beware the ides of March.<\/p>\n<p>CAESAR<br \/>\nSet him before me; let me see his face.<\/p>\n<p>CASSIUS<br \/>\nFellow, come from the throng; look upon Caesar.<\/p>\n<p>CAESAR<br \/>\nWhat say&#8217;st thou to me now? speak once again.<\/p>\n<p>SOOTHSAYER<br \/>\nBeware the ides of March.<\/p>\n<p>CAESAR<br \/>\nHe is a dreamer; let us leave him: pass.<\/p>\n<p>So of course Julius Caesar was a real guy and all (<a href=\"https:\/\/www.sheilaomalley.com\/?p=4942\">I heard he really liked to &#8220;work out<\/a>&#8220;) &#8230; but naturally I&#8217;m all about the play.  Love that play.<\/p>\n<p>The conspiracy scene, I think, is my favorite in the play.  Here&#8217;s a fun exercise &#8211; read it out loud and notice how often Shakespeare uses &#8220;s&#8221;.  Or an &#8220;s&#8221; sound.   There&#8217;s an &#8220;s&#8221; sound in almost every sentence.  So when you hear the language &#8211; just the <i>sound<\/i> of it, never mind what it is that they&#8217;re actually saying:  it has a sound of &#8220;ssssss&#8221; &#8211; it gives an impression of a crowd of men whispering &#8220;psst&#8221; or &#8211; hissing &#8211;  the hissing &#8216;psst&#8221; whisper of conspiracy.  Brilliant.<\/p>\n<p><a href=\"http:\/\/www.gradesaver.com\/classicnotes\/quiz\/julius_caesar\/1\/\">Here&#8217;s a quiz on Shakespeare&#8217;s <i>Julius Caesar<\/i><\/a>.   Fun!!  Amazing how much one remembers.  It all came back to me &#8211; however, the quiz also reminds me I really MUST get back to my Shakespeare project.  I mean &#8211; my reading has gone on quite well, I&#8217;m moving through each play chronologically &#8211; I&#8217;ve always wanted to do that.  I&#8217;ve read all the plays, of course &#8211; but never in so-called chronological order.  My original plan was: I wanted to <i>write<\/i> about each play <i>as<\/i> I read it &#8211; <a href=\"https:\/\/www.sheilaomalley.com\/?p=5871\">a la 2 Gents<\/a>.  I&#8217;ll keep going on and get back to the series eventually)<\/p>\n<p>And so, in honor of the Ides of March, here&#8217;s the &#8220;moment before&#8221; &#8211; the poor ignored SOOTHSAYER comes back into the picture:<\/p>\n<p><b>Act II, scene iv.<\/b>  The sense of foreboding grows.  Portia can feel the wrongness in the air.  This is &#8220;the moment before&#8221;.<\/p>\n<p>PORTIA<br \/>\nCome hither, fellow: which way hast thou been?<\/p>\n<p>SOOTHSAYER<br \/>\nAt mine own house, good lady.<\/p>\n<p>PORTIA<br \/>\nWhat is&#8217;t o&#8217;clock?<\/p>\n<p>SOOTHSAYER<br \/>\nAbout the ninth hour, lady.<\/p>\n<p>PORTIA<br \/>\nIs Caesar yet gone to the Capitol?<\/p>\n<p>SOOTHSAYER<br \/>\nMadam, not yet: I go to take my stand,<br \/>\nTo see him pass on to the Capitol.<\/p>\n<p>PORTIA<br \/>\nThou hast some suit to Caesar, hast thou not?<\/p>\n<p>SOOTHSAYER<br \/>\nThat I have, lady: if it will please Caesar<br \/>\nTo be so good to Caesar as to hear me,<br \/>\nI shall beseech him to befriend himself.<\/p>\n<p>PORTIA<br \/>\nWhy, know&#8217;st thou any harm&#8217;s intended towards him?<\/p>\n<p>SOOTHSAYER<br \/>\nNone that I know will be, much that I fear may chance.<br \/>\nGood morrow to you. Here the street is narrow:<br \/>\nThe throng that follows Caesar at the heels,<br \/>\nOf senators, of praetors, common suitors,<br \/>\nWill crowd a feeble man almost to death:<br \/>\nI&#8217;ll get me to a place more void, and there<br \/>\nSpeak to great Caesar as he comes along.<\/p>\n<p><i>Exit<\/i><\/p>\n<p>PORTIA<br \/>\nI must go in. Ay me, how weak a thing<br \/>\nThe heart of woman is! O Brutus,<br \/>\nThe heavens speed thee in thine enterprise!<br \/>\nSure, the boy heard me: Brutus hath a suit<br \/>\nThat Caesar will not grant. O, I grow faint.<br \/>\nRun, Lucius, and commend me to my lord;<br \/>\nSay I am merry: come to me again,<br \/>\nAnd bring me word what he doth say to thee.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>It&#8217;s the Ides of March, yo. Here&#8217;s the moment in the play where Caesar gets the warning from the soothsayer. And ignores it. SCENE II. A public place Flourish. Enter CAESAR; ANTONY, CALPURNIA, PORTIA, DECIUS BRUTUS, CICERO, BRUTUS, CASSIUS, and &hellip; <a href=\"https:\/\/www.sheilaomalley.com\/?p=6114\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[39],"tags":[174,141,218],"_links":{"self":[{"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/posts\/6114"}],"collection":[{"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6114"}],"version-history":[{"count":5,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/posts\/6114\/revisions"}],"predecessor-version":[{"id":180275,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/posts\/6114\/revisions\/180275"}],"wp:attachment":[{"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6114"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=6114"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=6114"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}