Looking thru this montage made me really happy. Everyone busy, working, creating. Face after face after face.
Categories
Archives
-
Recent Posts
- “I pretended to be somebody I wanted to be until finally I became that person. Or he became me.” — Archie Leach
- “I never told a joke in my life.” — Andy Kaufman
- “In France, I’m an auteur; in Germany, a filmmaker; in Britain; a genre film director; and, in the USA, a bum.” — John Carpenter
- Shadow and pools of light
- “Precision and accuracy are necessary for both white and black writers. ‘A black aesthetic’ should not be an excuse for sloppy writing.” — poet and publisher Dudley Randall
- “When I was discovered, everything happened like dominos. I don’t know how to talk about it now because it’s too mindblowing. It’s so unreal, and yet it’s real.” — Faye Dunaway
- Mirrors #24
- Turn on the goose
- “As long as they pay me my salary, they can give me a broom and I’ll sweep the stage. I don’t give a damn. I want the money.” – Kay Francis
- “Fear urged him to go back, but growth drove him on.” — White Fang, by Jack London
Recent Comments
- Molly Larson Cook on R.I.P. Sam Schacht
- Melissa Sutherland on “I never told a joke in my life.” — Andy Kaufman
- Leena Myller on “It wasn’t there, and then it was there.” David Lynch on Elvis
- Leena Myller on “It wasn’t there, and then it was there.” David Lynch on Elvis
- sheila on “When I was discovered, everything happened like dominos. I don’t know how to talk about it now because it’s too mindblowing. It’s so unreal, and yet it’s real.” — Faye Dunaway
- Maddy on “When I was discovered, everything happened like dominos. I don’t know how to talk about it now because it’s too mindblowing. It’s so unreal, and yet it’s real.” — Faye Dunaway
- sheila on “When I was discovered, everything happened like dominos. I don’t know how to talk about it now because it’s too mindblowing. It’s so unreal, and yet it’s real.” — Faye Dunaway
- Maddy on “When I was discovered, everything happened like dominos. I don’t know how to talk about it now because it’s too mindblowing. It’s so unreal, and yet it’s real.” — Faye Dunaway
- sheila on “I can pick a good song, but I sure couldn’t pick a good man.” — Ruth Brown
- Clary on “I can pick a good song, but I sure couldn’t pick a good man.” — Ruth Brown
- sheila on Colm Tóibín, Gary Indiana, and Los Angeles
- Maddy on Colm Tóibín, Gary Indiana, and Los Angeles
- sheila on Colm Tóibín, Gary Indiana, and Los Angeles
- sheila on Colm Tóibín, Gary Indiana, and Los Angeles
- Scott Abraham on Colm Tóibín, Gary Indiana, and Los Angeles
- sheila on Colm Tóibín, Gary Indiana, and Los Angeles
- Scott Abraham on Colm Tóibín, Gary Indiana, and Los Angeles
- sheila on “Boredom is very important in life. It helps you feel when something is wrong.” — John Strasberg
- Marta on “Boredom is very important in life. It helps you feel when something is wrong.” — John Strasberg
- sheila on “We’re not breaking new ground. We’re trying to be entertaining within a format that’s familiar.” — Walter Hill
-
That is the first time I have seen some of the directors. Not all looked as I thought they would. Leni especially was not what I would have imagined. She could have starred in some of her own films.
Riefenstahl in fact starred in 2 of her films, ‘The Blue Light’ (1932) and ‘Tiefland’ (1954), and prior to her directorial career made a mark as the heroine in a series of Alpine adventure pictures for UFA (‘The Holy Mountain’ and ‘The White Hell of Piz Palu’ to name but two).
In later life she claimed that Josef von Sternberg had offered her the role of Lola Lola in ‘The Blue Angel’ before giving it to Dietrich . . . but there’s no evidence to support that.
I mean, she also claimed she barely knew Adolf Hitler.
Thanks for the link!
Tom – “Hitler?? I barely knew the guy!”
I have no idea where you all find the photos you do … they are consistently extraordinary. Amazing.
Oh, how wonderful. Nice job, Tom!
Hitchcock standing in the window of Stewart’s apartment in ‘Rear Window’.
Griffith with his straw boater and the sun reflector.
Busby Berkley and the out of control set.
I will smile about this all day.
Sheila:
Most of them I find on safaris around the internet; though on this occasion I used this entry as a pretext to break in a new scanner (a couple of those images, such as the Hitchcock, Peter Watkins and Kenneth Anger photos, just aren’t available anywhere on the ‘net . . . nowhere I could find, anyway).
Side note on Riefenstahl: Have you read Steven Bach’s 2007 biography of the woman, the myth, the legend? Probably as definitive (and as well-written) as anything you’re likely to find on that subject. Highly recommended.
Sal:
Thanks for that; particularly when it’s the kind of compliment I appreciate the most. I said this as a comment on the blog, but it bears repeating: When I was putting that entry together, I was convinced it was the weakest of the ‘Miniseries’ series to date. Swell instincts, huh.
That said, I’m glad you all liked it!