{"id":9131,"date":"2009-03-06T07:20:48","date_gmt":"2009-03-06T12:20:48","guid":{"rendered":"http:\/\/www.sheilaomalley.com\/?p=9131"},"modified":"2015-06-20T08:30:56","modified_gmt":"2015-06-20T12:30:56","slug":"rip-horton-foote","status":"publish","type":"post","link":"https:\/\/www.sheilaomalley.com\/?p=9131","title":{"rendered":"R.I.P. Horton Foote"},"content":{"rendered":"<p>Great American playwright and Academy-Award winning screenwriter Horton Foote has died.<\/p>\n<p>Ben Brantley writes, in his <a href=\"http:\/\/www.nytimes.com\/2009\/03\/06\/theater\/06foot.html\">lovely appreciation of Foote&#8217;s work<\/a>, that<\/p>\n<blockquote><p>&#8220;[Foote] achieves his deepest effects by indirection and accretion of details, but the words are characteristic of his harsh sentimentality. He infused his characters with warm blood from his own, empathetic heart. But he also looked upon these same people with a cold and ruthless eye.<\/p>\n<p>I think he loved all his characters \u00e2\u0080\u0094 even the silly, mean and mercenary ones (of which there are many) \u00e2\u0080\u0094 but he was too honest to let any of them off the hook. That means that each, on some level, was born to realize that to be alive is to be alone in the dark.<\/p><\/blockquote>\n<p>Brantley&#8217;s article brought me to tears.  Don&#8217;t miss it.<\/p>\n<p>Here are two posts I wrote about Foote:<\/p>\n<p>One about <a href=\"https:\/\/www.sheilaomalley.com\/?p=3295\">his one-act play &#8220;The Old Beginning&#8221;<\/a>.<\/p>\n<p>One about <a href=\"https:\/\/www.sheilaomalley.com\/?p=3312\">&#8220;The Blind Date&#8221;<\/a>, one of my favorites of his many one-acts.<\/p>\n<p>Ted has two tributes up:<\/p>\n<p><a href=\"http:\/\/bookeywookey.blogspot.com\/2009\/03\/our-tender-sharp-eared-cultural.html\">Our tender sharp-eared cultural chronicler<\/a><\/p>\n<p><a href=\"http:\/\/bookeywookey.blogspot.com\/2008\/05\/deep-wells-books-fools-of-fortune.html\">Deep wells<\/a><\/p>\n<p>Ted writes:<\/p>\n<blockquote><p>I am realizing that this book reminds me of the plays of Horton Foote, but particularly his The Habitation of Dragons so redolent is it of a single moment of tragedy in a family&#8217;s life. Foote writes in an unfancy American idiom of the dramas that buffet ordinary folk in early 20th century small town Texas, rather than Ireland. His words aren&#8217;t inherently dramatic, they just contain the simple moments of lives unadorned, but moment builds upon moment until his characters are moved on a mammoth current of action that, in the case of Habitation of Dragons, is heart-rending. Foote is best known for the screenplays of Tender Mercies, To Kill a Mockingbird, and The Trip to Bountiful. He has written for the American theater from its heyday in the 1950s and is, I believe, still writing. I have directed and acted in a couple of his plays. I consider them required reading.<\/p><\/blockquote>\n<p>Horton Foote was 92.  He was still working, up till the time of his death.  The lights of Broadway were dimmed last night in his honor.<\/p>\n<p>His voice will be missed.<\/p>\n<p>\n<iframe style=\"width:120px;height:240px;\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" frameborder=\"0\" src=\"\/\/ws-na.amazon-adsystem.com\/widgets\/q?ServiceVersion=20070822&#038;OneJS=1&#038;Operation=GetAdHtml&#038;MarketPlace=US&#038;source=ac&#038;ref=tf_til&#038;ad_type=product_link&#038;tracking_id=thesheivari-20&#038;marketplace=amazon&#038;region=US&#038;placement=1575250160&#038;asins=1575250160&#038;linkId=2YOABGIT47BUUPUA&#038;show_border=true&#038;link_opens_in_new_window=true\"><br \/>\n<\/iframe><\/p>\n<p>\n","protected":false},"excerpt":{"rendered":"<p>Great American playwright and Academy-Award winning screenwriter Horton Foote has died. Ben Brantley writes, in his lovely appreciation of Foote&#8217;s work, that &#8220;[Foote] achieves his deepest effects by indirection and accretion of details, but the words are characteristic of his &hellip; <a href=\"https:\/\/www.sheilaomalley.com\/?p=9131\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[23,9],"tags":[1743],"_links":{"self":[{"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/posts\/9131"}],"collection":[{"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=9131"}],"version-history":[{"count":4,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/posts\/9131\/revisions"}],"predecessor-version":[{"id":104086,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=\/wp\/v2\/posts\/9131\/revisions\/104086"}],"wp:attachment":[{"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=9131"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=9131"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.sheilaomalley.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=9131"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}