Not a typical entry, and some of these quotes have made it onto the blog before. In the back of each journal I keep (and I don’t really keep a journal anymore, but that’s beside the point) – I list funny things people have said, quotes, etc – things I love and want to remember but don’t necessarily want to write an entire entry about. Some of these quotes make me laugh so hard now that I can barely speak. It’s even funnier to see them out of context. These quotes are all from 1997 – a big year. I was in the thick of grad school – acting – so it’s ALL about acting for me (although many of these quotes have nothing to do with acting). My mentor at school, my greatest acting teacher and friend – is the “Sam” below – who shows up so repeatedly. Every Friday we had a horrifying workshop called the P\/D Unit (the Playwriters\/Directors Unit) – modeled on the same thing done at the Actors Studio. The playwrights in the program would bring in work they had been writing – the directors would be assigned (or jostle for positionn in front of projects they thought might have legs) – and the actors would be the guinea pigs. Some of these projects went on to great success – either as thesis projects, or as productions out in the real world. So the stakes were high – you couldn’t be lackadaisacle in the PD Unit. You had to look around, figure out which projects were good<\/i> – and do your best to be in them. Many times that was not difficult. Good plays are not a dime a dozen and most of the stuff we worked on in PD Unite was crap. But boy, there were a few gems. I was lucky enough to get into two of them – but not without a lot of sturm und drang and sleepless nights and all that. Ambition, you know. But you take a bunch of stressed out people – who spend the majority of their time with one another – and then you add the fact that everyone’s an artist – and then you put them all in a room – for an entire day – where all you do is perform, and talk, and perform again … it can make for some hilarity. Sam was the head of our PD Unit. The guy is a genius. But he also does not stand on ceremony. He had no problem with saying, after a scene was done, “Well, that really bored me.” Because, when you think about it: boredom is very important. To quote John Strasberg, son of Lee Strasberg: “Boredom is very important in life. It lets you know when something is wrong.” So when Sam was bored, he didn’t think: “I am being rude, I need to pay better attention.” No. Because who wants to see a play where you have to fight with your own boredom? Sam would be like, “That was boring. Let’s find out what’s wrong.” He was hilarious, too. (Is, I should say).<\/p>\n
Not all of these quotes are from the PD Unit – but the “Sam” ones always are. 1997. A crazy year.<\/p>\n
My dear friends will recognize themselves here as well.<\/p>\n
<\/p>\n
“Do whatever you want to do. Just don’t have a rod up your ass and think you’re playing Shaw.” – Sam<\/p>\n
“Somebody needs to call him up and tell him he’s an asshole!” – Maria W. on Scott Hamilton<\/p>\n
“Are we still not allowed to be naked in school?” – Kara<\/p>\n
“I’m glad you’re back … even though I didn’t know you were gone.” – Ann<\/p>\n
“M. and I were not really made for public viewing. We were a private exhibit. Invitation Only.” – Me<\/p>\n
“Who the hell is Tex Watson?” – Barbara<\/p>\n
“SLUGWORTH.” – Ann<\/p>\n
“When she styled it, I looked like Sylvia Plath in her college years.” – Maria M.<\/p>\n
“You mean … Hamlet gets in<\/u> the elevator … but he won’t go down<\/u>?” – Leslie<\/p>\n
“I need to get some new cuss words. I want to start using words like ‘asshole’ and ‘bitch.'” – Stephen<\/p>\n
“…his snowbeard penis.” – Jackie<\/p>\n
“Buhsh ‘n Pudding …” – Shelagh, trying to say “button pushing”<\/p>\n
“Speaking of surly and disrespectful, where is Kara?” – Sam<\/p>\n
Quote from Gingerbread Lady<\/u>: “My apartment is on a sublet from Mary Todd Lincoln.”<\/p>\n
Sam: “If you do a high-class piece that lays an egg, no one will think: ‘Boy, that’s a high-class broad.'”<\/p>\n
Sam: “I wouldn’t care if you had them do it on pogo sticks.”<\/p>\n
Sam to D.: “To whatever degree you can get it up, try to create some authentic misery.”<\/p>\n
Sam: “Method acting the stereotype is eyeballing your partner, mumbling, breaking up your sentences in illogical ways. You can be 100% full of shit and be a Method actor.”<\/p>\n
Sam: “I studied with Strasberg for 21 years and I never felt that gave me the license to be an asshole.”
