I wrote the booklet essay for Olive Films’ limited edition of Milos Forman’s Hair, which will be released on 6/30, and is now available for pre-order. Check out the list of special features (besides my essay, I mean). It looks like it’s going to be great! Excited to be a part of it.
Categories
Archives
-

-
Recent Posts
- “If I could say it in words there would be no reason to paint.” — Edward Hopper
- Happy Birthday, Edward Herrmann
- “The rhythm is jazz.” — Hart Crane
- “When I have an idea, I turn down the flame, as if it were a little alcohol stove, as low as it will go. Then it explodes, and that is my idea.” — Ernest Hemingway
- July 20, 1969: Tranquility
- “The reality is you don’t arrive, you don’t have a crone ceremony and suddenly get wisdom.” — Olympia Dukakis
- R.I.P. Jennifer Finch
- “I think something once broken and put back together is even stronger.” — Jared Padalecki
- “Didacticism is the death of art.” — poet Alice Moore Dunbar-Nelson
- “Free Enterprise. The American Dream. Horatio Alger gone mad on drugs in Las Vegas. Do it now. Pure Gonzo journalism.” — Hunter S. Thompson
Recent Comments
- sheila on Physical Media Booklet Essay: Being scholarly about movies that don’t exist
- sheila on Physical Media Booklet Essay: Being scholarly about movies that don’t exist
- sheila on R.I.P. Jennifer Finch
- sheila on “I think something once broken and put back together is even stronger.” — Jared Padalecki
- Lyrie on Physical Media Booklet Essay: Being scholarly about movies that don’t exist
- Lyrie on “I think something once broken and put back together is even stronger.” — Jared Padalecki
- Lyrie on R.I.P. Jennifer Finch
- Lyrie on “I think something once broken and put back together is even stronger.” — Jared Padalecki
- sheila on “I’m not a yesterday’s woman. I’m a tomorrow’s woman.” — Barbara Stanwyck
- sheila on Happy Birthday, Chips Moman
- Ken on “I’m not a yesterday’s woman. I’m a tomorrow’s woman.” — Barbara Stanwyck
- Tony McCrorie on Happy Birthday, Chips Moman
- sheila on “Reality is diabolical.” — Ingmar Bergman
- sheila on Happy Birthday, Thomas Mitchell
- sheila on “Art is theft, art is armed robbery, art is not pleasing your mother.” — Janet Malcolm
- Roger Green on “Reality is diabolical.” — Ingmar Bergman
- Xandra de Vocht on The Books: “The Great Nebula in Orion” (Lanford Wilson)
- Bryan Summers on Happy Birthday, Thomas Mitchell
- Kristen Westergaard on “Art is theft, art is armed robbery, art is not pleasing your mother.” — Janet Malcolm
- sheila on “Art is theft, art is armed robbery, art is not pleasing your mother.” — Janet Malcolm
-



Great movie and excited for your essay. Growing up in the early 70’s my parents had lots of soundtrack albums of Broadway plays, movies, etc. I played a lot of them and got my love of film and music from them. I played the Hair LP, singing along to songs that I didn’t even know were taboo subjects for a preteen. (Sodomy, Colored boys, etc.)
When it came out, I was excited to see how this music I’d loved was going to look on a big screen. It was a revelation – I loved the energy, the humor, seeing the horror of the Vietnam war interpreted onto film. Two of my favorite parts are the horses dancing in Central Park at the beginning, and the Twyla Tharp choreography in the church wedding scene. The director had a brilliant eye for set pieces. I also had a big crush on Treat Williams for a while after seeing him sing and dance. I guess I need to find what streaming platform is running this and check it out again.
Pat – haha singing along to “Sodomy” as a child! I did the same thing.
// Two of my favorite parts are the horses dancing in Central Park at the beginning, and the Twyla Tharp choreography in the church wedding scene. //
SO good. Love those scenes. I also love the scene where Treat Williams dances on the table at that snooty party – and Charlotte Rae – Mrs. Garrett!! – is all fluttery with lust and who can blame her?
That final scene when Treat Williams marches into the plane is just devastating – a brilliant scene.
It was really fun to write on it – especially in re: the adaptation to the screen. The original play was really just a “happening” – minimal plot. Because the movie was made long after the “Summer of Love” ended – you can feel that heartbreak and despair in the film – since those days were long over when the film was made.
Love the movie! Also love that the director was not American-born. Often “outsiders” can see “us” with more clarity than we can see ourselves.