Also:
“Skyward was really the piece of film that convinced studios I could direct features.”
— Ron Howard
I can certainly see why. In the same way that I can see why that one episode of Eight is Enough would convince the powers-that-be in Hollywood that Ralph Macchio could carry a film as a romantic lead. Which, seriously, is not obvious on the face of it. He’s a scrawny little guy, and handsome, of course, but lots of people are handsome. He also wasn’t the lead inEight is Enough. Unless it was “his” episode, he was a minor character, face in the crowd. So who would have thought: Huh. That kid’s got something? Well, after that one episode I bet a couple of smart people in power did. Being given a LEAD in a film is no small feat, and perhaps looking at Macchio you would see your typical Teen Beat heartthrob, a dime a dozen. But he wasn’t. He was more than that, and he showed it in that episode.
And so you have to know what you’re looking for, to “see” a star. I was 12 years old when I saw that Eight is Enough episode, probably one or two weeks after damn Skyward came out (it was a busy year) and I felt it. I felt that thing, that magic.
So something like Skyward was Howard’s test, his “debut” – although he had done a couple things before. It showed a deftness with story, a knack for creating watchable characters, an obvious ability to deal with huge powerhouses like Bette Davis (very important for directors), a technical know-how to make those flying scenes come off, and – most important – a sense of how to move a large audience.
The germ of Ralph Macchio’s Karate Kid smash success is in that one episode of Eight is Enough. Not every little cutie-pie on a regular television series can carry a movie like he did … but you can see it already there. Now why isn’t Eight is Enough on DVD? I actually didn’t like the show at all – but I just want to own the Ralph Macchio season so I can check out that one episode again, which I haven’t seen since it first aired, but obviously (if you read my review of it) remember vividly.
Same thing with Ron Howard and Skyward.
I got these quotes from a television interview with Howard below (or part of it) – where he talks about his early years directing TV movies and how one thing led to another. Big conversation about Skyward. Fascinating details, especially about Bette Davis.



At the end of the Oscars, when they were showing the producers for the nominated best films, there was this shot of Ron Howard. His face had such an Opie/Andy Griffith sweet downhome smile. And all I wanted to do was grab him out of the TV, shake him and say “Why aren’t you releasing skyward on DVD!” Forget Frost/Nixon, we want Skyward. Thanks Sheila.
Amy – ha!! I love it.
Perhaps my blog posts on the movie (which I have also added to the Skyward page on IMDB) can start the groundswell of support to get this thing released!!
He lists off the great cast without mentioning Ben Marley? Shame on you, Ron! I LOVE that Bette Davis patted him on the bum as a way of breaking the ice!
Iâd like to think Skyward is the reference point for Ron Howardâs entire career, and every film since then is revisiting themes he first covered there.
âGuys, from the moment of the shuttle explosion, I want all the control room actors to give off the same feeling as Ben Marley loading Suzy Gilstrap into his truck for the first time. Ben, talk us through it.â
A – Oh my God, I have missed your comments in the last couple of days. I am crying!!!!! “Ben, talk us through it.”
HAHAHAHAHAHAHAHAHA
Yes, and he listed off the cast without mentioning Ben Marley. Kind of unforgivable!!