Thanks so much, Fiddlin’ Bill! This is amazing.
Categories
Archives
-
-
Recent Posts
- Upcoming dates: Frankenstein
- Getting unstuck
- “Where am I coming from? Where am I going? A fusillade of question marks.” — Ciarán Carson
- Frankenstein coming to life …
- “I grew up believing that I was fundamentally powerless.” — Thom Yorke
- Frankenstein and Tiffany, part deux
- “I want to live, not pose!” — Carole Lombard
- “When I’m performing, that’s the real me.” — Billy Lee Riley
- “If someone spends his life writing the truth without caring for the consequences, he inevitably becomes a political authority in a totalitarian regime.” — Václav Havel
- “[At Swim-Two-Birds is] just the book to give to your sister, if she is a dirty, boozey girl.” – Dylan Thomas on Flann O’Brien’s masterpiece
Recent Comments
- sheila on Upcoming dates: Frankenstein
- Frances on Upcoming dates: Frankenstein
- sheila on Upcoming dates: Frankenstein
- sheila on Getting unstuck
- Frances on Upcoming dates: Frankenstein
- Walter Biggins on Getting unstuck
- Amir Lauber on All That Jazz: Remembering and Loving Erzebet Foldi
- sheila on “When I’m performing, that’s the real me.” — Billy Lee Riley
- sheila on “When I’m performing, that’s the real me.” — Billy Lee Riley
- Krsten Westergaard on “When I’m performing, that’s the real me.” — Billy Lee Riley
- sheila on Premiere of Frankenstein official trailer!
- sheila on Premiere of Frankenstein official trailer!
- Sheila Welch on Premiere of Frankenstein official trailer!
- sheila on “I wish I had not been so reserved.” — Joseph Cornell’s final words
- Jack Sakes on “I wish I had not been so reserved.” — Joseph Cornell’s final words
- sheila on All About Al podcast: Discussing Dog Day Afternoon
- Todd Restler on All About Al podcast: Discussing Dog Day Afternoon
- sheila on “Teens always heard my music with their hearts. The beat was just happy. It didn’t have color or hidden meaning.” — Fats Domino
- sheila on “Teens always heard my music with their hearts. The beat was just happy. It didn’t have color or hidden meaning.” — Fats Domino
- sheila on If the Hollywood Reporter says it…
-
Consider the utter arrogance of Jerry Lee’s arrangement of “Mona Lisa,” utterly ravishing the tender ballad with his piano style:
http://youtu.be/-1aEXXy5aW0
Among many wonderful details, note how he starts the break with his left (!!) hand, and also how he carefully moves his mike out of the way. He’s utterly professional.
He is a mesmerizing performer.