{"id":6883,"date":"2007-08-19T23:10:52","date_gmt":"2007-08-20T03:10:52","guid":{"rendered":"http:\/\/www.sheilaomalley.com\/?p=6883"},"modified":"2026-03-18T08:12:49","modified_gmt":"2026-03-18T12:12:49","slug":"dean-stockwell-2-movies","status":"publish","type":"post","link":"https:\/\/www.sheilaomalley.com\/?p=6883","title":{"rendered":"Dean Stockwell: <i>Anchors Aweigh<\/i> and <i>Psych-Out<\/i>"},"content":{"rendered":"<p>Recently, I watched <i>Anchors Aweigh<\/i> (featuring Stockwell&#8217;s debut in 1945) &#8211; and <i>Psych-Out<\/i>, a movie about hippies in San Francisco from 1968, starring Stockwell and Jack Nicholson &#8211; back to back. <\/p>\n<p>It&#8217;s the most unlikely double bill ever.  <\/p>\n<p>Stockwell in the first film is fresh and adorable and squeaky-voiced and totally natural.  In the second film he&#8217;s a Buddha-like presence who sits back, holds court, and doesn&#8217;t miss a thing.  He dominates everyone through his moral superiority.  He also wears flowery flowing shirts and a headband.  He&#8217;s the alpha male in the film.  He sits in a dark hole, smokes cigarettes, and nothing moves but his eyes (and his eyebrows).  He&#8217;s wonderful in it, riveting.<\/p>\n<p>After seeing <i>Anchors Aweigh<\/i>, where he prances around in his pajamas, and cries shiny money-in-the-bank tears, and rides around on Gene Kelly&#8217;s back, and looks eagerly and wistfully up at Frank Sinatra, I was struck by how bizarre it must have been to grow up on screen.  To have everyone know your every phase of life.  It&#8217;s documented.  Your journey is objectified &#8211; it&#8217;s the nature of the beast.  Your movement through time is made public.  So to see him lolling about in a hippie halfway house, drawling out incisive remarks and observations, with a hot hippie babe with a flower in her hair curled up in his lap, makes me think: Is that the same person?  Is this even the same WORLD that made Anchors Aweigh?  The films are only 20 years apart. <\/p>\n<p>The entire culture had shifted.<\/p>\n<p>And Stockwell?  Same dimple, same grin, same person. But the journey in between!! Wild.<\/p>\n<p><!--more--><br \/>\n<img decoding=\"async\" alt=\"aa6.jpg\" src=\"https:\/\/www.sheilaomalley.com\/aa6.jpg\" width=\"600\" \/><br \/>\n<i>Anchors Aweigh, 1945<\/i><\/p>\n<p><p>\n<img decoding=\"async\" alt=\"po10.jpg\" src=\"https:\/\/www.sheilaomalley.com\/po10.jpg\" width=\"600\" \/><br \/>\n<i>Psych-Out, 1968<\/i><\/p>\n<p><p>\n<img decoding=\"async\" alt=\"aa11.jpg\" src=\"https:\/\/www.sheilaomalley.com\/aa11.jpg\" width=\"600\" \/><br \/>\n<i>Anchors Aweigh, 1945<\/i><\/p>\n<p><p>\n<img decoding=\"async\" alt=\"po16.jpg\" src=\"https:\/\/www.sheilaomalley.com\/po16.jpg\" width=\"600\" \/><br \/>\n<i>Psych-Out, 1968<\/i><\/p>\n<p><p>\n<img decoding=\"async\" alt=\"aa14.jpg\" src=\"https:\/\/www.sheilaomalley.com\/aa14.jpg\" width=\"600\" \/><br \/>\n<i>Anchors Aweigh, 1945<\/i><\/p>\n<p><p>\n<img decoding=\"async\" alt=\"po39.jpg\" src=\"https:\/\/www.sheilaomalley.com\/po39.jpg\" width=\"600\" \/><br \/>\n<i>Psych-Out, 1968<\/i><\/p>\n<p><p>\n<img decoding=\"async\" alt=\"aa2.jpg\" src=\"https:\/\/www.sheilaomalley.com\/aa2.jpg\" width=\"600\" \/><br \/>\n<i>Anchors Aweigh, 1945<\/i><\/p>\n<p><p>\n<img decoding=\"async\" alt=\"po56.jpg\" src=\"https:\/\/www.sheilaomalley.com\/po56.jpg\" width=\"600\" \/><br \/>\n<i>Psych-Out, 1968<\/i><\/p>\n<p><p>\n<img decoding=\"async\" alt=\"aa17.jpg\" src=\"https:\/\/www.sheilaomalley.com\/aa17.jpg\" width=\"600\" \/><br \/>\n<i>Anchors Aweigh, 1945<\/i><\/p>\n<p><p>\n<img decoding=\"async\" alt=\"po25.jpg\" src=\"https:\/\/www.sheilaomalley.com\/po25.jpg\" width=\"600\" \/><br \/>\n<i>Psych-Out, 1968<\/i><\/p>\n<p>\n","protected":false},"excerpt":{"rendered":"<p>Recently, I watched Anchors Aweigh (featuring Stockwell&#8217;s debut in 1945) &#8211; and Psych-Out, a movie about hippies in San Francisco from 1968, starring Stockwell and Jack Nicholson &#8211; back to back. It&#8217;s the most unlikely double bill ever. Stockwell in &hellip; <a href=\"https:\/\/www.sheilaomalley.com\/?p=6883\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[7],"tags":[66,380,751],"_links":{"self":[{"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/posts\/6883"}],"collection":[{"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6883"}],"version-history":[{"count":7,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/posts\/6883\/revisions"}],"predecessor-version":[{"id":194934,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/posts\/6883\/revisions\/194934"}],"wp:attachment":[{"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6883"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=6883"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=6883"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}