John Milton. Paradise Lost<\/i> is one of those things we had to read in high school – which … could we even understand a word of it?? I re-read it in, I think, 2000 – and found it to be one of the most extraordinary pieces of literature ever … and I remember thinking, laughing, “Uhm … did I actually read this when I was 16? I must have HATED it.” Maturity brings its own rewards. His poem to his own blindness is the one that really pierces through me. It scares me. I am scared of going blind. And that last line. Profound. The truth of the human race is in it.<\/p>\n
On His Blindness <\/b>
\nby John Milton<\/p>\n
When I consider how my light is spent,
\nEre half my days, in this dark world and wide,
\nAnd that one Talent which is death to hide,
\nLodg’d with me useless, though my Soul more bent
\nTo serve therewith my Maker, and present
\nMy true account, least he returning chide,
\nDoth God exact day-labour, light deny’d,
\nI fondly ask; But patience to prevent
\nThat murmur, soon replies, God doth not need
\nEither man’s work or his own gifts, who best
\nBar his milde yoak, they serve him best, his State
\nIs Kingly. Thousands at his bidding speed
\nAnd post o’re Land and Ocean without rest:
\nThey also serve who only stand and waite.<\/p>\n
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\n“Milton, with the possible exception of Spenser, is the first eccentric English poet, the first to make a myth out of his personal experience, and to invent a language of his own remote from the spoken word.” — W.H. Auden<\/i><\/p>\n
Milton, even Milton, rankt with living men!
\nOver the highest Alps of mind he marches,
\nAnd far below him spring the baseless arches
\nOf Iris, colouring dimly lake and fen.
\n— Walter Savage Landor<\/i><\/p>\n
“His harmonicall and ingeniose Soul did lodge in a beautifull and well-proportioned body. He was a spare man … He had abroun hayre. His complexion exceeding faire – he was so faire they called him the Lady of Christ’s College<\/i>. Ovall face. His eie a darke gray.” — John Aubrey<\/i><\/p>\n
“Yet for two and a half centuries – even for a ‘speaker’ like Wordsworth – Milton’s virtue was this language, which engaged and developed subjects difficult to combine, moral verities and the created world. The language of speech is not the only, or first, language of poetry. To criticize work in terms strictly irrelevant to it is of little value: a critical act of “brute assertive will”, or a prejudice so ingrained as to be indistinguishable, for uncritical readers, from truth itself. With the decline of literacy, Milton, like Spenser, becomes a more difficult mountain to scale, more remote from the ‘common reader’. Yet Chaucer and Shakespeare, the only poets in the tradition who are Milton’s superiors, both grow and recede in the same way and are not dismissed. They seem<\/i> more accessible. In the end Leavis’s hostility, like Empson’s and Richards’s in other areas, is to the Christian content of the poems, and in Milton it is<\/i> obtrusive and central. We read Herbert’s and Donne’s divine poems even if we are unbelievers: there is their doubt to engage, and the framed drama of specific situations. But Milton will not allow disbelief to go unchallenged: his structures and narratives are not rooted in individual faith but in universal belief. The question of revealed truth<\/i> raises its head as in no other poet in the language.” — Michael Schmidt, “Lives of the Poets”<\/i><\/p>\n
Milton! thou should’st be living at this hour:
\nEngland hath need of thee: she is a fen
\nOf stagnant waters: altar, sword and pen,
\nFireside, the heroic wealth of hall and bower,
\nHave forfeited their ancieng English dower
\nOf inward happiness. We are selfish men;
\nOh! raise us up, return to us again;
\nAnd give us manners, virtue, freedom, power.
\nThy soul was like a Star and dwelt apart;
\nThou hadst a voice whose sound was like the sea;
\nPure as the naked heavens, majestic, free,
\nSo didst thou travel on life’s common way,
\nIn cheerful godliness; and yet thy heart
\nThe lowliest duties on itself lay.
\n— Wordsworth<\/i><\/p>\n
“In Milton the world of Spenser was reconfigured and almost unrecognisable … What had been reasonable and courteous, a belief in the fact<\/i> that men of culture and intellect will be able to engage in rational discussion and agree to disagree, had been displaced by faction and sometimes violent intolerance. The moderate had stood down and the fanatic had taken his place, in the pulpit, in Parliament, and on the very peaks of Parnassus.” — TS Eliot<\/i><\/p>\n
“I take it to be my portion in this life, joined with a strong propensity of nature, to leave something so written to aftertimes, as they should not willingly let it die.” — John Milton<\/i><\/p>\n
“I have bought a pocket Milton, which I carry perpetually about with me, in order to study the sentiments – the dauntless magnanimity, the intrepid, unyielding independence, the desperate daring, the noble defiance of hardship, in that great personage, SATAN.” — Robert Burns<\/i><\/p>\n
“He was much more admired abrode than at home.” — John Aubrey<\/i><\/p>\n
“My mind is not capable of forming a more august conception than arises from the contemplation of this greatest man in his latter days: poor, sick, old, blind, slandered, persecuted: ‘Darkness before and danger’s voice behind,’ in an age in which he was as little understood by the party for whom, as by that against whom, he had contended, and among men before whom he strode so far as to dwarf himself by the distance; yet still listening to the music of his own thoughts, or, if additionally cheered, yet cheered only by the prophetic faith of two or three solitary individuals, he did nevertheless
\n… argue not
\nAgainst Heaven’s hand or will, nor bate a jot
\nOf heart or hope; but still bore up and steer’d
\nRight onward.”
\n— Samuel Taylor Coleridge<\/i><\/p>\n
“True musical delight consists only in apt numbers, fit quantity of syllables, and the sense variously drawn out from one verse to another.” — John Milton<\/i><\/p>\n
More on John Milton here.<\/a><\/p>\n \n