Categories
Archives
-

-
Recent Posts
- 2026 Shakespeare Reading Project: Much Ado About Nothing
- “I don’t represent anything.” — Liz Phair
- “I don’t really know why, but danger has always been an important thing in my life – to see how far I could lean without falling, how fast I could go without cracking up.” — William Holden
- “Some syllables are swords.” — Metaphysical poet Henry Vaughan
- “To me, music is no joke and it’s not for sale.” — Ian MacKaye
- “All I need to make a comedy is a park, a policeman and a pretty girl.” — Charlie Chaplin
- “As a cinematographer, I was always attracted to stories that have the potential to be told with as few words as possible.” — Reed Morano
- “Even though I’m writing about very dark material, it still feels like an escape hatch.” — Olivia Laing
- “It’s just one of the mysteries of filmmaking that sometimes you do something that you don’t even think it’s important, then it turns out to be.” — Lili Horvát
- “Ballet taught me to stay close to style and tone. Literature taught me to be concerned about the moral life.” — Joan Acocella
Recent Comments
- sheila on 2026 Shakespeare Reading Project: Much Ado About Nothing
- sheila on 2026 Shakespeare Reading Project: Much Ado About Nothing
- Mike Molloy on 2026 Shakespeare Reading Project: Much Ado About Nothing
- Scott Abraham on 2026 Shakespeare Reading Project: Much Ado About Nothing
- sheila on 2026 Shakespeare Reading Project: Much Ado About Nothing
- Scott Abraham on 2026 Shakespeare Reading Project: Much Ado About Nothing
- sheila on 2026 Shakespeare Reading Project: Much Ado About Nothing
- Mike Molloy on 2026 Shakespeare Reading Project: Much Ado About Nothing
- sheila on March 2026 Snapshots
- sheila on “I don’t really know why, but danger has always been an important thing in my life – to see how far I could lean without falling, how fast I could go without cracking up.” — William Holden
- Jessie on March 2026 Snapshots
- Helen Erwin Schinske on “To me, music is no joke and it’s not for sale.” — Ian MacKaye
- Maddy on “I don’t really know why, but danger has always been an important thing in my life – to see how far I could lean without falling, how fast I could go without cracking up.” — William Holden
- sheila on “To me, music is no joke and it’s not for sale.” — Ian MacKaye
- Helen Erwin Schinske on “To me, music is no joke and it’s not for sale.” — Ian MacKaye
- Joseph Pedulla on Susan Hayward Sleeps Raw
- sheila on “For I am of the seed of the WELCH WOMAN and speak the truth from my heart.” — Christopher Smart
- P Nickel on “The realization of ignorance is the first act of knowing.” — Jean Toomer
- Melissa Sutherland on “For I am of the seed of the WELCH WOMAN and speak the truth from my heart.” — Christopher Smart
- Bryce on The Books: “Nine Stories”- ‘The Laughing Man’ (J.D. Salinger)
-
Tag Archives: Anton Chekhov
“talking nonsense”
The demand is made that the hero and the heroine should be dramatically effective. But in life people do not shoot themselves, or hang themselves, or fall in love, or deliver themselves of clever sayings every minute. They spend most … Continue reading
“Serious, yes, but not sad.”
Describe at least one rehearsal of Three Sisters for me. Isn’t there anything which needs adding or subtracting? Are you acting well, my darling? But watch out now! Don’t pull a sad face in the first act. Serious, yes, but … Continue reading
Posted in Actors, Theatre
Tagged Anton Chekhov, Three Sisters
Comments Off on “Serious, yes, but not sad.”
Cary Grant in “Affair to Remember”: A Method Performance
This is a re-post of something I wrote a while back. It has to do with the history of acting, of the method acting style, of Stanislavsky’s teachings, and how I think Grant fits into that continuum. It’s very in-depth. … Continue reading
Posted in Actors
Tagged Actors Studio, Anton Chekhov, Cary Grant, Deborah Kerr, Eleonora Duse, Leo McCarey, Marlon Brando, Meryl Streep, Robert De Niro
14 Comments
The Books: “The Cherry Orchard” (Anton Chekhov)
Next in my Daily Book Excerpt: More from The Plays of Anton Chekhov translated by Paul Schmidt. This excerpt is from The Cherry Orchard. One of the things I love about him is that there always seems to be something … Continue reading
The Books: “The Three Sisters” (Anton Chekhov)
Next book in my Daily Book Excerpt: More from The Plays of Anton Chekhov. This excerpt is from The Three Sisters. There’s so many scenes to choose from here, not to mention the HEART-CRACK of the last scene, and Olga’s … Continue reading
The Books: “Uncle Vanya” (Anton Chekhov)
Well, it’s 6:15 in the morning and you know what that means! It’s time for a Chekhov excerpt! I’m a lunatic. Next up in my Daily Book Excerpt: More from my The Plays of Anton Chekhov, translated by Paul Schmidt. … Continue reading
The Books: “The Seagull” (Anton Chekhov)
Next in my Daily Book Excerpt: More from my collected plays of Chekhov, translated by Paul Schmidt. This excerpt is from The Seagull. The Seagull – one of the classic plays about acting and theatre that is out there. Actually, … Continue reading
The Books: “Collected Plays of Anton Chekhov” – ‘Swan Song’ (Anton Chekhov)
Next script on my script shelf: Next play is Chekhov’s “Swan Song,” included in The Plays of Anton Chekhov. Translated by Paul Schmidt. I had owned an old copy of some old translation for years – whenever I worked on … Continue reading
The Difficulty of Playing Chekhov
Anyone who’s ever acted in a Chekhov play … or seen a Chekhov play … or worked on a Chekhovian monologue … or did a scene from a Chekhov play in scene study … KNOWS how difficult he is. When … Continue reading

