My next re-cap of Feud is up at the NY Times
Categories
Archives
-
-
Recent Posts
- Frankenstein coming to life …
- “I grew up believing that I was fundamentally powerless.” — Thom Yorke
- Frankenstein and Tiffany, part deux
- “I want to live, not pose!” — Carole Lombard
- “When I’m performing, that’s the real me.” — Billy Lee Riley
- “If someone spends his life writing the truth without caring for the consequences, he inevitably becomes a political authority in a totalitarian regime.” — Václav Havel
- “[At Swim-Two-Birds is] just the book to give to your sister, if she is a dirty, boozey girl.” – Dylan Thomas on Flann O’Brien’s masterpiece
- “All my life I have been happiest when the folks watching me said to each other, `Look at the poor dope, wilya?” — Buster Keaton
- “That cat was royalty, man.” — Mick Jagger on Eddie Cochran
- “The problem with taking amps to a shop is that they come back sounding like another amp.” — Stevie Ray Vaughan
Recent Comments
- sheila on “When I’m performing, that’s the real me.” — Billy Lee Riley
- sheila on “When I’m performing, that’s the real me.” — Billy Lee Riley
- Krsten Westergaard on “When I’m performing, that’s the real me.” — Billy Lee Riley
- sheila on Premiere of Frankenstein official trailer!
- sheila on Premiere of Frankenstein official trailer!
- Sheila Welch on Premiere of Frankenstein official trailer!
- sheila on “I wish I had not been so reserved.” — Joseph Cornell’s final words
- Jack Sakes on “I wish I had not been so reserved.” — Joseph Cornell’s final words
- sheila on All About Al podcast: Discussing Dog Day Afternoon
- Todd Restler on All About Al podcast: Discussing Dog Day Afternoon
- sheila on “Teens always heard my music with their hearts. The beat was just happy. It didn’t have color or hidden meaning.” — Fats Domino
- sheila on “Teens always heard my music with their hearts. The beat was just happy. It didn’t have color or hidden meaning.” — Fats Domino
- sheila on If the Hollywood Reporter says it…
- Nathalie Latour on If the Hollywood Reporter says it…
- Michael on “Teens always heard my music with their hearts. The beat was just happy. It didn’t have color or hidden meaning.” — Fats Domino
- sheila on All About Al podcast: Discussing Dog Day Afternoon
- sheila on All About Al podcast: Discussing Dog Day Afternoon
- Kristen Westergaard on “Paper, tobacco, food, and a little whiskey.” — William Faulkner on his writing requirements
- Todd Restler on All About Al podcast: Discussing Dog Day Afternoon
- Todd Restler on All About Al podcast: Discussing Dog Day Afternoon
-
Sheila
I’ve been watching everything completely out of order. Some scenes a few times, back and forth and trying to catch up. But everything I’ve seen with Crawford/Lange has completely floored me. She is so good! When she tries to come on to Jack Warner for a second, and how funny she is when she gets rejected, when she tells Davis about her abusive past (her eyes so dark with experiencing evil, and also giving us something to think about how that situation happens, unfortunately, so much in life.) Telling the woman who wants to get that script to her (sorry everyone’s names are mixed up, but that actress is wonderful too) and the way she says it, she’s not trying to be mean, or show how strong she is, she just is. Sarandon, I still think she has the tougher job, doesn’t have that inner steely strength that Davis so obviously had. She almost seems like a girl next to Lange’s complicated woman.
Regina –
I so agree with you about Lange.
// when she tells Davis about her abusive past (her eyes so dark with experiencing evil, //
That moment gave me the creepy-crawlies. Taking a drag from her cigarette, saying, “I led him into it.”
SO. GOOD.
No self-pity. She can’t afford it.
// Sarandon, I still think she has the tougher job, doesn’t have that inner steely strength that Davis so obviously had. //
I agree – it also seems that Ryan Murphy is just more naturally drawn to the Joan Melodrama. More and more the series is from Joan’s POV. It seems that Davis had little to no insecurities – which is why she was such an incredible actress. Feud is definitely interested in trying to look beneath that surface – see what might have been “triggered” in this feud, as it were – sometimes it works, sometimes it doesn’t – but I am still riveted by a lot of this.
Especially individual scenes. I’m finding I remember those with much more vivid detail than the series as a whole.
I want a Keith Morrison ringtone.
You’ve got a call….Or do you?
hahahahaha