This wall is a work in progress. Anything that goes up there has to inspire me and make me happy just to look at. It’s the room I spend the most time in. The sunset light coming in is always so intense I have to make sure I close the curtains – I don’t want these pieces to fade! But it looked so pretty with the light on it, I thought I’d snap a picture. (I took one thing down over on the left hand side and have yet to find a replacement.) The Hamilton poster, bought for me by my mother when we went to go see the show on Broadway (to date one of my favorite theatre experiences, as well as one of my favorite experiences with me and my mom). The Alfred Wertheimer Elvis shot which has been my banner for years now, and cousin Mike gave me this as a gift after the workshop of my script in Los Angeles: it’s an original and it’s SIGNED by Alfred Wertheimer. A collage my beloved aunt Regina made. The Sam Shaw photograph of John Cassavetes and Gena Rowlands, which has been on my walls – in probably 10 different apartments – since I was 25 years old. I tore the photo out of an Interview magazine years ago (you can still see the tear down the middle). And then, crazy, the Elvis Presley Boulevard street sign – an actual street sign – which my brother found in a second-hand store in Los Angeles and bought it for me. Plus, I framed my first cover story for Film Comment, on Paul Thomas Anderson’s Phantom Thread. If I lose heart, if I feel like I’m not getting anywhere fast enough, a quick glance at that makes me remember how far I’ve come. Oh and over to the left: my dad’s really old wooden filing cabinet. I treasure it. On top of it: the “golden thumb” statue/plaque I got when my short film, July and Half of August played at Ebertfest. I placed the statue on one of the embroidered handkerchiefs my O’Malley grandmother made. She’s been dead for years now, and this is one of her possessions and I love having it. That weird cool light I inherited from my old roommate, Jen (I interviewed her recently about being an acting teacher). She was getting rid of it and I thought it was so whimsical and odd she gave it to me. It sheds no real light, it’s more of a delicate dim glow, but it makes me feel peaceful when I turn it on, particularly in the early morning when I’m up before the dawn. Powerful talismans, all.
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- “As long as the house of The Holy Spirit remains a haven for criminals the reputation of the church will remain in ruins.” — Sinéad O’Connor
- “As an artist, I wonder, What can I do to make the audience think differently about what good is, what bad is, who a man is, and who a woman is.” — Matthias Schoenaerts
- “It’s been awhile. My Oscar is getting kind of tarnished. I looked at it a couple of years ago and thought I really needed a new one.” — Ellen Burstyn
- Review: The End (2024)
- “I think they saw me as something like a deliverer, a way out. My means of expression, my music, was a way in which a lot of people wished they could express themselves and couldn’t.” — Little Richard
- “Even to this day, I watch The Wizard of Oz like I did when I was five years old. I get really involved in it.” — Lynne Ramsay
- “The ability to think for one’s self depends upon one’s mastery of the language.” — Joan Didion
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- A Streetcar Named Desire: That’s What Williams Wrote. Deal With It.
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- Maddy on “As long as the house of The Holy Spirit remains a haven for criminals the reputation of the church will remain in ruins.” — Sinéad O’Connor
- Maddy on “It’s been awhile. My Oscar is getting kind of tarnished. I looked at it a couple of years ago and thought I really needed a new one.” — Ellen Burstyn
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- sheila on “I thought girls in their teens might like to read [Anne of Green Gables], that was the only audience I hoped to reach.” — L.M. Montgomery
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