\nMichael: “So where’d you get your license then?”<\/p>\n
“So I want you to operate out of complete panic.” – Gene<\/p>\n
“I’m on a roll! I’m on a very second-rate roll here!” – Sam<\/p>\n
“It’s a great mistake to try to be original.” – Sam<\/p>\n
“Acting is not a relaxing<\/u> job.” – Sam<\/p>\n
“So. You’ve just heard from the portobellos …” – Sam<\/p>\n
“I had a bolt of stress that you didn’t know where he worked. Literally. I had a bolt of stress …. You know, for the coma contingency.” – Ann<\/p>\n
Me to Wade: “So I went to the Book Fair …”
\nWade burst into laughter.
\nWade: “I love you, Sheila.”
\nMe: “Oh, Wade. I love you too.”<\/p>\n
“If I could say goodbye to you in Rebus form I would …” – Me to Ann<\/p>\n
“I wish there was such a thing as Open Boob Night.” – Brooke<\/p>\n
“Where Alan Thicke meets Frankenstein …” – Ann<\/p>\n
“Will you marry me. Let’s get married, Sheila.” – Michael – Las Vegas. New Year’s. 1997.<\/p>\n
“And then Tim hugged me.” Long pause. “Well, electronically.” – Ann<\/p>\n
“She puts marshmallows on brownies!” – Maria’s indictment of Jo<\/p>\n
“She then plunged a dagger into my heart. Literally. She impaled me with her horns.” – Ann<\/p>\n
“Honey Nut Clusters, steamed squash, and red wine …” – Jen, describing our nights at home<\/p>\n
“I always get cast as the eunuch or the fool.” – John<\/p>\n
Kevin: “I just said ‘Fuck it’.”
\nPause.
\nRobert: “Which is Latin for ‘Be Free!'”<\/p>\n
“Relaxation should not be a spectacle.” – Sam<\/p>\n
Me: “What about Adam?”
\nAnn: “Oh please. That<\/u> rumor has already been squelched.”<\/p>\n
“And then, of course, there was the Bo Deans debacle …” – Me to Kate<\/p>\n
“Hoffman’s won Oscars playing morons and bums.” – Sam<\/p>\n
“Once you get to my stage, you have no standards, and you just feel grateful to still be standing here!” – Sam<\/p>\n
“It seems to me, Rodney, that the importance of the hyoid bone is in having one.” – Robert<\/p>\n
Shelagh: “Isn’t it true that Meryl Streep used to throw up before she used to go onstage?”
\nCheryl: “Yeah, but that’s because she was drunk.”
\nShelagh: “Oh! Okay! Thanks for clearing that up for me!”<\/p>\n
“I am so charmed by him that I can barely sleep.” – Mitchell on Scott Wolf<\/p>\n
“Who do I have to fuck to get out of here is what I want to know.” – Sam<\/p>\n
“What am I – the Profiler?” – Mere<\/p>\n
“This is so<\/u> Cohort One.” – Matt<\/p>\n
Discussion about Kenneth Branagh’s Frankenstein:
\nMaria: “What annoyed me<\/u> was that he called the movie ‘Mary Shelley’s Frankenstein’ when it clearly should have been called ‘My Chest.'”<\/p>\n
“A half-hour where you stink is no great shakes.” – Sam<\/p>\n","protected":false},"excerpt":{"rendered":"
Not a typical entry, and some of these quotes have made it onto the blog before. In the back of each journal I keep (and I don’t really keep a journal anymore, but that’s beside the point) – I list … Continue reading