In Cold Blood: “And I said, ‘Oh, Bonnie … Bonnie, dear … I haven’t seen you since that terrible thing happened.'”

Truman Capote in Holcomb, Kansas.

I thought I had seen all the photos from that time in Capote’s life, but I certainly haven’t seen that one. I love it. Here’s a big post I wrote on Capote. His time in Kansas fascinates me – not to mention the toll that writing In Cold Blood had on him. He was never the same again.

In_Cold_Blood.jpg

Excerpt from In Cold Blood:

Dewey fitted a key into the front door of the Clutter house. Inside, the house was warm, for the heat had not been turned off, and the shiny-floored rooms, smelling of a lemon-scented polish, seemed only temporarily untenanted; it was as though today were Sunday and the family might at any moment return from church. The heirs, Mrs. English and Mrs. Jarchow, had removed a vanload of clothing and furniture, yet the atmosphere of a house still humanly inhabited had not thereby been diminished. In the parlor, a sheet of music, “Comin’ Thro’ the Rye”, stood open on the piano rack. In the hall, a sweat-stained gray Stetson hat – Herb’s – hung on a hat peg. Upstairs in Kenyon’s room, on a shelf above his bed, the lenses of the dead boy’s spectacles gleamed with reflected light.

The detective moved from room to room. He had toured the house many times; indeed, he went out there almost every day, and, in one sense, could be said to find these visits pleasurable, for the place, unlike his own home, or the sheriff’s office, with its hullaballoo, was peaceful. The telephones, their wires still severed, were silent. The great quiet of the prairies surrounded him. He could sit in Herb’s parlor rocking chair, and rock and think. A few of his conclusions were unshakable: he believed that the death of Herb Clutter had been the criminals’ main objective, the motive being a psychopathic hatred, or possibly a combination of hatred and thievery, and he believed that the commission of the murders had been a leisurely labor, with perhaps two or more hours elapsing between the entrance of the killers and their exit. (The coroner, Dr. Robert Fenton, reported an appreciable difference in the body temperatures of the victims, and, on this basis, theorized that the order of execution had been: Mrs. Clutter, Nancy, Kenyon, and Mr. Clutter.) Attendant upon these beliefs was his conviction that the family had known very well the persons who destroyed them.

During this visit Dewey paused at an upstairs window, his attention caught by something seen in the near distance – a scarecrow amid the wheat stubble. The scarecrow wore a man’s hunting cap and a dress of weather-faded flowered calico. (Surely an old dress of Bonnie Clutter’s?) Wind frolicked the skirt and made the scarecrow sway – make it seem a creature forlornly dancing in the cold December field. And Dewey was somehow reminded of Marie’s dream. One recent morning she had served him a bungled breakfast of sugared eggs and salted coffee, then blamed it all on “a silly dream” – but a dream the power of daylight had not dispersed. “It was so real, Alvin,” she said. “As real as this kitchen. That’s where I was. Here in the kitchen. I was cooking supper, and suddenly Bonnie walked through the door. She was wearing a blue angora sweater, and she looked so sweet and pretty. And I said, ‘Oh, Bonnie … Bonnie, dear … I haven’t seen you since that terrible thing happened.’ But she didn’t answer, only looked at me in that shy way of hers, and I didn’t know how to go on. Under the circumstances. So I said, ‘Honey, come see what I’m making Alvin for his supper. A pot of gumbo. With shrimp and fresh crabs. It’s just about ready. Come on, honey, have a taste.’ But she wouldn’t. She stayed by the door looking at me. And then – I don’t know how to tell you exactly, but she shut her eyes, she began to shake her head, very slowly, and wring her hands, very slowly, and to whimper, or whisper. I couldn’t understand what she was saying. But it broke my heart, I never felt so sorry for anyone, and I hugged her. I said, ‘Please, Bonnie! Oh don’t, darling, don’t! If ever anyone was prepared to go to God, it was you, Bonnie.’ But I couldn’t comfort her. She shook her head, and wrung her hands, and then I heard what she was saying. She was saying, ‘To be murdered. To be murdered. No. No. There’s nothing worse. Nothing worse than that. Nothing.'”

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5 Responses to In Cold Blood: “And I said, ‘Oh, Bonnie … Bonnie, dear … I haven’t seen you since that terrible thing happened.'”

  1. george says:

    Sheila

    I would make a deal with the devil to be able to write like that. “In Cold Blood” is literature for the ages, like “Crime and Punishment”. That he was never the same after that experience is understandable. That the movie was as powerful as the book – phenomenal.

  2. brendan says:

    i’ve never been able to make it all the way through ‘in cold blood’ because it terrifies me. the tension is just impossible to take.

  3. Tom Sutpen says:

    That’s a beautiful post on Capote. I don’t know why I hadn’t read it before this, but I should have.

    My one Truman Capote anecdote comes second-hand; a Truman-on-the-skids account from a woman I used to work with:

    Back in the late 70s she was one of those New Yorkers who stand on line outside the fabled Studio 54 in the vain hope that they suddenly change their policy and start letting the general public in (fat chance). Any rate, she was on line one evening when a cab pulls up and out spilled a clearly over-medicated Truman Capote, accompanied by two others. He was wearing (get this) a Sailor’s suit.

    He walked up to that part of the line my friend was standing on and asked the general gathering, “How d’you like my uniform?”. Someone must have applauded, because the author of ‘Other Voices, Other Rooms’ then executed a deep bow which unfortunately carried him directly to the pavement. He was helped to his feet and, as if nothing had happened, he turned and staggered into the joint.

    God only knows (and He’s the only one who’d have the stomach for it) how many nights of that sort Capote immersed himself in. Writer’s block is a terrible, terrible thing.

  4. red says:

    Tom – the accounts of how blocked he was as a writer, in Gerald Clarke’s biography, are absolutely heart-wrenching. And after such early promise and arrogance … His “biting the hand that fed him” was a spectacularly self-destructive act, in a way – cutting him off from his social life – which was his life’s blood … and I often think his cries of, “But I didn’t mean to hurt anyone” were disingenuous. I think he did mean to hurt them – writers are not, in general, nice people – it’s not one of the job requirements … but I don’t think he understood how bad the fallout would be. It just hurt me to read that book, his loneliness at the end of his life – the cold shoulder he felt the whole world was giving him …

    It’s just awful to read about. My heart really goes out to him. He’s one of my favorites.

  5. red says:

    And that’s an excellent (and sad) story about Capote in the sailor suit. Sigh. It’s depressing to think about. Poor man.

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