Categories
Archives
-
-
Recent Posts
- Frankenstein coming to life …
- “I grew up believing that I was fundamentally powerless.” — Thom Yorke
- Frankenstein and Tiffany, part deux
- “I want to live, not pose!” — Carole Lombard
- “When I’m performing, that’s the real me.” — Billy Lee Riley
- “If someone spends his life writing the truth without caring for the consequences, he inevitably becomes a political authority in a totalitarian regime.” — Václav Havel
- “[At Swim-Two-Birds is] just the book to give to your sister, if she is a dirty, boozey girl.” – Dylan Thomas on Flann O’Brien’s masterpiece
- “All my life I have been happiest when the folks watching me said to each other, `Look at the poor dope, wilya?” — Buster Keaton
- “That cat was royalty, man.” — Mick Jagger on Eddie Cochran
- “The problem with taking amps to a shop is that they come back sounding like another amp.” — Stevie Ray Vaughan
Recent Comments
- sheila on “When I’m performing, that’s the real me.” — Billy Lee Riley
- sheila on “When I’m performing, that’s the real me.” — Billy Lee Riley
- Krsten Westergaard on “When I’m performing, that’s the real me.” — Billy Lee Riley
- sheila on Premiere of Frankenstein official trailer!
- sheila on Premiere of Frankenstein official trailer!
- Sheila Welch on Premiere of Frankenstein official trailer!
- sheila on “I wish I had not been so reserved.” — Joseph Cornell’s final words
- Jack Sakes on “I wish I had not been so reserved.” — Joseph Cornell’s final words
- sheila on All About Al podcast: Discussing Dog Day Afternoon
- Todd Restler on All About Al podcast: Discussing Dog Day Afternoon
- sheila on “Teens always heard my music with their hearts. The beat was just happy. It didn’t have color or hidden meaning.” — Fats Domino
- sheila on “Teens always heard my music with their hearts. The beat was just happy. It didn’t have color or hidden meaning.” — Fats Domino
- sheila on If the Hollywood Reporter says it…
- Nathalie Latour on If the Hollywood Reporter says it…
- Michael on “Teens always heard my music with their hearts. The beat was just happy. It didn’t have color or hidden meaning.” — Fats Domino
- sheila on All About Al podcast: Discussing Dog Day Afternoon
- sheila on All About Al podcast: Discussing Dog Day Afternoon
- Kristen Westergaard on “Paper, tobacco, food, and a little whiskey.” — William Faulkner on his writing requirements
- Todd Restler on All About Al podcast: Discussing Dog Day Afternoon
- Todd Restler on All About Al podcast: Discussing Dog Day Afternoon
-
Collaborators
This entry was posted in Actors, Directors and tagged Alfred Hitchcock, Cary Grant, Ingrid Bergman, Notorious. Bookmark the permalink.
Notorious?
It must be – as far as I know that was the only time the 3 of them worked together.
That’s my reasoning, too.
Hitchcock was notorious (heh) for hating actors. To Hitchcock, they were little more than props that moved. But he loved Cary Grant. He said something like, “There’s only one actor I really love – and that’s Cary Grant.”
As I recall, he also lusted for Ingrid and spread a story (undoubtedly false) about how she once burst into his office and demanded that he have sex with her.
Jesus, can you blame her???
:)
That was Hitch that spread the story, not Cary Grant. I doubt she was too interested in Hitch.
I certainly can’t blame Hitch for feeling that way, though. I mean, heck, I lust for Ingrid.
Actually, there’s another funny story about Bergman. She would pretty much always fall in love with her co-star (Humphrey Bogart was a notable exception – which I think is so fascinating -because what is more effective than THAT love story???) – But anyway. She would throw herself into her parts with such focus and abandon that she would spend the shoot desperately in love with whoever.
Gary Cooper later said (and I can just picture his wry delivery…) “I never had anyone as in love with me as Ingrid Bergman was when we filmed For Whom the Bell Tolls. And after the shoot was finished, I couldn’t even get her on the phone.”
hahaha
One of my favorite stories about Hitchcock and Ingrid occurred when they were working on “Under Capricorn.” One day on the set there was something that Ingrid didn’t like about the way the film was being done, so she flew into a rant about it, and Hitchcock, who hated arguments, simply walked quietly off set. Ingrid didn’t even notice and continued raving away.
I read somewhere that Bogart was afraid of his wife’s jealousy (the wife before Bacall; I don’t remember who that was) and deliberately shunned Ingrid on the set so as not to provoke his wife’s suspicions. This didn’t work; she was jealous of Ingrid anyway.