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Tag Archives: Tennessee Williams
“Why Do They Strike Us? What Is Our Offense?”
Tennessee Williams’s Notebooks are incredible on multiple layers. It has a lot of information not before published, the footnotes are as extensive as the text itself – beautifully connected to the text, adding depth and shadings to what Williams shares … Continue reading
“a fatally mistaken premise”
Now I like Thornton Wilder a lot (not only because of Our Town and all the others, but because of this anecdote – which should be memorized by every actor/director planning on doing Our Town, because THAT is the key … Continue reading
Annotated Hart Crane
Hart Crane (along with D. H. Lawrence) were Tennessee Williams’ main inspirations. It was lifelong love affair. In the empty front page of a collection of Hart Crane’s poems, Tennessee Williams wrote: State of the World and Myself I remember … Continue reading
“As Time Goes By”: Tennessee Williams As An Usher
Excerpt from Tennessee Williams’ Memoirs: A friend was employed in 1943 to the old Strand Theatre on Broadway as an usher, and, knowing that I was between profitable engagements, he told me that the Strand was in need of a … Continue reading
Tennessee Williams, Journal Entries, 1937
I am finally getting around to reading the spectacular unedited edition of Tennessee Williams’ Notebooks, the journal he kept for his entire life (well, there is a 20 year gap in there). I have flipped through it – it’s a … Continue reading
Movie Marathon on Block Island
While I had tons of time to read, and walk, and have visitors, and write, and dream, I also had an orgy of movie-watching out on the Island. I brought some movies with me, but for the most part, I … Continue reading
Posted in Movies
Tagged A Place in the Sun, A Woman's Face, Cary Grant, Clark Gable, Cyd Charisse, Deborah Kerr, Elizabeth Taylor, Fred Astaire, Fredric March, George Sanders, Gloria Grahame, Hedy Lamarr, Henry Fonda, Humphrey Bogart, In a Lonely Place, Ingrid Bergman, Jimmy Stewart, Joan Crawford, John Ford, Johnny Guitar, Josef von Sternberg, Karl Malden, Katharine Hepburn, Kay Francis, Loretta Young, Marlene Dietrich, mirrors, Montgomery Clift, Philadelphia Story, Robert Duvall, Robert Mitchum, Rosalind Russell, Shelley Winters, Tennessee Williams, The Darjeeling Limited, The Double Life of Veronique, Wes Anderson
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Today in history: December 3, 1947
A Streetcar Named Desire opened in New York at the Ethel Barrymore Theatre. Scene 5, Streetcar Named Desire BLANCHE: Young man! Young, young, young man! Has anyone ever told you that you look like a young Prince out of the … Continue reading
Posted in On This Day, Theatre
Tagged A Streetcar Named Desire, Elia Kazan, John Garfield, Karl Malden, Marlon Brando, Tennessee Williams
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“a new theatre is coming”
“We must remember that a new theatre is coming after the war with a completely new criticism, thank God. The singular figures always stand a good chance when there are sweeping changes. Keep your ear to the ground and concentrate … Continue reading
“what is right”
“Just keep on writing. It is remarkable how one begins to know what is right.” — Editor John Rood to Tennessee Williams, March 22, 1935
Blanche Dubois and the Code
Wonderful post from Jose about Blanche’s monologue about her husband (“he was a boy”) in Streetcar, and how it had to be made much less explicit (meaning: not explicit at all) in the film version, due to the Production Code. … Continue reading
Posted in Movies
Tagged A Streetcar Named Desire, Elia Kazan, Tennessee Williams, Vivien Leigh
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