{"id":6896,"date":"2007-08-21T13:34:51","date_gmt":"2007-08-21T17:34:51","guid":{"rendered":"http:\/\/www.sheilaomalley.com\/?p=6896"},"modified":"2010-07-02T12:05:27","modified_gmt":"2010-07-02T16:05:27","slug":"daily-dean-stockwell-fix-2","status":"publish","type":"post","link":"https:\/\/www.sheilaomalley.com\/?p=6896","title":{"rendered":"Daily Dean Stockwell fix"},"content":{"rendered":"<p>Ah, the happy innocent 1950s.  When good girls didn&#8217;t and bad boys stayed on their side of the tracks where they belonged.  Yeah, uhm, not so much, not so much.<\/p>\n<p>Shots from <i><a href=\"http:\/\/imdb.com\/title\/tt0050229\/\">The Careless Years<\/a><\/i>, 1957 &#8211; a movie I really want to see &#8211; but can&#8217;t find anywhere.  It sounds rather William Inge-ish, frankly &#8211; a &#8220;shocking&#8221; expose of the sexual desires of teenagers so popular in the 1950s when &#8220;adolescence&#8221; became its own demographic, to be feared and also admired. Like <i>Splendor in the Grass<\/i>.  Something like <i>Rebel Without a Cause<\/i> seems kinda, well, trite today (I love it &#8211; but it&#8217;s hard to see how shocking it was at the time!)  &#8211; so the message &#8211; that teenagers are people too, even juvenile delinquents &#8211; is a bit ho-hum now.  The best part in that movie is the relationship between James Dean and Sal Mineo &#8211; homoerotic, tender, and oh so sweet.  It&#8217;s still mysterious and moving today.  Dean becomes paternal.  Mineo looks up to him.  But there&#8217;s more there, there&#8217;s more.<\/p>\n<p>&#8220;Do you think the end of the world will come at night?&#8221; asks Sal Mineo, worriedly, his eyes glimmering and huge.<\/p>\n<p>Dean thinks a bit, then shakes his head.  &#8220;No.  Dawn.&#8221;<\/p>\n<p>First encounter:<br \/>\n<img decoding=\"async\" loading=\"lazy\" alt=\"rebel.jpg\" src=\"https:\/\/www.sheilaomalley.com\/rebel.jpg\" width=\"370\" height=\"282\" \/><\/p>\n<p>I don&#8217;t know &#8230; to me, their dynamic is the best in the film. Natalie Wood is great, too &#8211; but I just don&#8217;t find it &#8220;shocking&#8221; that a girl would rebel and wear lipstick and mess around with boys, and have problems with her father.  Duh.  The film doesn&#8217;t work on that level anymore.<\/p>\n<p>It&#8217;s important, though, to put stuff like that in context.  It really is.  It&#8217;s more interesting that way, I think &#8211; to try to see it as part of its time.  Same way that a play like <i>Dark at the Top of the Stairs<\/i> was SO controversial at the time it was on Broadway (Inge again!) &#8230; and now?  It&#8217;s a period piece, basically.  No way could you transpose that story into the modern era.  Not without a lot of work.  (Full disclosure: I was in a terrible production of <i>Dark at the Top of the Stairs<\/i> which Mitchell, sadly, got to see &#8230; so I know of what I speak!)<\/p>\n<p>Dean Stockwell, at around this time in his life, actually wrote a piece for some film magazine in conjunction with the film <i>Careless Years<\/i> &#8211; basically saying, &#8220;Teenagers are people, too.  The film looks at the issues we teenagers have and takes them seriously.&#8221;  I&#8217;ll have to find the article, I tripped over it somewhere.  You can see how WORRIED people were about the impact of showing such things on screen.  I suppose on some level that same crap goes on today!<\/p>\n<p>Anyhoo, <i>The Careless Years<\/i> was about a &#8220;good&#8221; girl, who falls for a poor boy &#8230; and when they&#8217;re alone together, they actually consider having sex outside of marriage!  Shocking.  Didn&#8217;t only girls like Rizzo have premarital sex??  Apparently not.   Stockwell had dropped out of acting for a good 5 years &#8211; he had stopped when he was 14, 15 &#8230; and came back at 20 when he realized: <em>Uhm, I can&#8217;t do much else, and I also can&#8217;t stand a 9 to 5 sched<\/em>.  He was always a little bit embarrassed about being an actor.  It seemed almost like an accident that he was so good at it.  It made him miserable.  He has said that he didn&#8217;t start to enjoy himself as an actor until he was well into his 40s.  Interesting.<\/p>\n<p>So anyway.  On to the shots from <i>The Careless Years<\/i>.<\/p>\n<p><!--more--><br \/>\n<img decoding=\"async\" loading=\"lazy\" alt=\"stockwellCarelessYears3.jpg\" src=\"https:\/\/www.sheilaomalley.com\/stockwellCarelessYears3.jpg\" width=\"580\" height=\"717\" \/><\/p>\n<p>\nOh no &#8230; you are a good girl &#8230; as is evidenced by your bathing suit &#8230; and I am a poor boy (nobody loves me &#8230;) &#8230; and our families disapprove &#8230; yet, in the words of Albert Schweitzer &#8211; I FANCY you!<\/p>\n<p><p>\n<img decoding=\"async\" loading=\"lazy\" alt=\"stockwellCarelessYears2.jpg\" src=\"https:\/\/www.sheilaomalley.com\/stockwellCarelessYears2.jpg\" width=\"580\" height=\"711\" \/><\/p>\n<p>\nWhen I was in high school, I also wore woolen traveling suits and heels.  Her figure is something to be admired.  Hourglass!  And, dude &#8230; whatcha doin&#8217; on the floor?  Just have some premarital sex.  It&#8217;s all gonna be okay.<\/p>\n<p>\n<img decoding=\"async\" loading=\"lazy\" alt=\"stockwellCarelessYears.jpg\" src=\"https:\/\/www.sheilaomalley.com\/stockwellCarelessYears.jpg\" width=\"580\" height=\"717\" \/><\/p>\n<p>Uhm, put a sweatshirt on, bro.  You look freezing.<\/p>\n<p>\n<p>\n","protected":false},"excerpt":{"rendered":"<p>Ah, the happy innocent 1950s. When good girls didn&#8217;t and bad boys stayed on their side of the tracks where they belonged. Yeah, uhm, not so much, not so much. Shots from The Careless Years, 1957 &#8211; a movie I &hellip; <a href=\"https:\/\/www.sheilaomalley.com\/?p=6896\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[7],"tags":[66,475],"_links":{"self":[{"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/posts\/6896"}],"collection":[{"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6896"}],"version-history":[{"count":1,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/posts\/6896\/revisions"}],"predecessor-version":[{"id":14830,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/posts\/6896\/revisions\/14830"}],"wp:attachment":[{"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6896"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=6896"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=6896"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}