And, flipside: the threat of Nazi war aims. (Check out the cunning use of escalating exclamation points.)
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- 2026 Shakespeare Reading Project: Much Ado About Nothing
- “I don’t represent anything.” — Liz Phair
- “I don’t really know why, but danger has always been an important thing in my life – to see how far I could lean without falling, how fast I could go without cracking up.” — William Holden
- “Some syllables are swords.” — Metaphysical poet Henry Vaughan
- “To me, music is no joke and it’s not for sale.” — Ian MacKaye
- “All I need to make a comedy is a park, a policeman and a pretty girl.” — Charlie Chaplin
- “As a cinematographer, I was always attracted to stories that have the potential to be told with as few words as possible.” — Reed Morano
- “Even though I’m writing about very dark material, it still feels like an escape hatch.” — Olivia Laing
- “It’s just one of the mysteries of filmmaking that sometimes you do something that you don’t even think it’s important, then it turns out to be.” — Lili Horvát
- “Ballet taught me to stay close to style and tone. Literature taught me to be concerned about the moral life.” — Joan Acocella
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- sheila on “For I am of the seed of the WELCH WOMAN and speak the truth from my heart.” — Christopher Smart
- P Nickel on “The realization of ignorance is the first act of knowing.” — Jean Toomer
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- Bryce on The Books: “Nine Stories”- ‘The Laughing Man’ (J.D. Salinger)
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It’s a dagger pointed at the heart of the Reich! (And actually wielded by one of my fellow Slovaks, most likely, but don’t tell anyone.)
“C’mon, it’s Czechoslovakia. We zip in, we pick ’em up, we zip right out again. We’re not going to Moscow. It’s Czechoslovakia. It’s like we’re going into Wisconsin.” – Pvt. John Winger in “Stripes.”